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Los hongos alucinantes: apéndice de la literatura mexicana indigenista y crítica a la disciplina antropológica 幻觉蘑菇:墨西哥土著文学的附录和人类学学科的批判
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Anclajes Pub Date : 2022-05-01 DOI: 10.19137/anclajes-2022-2621
Ana Lourdes Álvarez Romero
{"title":"Los hongos alucinantes: apéndice de la literatura mexicana indigenista y crítica a la disciplina antropológica","authors":"Ana Lourdes Álvarez Romero","doi":"10.19137/anclajes-2022-2621","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2621","url":null,"abstract":": We analyze the book Los hongos alucinantes (1964), by Fernando Benítez (1912-2000), through three main approaches: first, as a successor and reformer of the Mexican Indigenista Literature of the 1950s; second, as a border text between literature, journalism and ethnography, in which Benítez “authorizes” himself through specific strat - egies; third, as a critical text of the anthropological discipline. Strongly influenced by the counterculture of the time and by Literary Indigenismo, Los hongos alucinantes imitates","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41384003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Infinito y sustracción en Qué hacer de Pablo Katchadjian: lo novelesco en el horizonte neoliberal 巴勃罗·卡塔德建的无限与减法：新自由主义视野中的小说
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Anclajes Pub Date : 2022-05-01 DOI: 10.19137/anclajes-2022-2623
Victoria Cóccaro
{"title":"Infinito y sustracción en Qué hacer de Pablo Katchadjian: lo novelesco en el horizonte neoliberal","authors":"Victoria Cóccaro","doi":"10.19137/anclajes-2022-2623","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2623","url":null,"abstract":": Pablo Katchadjian’s experimental novel Qué hacer (2010) is constructed by repetitions that assemble –in an unpredictable and unbridled way– different settings, objects, actions, and characters. It is a fictional force or narrative energy where the living as random power transformation appears. In the context of a dispute around this capacity for variation, this work presents escape, failures, wanderings, excesses","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41408006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La casa propia de Fina Warschaver: en los márgenes de la vanguardia Fina Warschaver自己的房子:在先锋队的边缘
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Anclajes Pub Date : 2022-05-01 DOI: 10.19137/anclajes-2022-2624
Carina González
{"title":"La casa propia de Fina Warschaver: en los márgenes de la vanguardia","authors":"Carina González","doi":"10.19137/anclajes-2022-2624","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2624","url":null,"abstract":": Aesthetics and politics were intrinsically linked during the emergence of the historical avant-gardes, but the discussion about their goals and interventions remains timely today. The intellectual field that emerged in forties and fifties Argentina, though following a moderate and seldom-disruptive version of the classic avant-garde (Sarlo 1997), did advance complex discussions on social realism and experimental forms linked more to modernism than to surrealism. In this period, Fina Warschaver (1910-1989), a writer with affiliations to Communist Party, published the controversial novel La casa Modesa (1949), which was ignored by critics due to its experimental form and its dis-tance from the social realism promoted by communist ideology. This essay analyzes the strategies that Warschaver borrows from Virginia Woolf’s modernist approach to","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47805655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"El fin de Europa" (y de lo que no es Europa). Motivos y versiones del final según Rafael Spregelburd “欧洲的终结”(以及欧洲以外的东西)。拉斐尔·施普雷格伯德的动机和结局版本
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Anclajes Pub Date : 2022-01-01 DOI: 10.19137/anclajes-2022-2616
María Fernanda Pinta
{"title":"\"El fin de Europa\" (y de lo que no es Europa). Motivos y versiones del final según Rafael Spregelburd","authors":"María Fernanda Pinta","doi":"10.19137/anclajes-2022-2616","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2616","url":null,"abstract":"","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49080889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cómo filmar juntos. Transtemporalidades y variaciones de lo extenso en el cine de Llinás y Campusano 如何一起拍摄。在llinas和Campusano的电影中广泛的跨时间和变化
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Anclajes Pub Date : 2022-01-01 DOI: 10.19137/anclajes-2022-2614
Marcos Zangrandi, Nicolás Suárez
{"title":"Cómo filmar juntos. Transtemporalidades y variaciones de lo extenso en el cine de Llinás y Campusano","authors":"Marcos Zangrandi, Nicolás Suárez","doi":"10.19137/anclajes-2022-2614","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2614","url":null,"abstract":": The article aims to investigate the problem of long duration in contem - porary Argentinean cinema, based on the cases of La flor (Mariano Llinás, 2018) and Fantasmas de la ruta (José Celestino Campusano, 2013). These are two particularly long films, in which extension, as a creative principle, is articulated with productive strategies, formal endeavors and new spatial constructions. A first dimension of this extension is determined by the productive time. In both works, the duration of the creative proc - esses is linked to the development of long-lasting film communities that depart from conventional funding, production and exhibition procedures. On the other hand, both films intertwine different plots, recomposing genres and narrative structures, as if the length of time became a laboratory of plots that reinvent patterns of verisimilitude and multiply the possibilities of fiction. Finally, there is an expansive impulse that articulates temporal and spatial extensions in both productions, in such a way that the cartographic projection of these long-lasting fictions discovers diverse transtemporal utopias, which in turn correspond to different cinematographic communities and ways of narrating the extension.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42798742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Una máquina del tiempo lentísima. "Los sorias", de Alberto Laiseca 一个非常慢的时间机器。阿尔贝托·莱塞卡(Alberto Laiseca)的《索里亚斯》(Los sorias)
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Anclajes Pub Date : 2022-01-01 DOI: 10.19137/anclajes-2022-2617
Cristian Molina
{"title":"Una máquina del tiempo lentísima. \"Los sorias\", de Alberto Laiseca","authors":"Cristian Molina","doi":"10.19137/anclajes-2022-2617","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2617","url":null,"abstract":": We propose to read Los Sorias , by Alberto Laiseca, as a long duration’s fiction and practice. This means addressing the knowledge about time, formal and common, that the novel promotes from various images and that define doing time as a very slow practice (of reading, writing, publishing), supported by Alberto Laiseca. This, in addition, is articulated with the conception of the novel as a time machine, from which Laiseca defines a very slow duration with the past as an open time.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41615722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A largo plazo: proyectos narrativos transtemporales en la Argentina contemporánea 长期:当代阿根廷的跨时间叙事项目
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Anclajes Pub Date : 2022-01-01 DOI: 10.19137/anclajes-2022-2611
Sandra Contreras, A. Laera
{"title":"A largo plazo: proyectos narrativos transtemporales en la Argentina contemporánea","authors":"Sandra Contreras, A. Laera","doi":"10.19137/anclajes-2022-2611","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2611","url":null,"abstract":": While current experiences around time seem dominated by speed, immedi- ate obsolescence and the short-termism, the works that make up this dossier bring together heterogeneous aesthetic materials in a cultural series that outlines alternative ways of processing, inhabiting, reimagining temporality. Through the proposed analysis, literary, cinematographic and theatrical works of contemporary Argentina enter into a dialogue based on a common commitment to the long term, to long duration as a unit of measurement for their narrative projects. Thus, time recovers the lost centrality in narrative imaginations –and critical reflections–, but it does so in the form of question - ing its perception, the discontinuity of its rhythms and chronologies, the interrogation of what it means to inhabit time and the opening to the different temporalities that are coupled, descompose or ignored behind this use of the singular.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48039736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Una imagen que no se olvida: trauma y anacronismo en el proyecto biodramático de Lola Arias sobre la guerra de Malvinas 一个不可忘记的形象:洛拉·阿里亚斯关于福克兰群岛战争的生物戏剧项目中的创伤和时代错误
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Anclajes Pub Date : 2022-01-01 DOI: 10.19137/anclajes-2022-2615
L. Segade
{"title":"Una imagen que no se olvida: trauma y anacronismo en el proyecto biodramático de Lola Arias sobre la guerra de Malvinas","authors":"L. Segade","doi":"10.19137/anclajes-2022-2615","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2615","url":null,"abstract":"This paper proposes to address the various temporalities that Lola Arias’s biodramatic project on the Malvinas War (the video installation Veterans, the documentary play Minefield and the film Theater of War) brings into play, in relation to the pro-","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48243289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ficciones Críticas. Escrituras latinoamericanas contemporáneas, de Roxana Patiño y Nancy Calomarde (editoras) 的评论。当代拉丁美洲写作，Roxana patino和Nancy Calomarde(编辑)
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Anclajes Pub Date : 2022-01-01 DOI: 10.19137/anclajes-2021-26112
Luz Rodríguez Carranza
{"title":"Ficciones Críticas. Escrituras latinoamericanas contemporáneas, de Roxana Patiño y Nancy Calomarde (editoras)","authors":"Luz Rodríguez Carranza","doi":"10.19137/anclajes-2021-26112","DOIUrl":"https://doi.org/10.19137/anclajes-2021-26112","url":null,"abstract":"","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43909346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tiempo de la vida, tiempos de la ficción: "Los diarios de Emilio Renzi" de Ricardo Piglia 生活的时间，小说的时间：里卡多·皮格里亚的《埃米利奥·伦齐的日记》
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Anclajes Pub Date : 2022-01-01 DOI: 10.19137/anclajes-2022-2612
A. Laera
{"title":"Tiempo de la vida, tiempos de la ficción: \"Los diarios de Emilio Renzi\" de Ricardo Piglia","authors":"A. Laera","doi":"10.19137/anclajes-2022-2612","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2612","url":null,"abstract":": In Ricardo Piglia’s Los diarios de Emilio Renzi , there is a multiple negotiation between the autobiographical writing of the three hundred and twenty seven notebooks throughout his life, the work of editing and fictionalizing them in three volumes, the pa - ratexts and the set of stories inserted throughout the narration. This negotiation, which is both a procedure and a compositional effect, entails friction between different times and on two levels. On the one hand, at the enunciative level: the original notebooks; the writing of the book and its publication between 2015 and 2017, and each of the","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48419156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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