{"title":"一个不可忘记的形象:洛拉·阿里亚斯关于福克兰群岛战争的生物戏剧项目中的创伤和时代错误","authors":"L. Segade","doi":"10.19137/anclajes-2022-2615","DOIUrl":null,"url":null,"abstract":"This paper proposes to address the various temporalities that Lola Arias’s biodramatic project on the Malvinas War (the video installation Veterans, the documentary play Minefield and the film Theater of War) brings into play, in relation to the pro-","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Una imagen que no se olvida: trauma y anacronismo en el proyecto biodramático de Lola Arias sobre la guerra de Malvinas\",\"authors\":\"L. Segade\",\"doi\":\"10.19137/anclajes-2022-2615\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper proposes to address the various temporalities that Lola Arias’s biodramatic project on the Malvinas War (the video installation Veterans, the documentary play Minefield and the film Theater of War) brings into play, in relation to the pro-\",\"PeriodicalId\":40458,\"journal\":{\"name\":\"Anclajes\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Anclajes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19137/anclajes-2022-2615\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anclajes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19137/anclajes-2022-2615","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Una imagen que no se olvida: trauma y anacronismo en el proyecto biodramático de Lola Arias sobre la guerra de Malvinas
This paper proposes to address the various temporalities that Lola Arias’s biodramatic project on the Malvinas War (the video installation Veterans, the documentary play Minefield and the film Theater of War) brings into play, in relation to the pro-
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