I.A. Bunin and his time: Context of Life — History of Work最新文献

On the Pages of Vera Bunina’s Correspondence 《薇拉·布尼娜的书信

I.A. Bunin and his time: Context of Life — History of Work Pub Date : 1900-01-01 DOI: 10.22455/ab-978-5-9208-0675-8-389-397

M. A. Frolov

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Literary Reviews of Ivan Bunin and Yuly Aikhenvald in the 1920s’ Periodics: Comparison of Approaches, Evaluations, Conclusions 20世纪20年代伊凡·布宁和尤里·艾肯瓦尔德的文学评论:方法、评价和结论的比较

I.A. Bunin and his time: Context of Life — History of Work Pub Date : 1900-01-01 DOI: 10.22455/ab-978-5-9208-0675-8-365-381

I. V. Kochergina

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Two ‛Loneliness’ Poems: on the Problem of Prose Features in the Poetry of Ivan Bunin 两首“孤独”的诗:论伊凡·布宁诗歌的散文特色问题

I.A. Bunin and his time: Context of Life — History of Work Pub Date : 1900-01-01 DOI: 10.22455/ab-978-5-9208-0675-8-112-126

E. Kuznetsova

{"title":"Two ‛Loneliness’ Poems: on the Problem of Prose Features in the Poetry of Ivan Bunin","authors":"E. Kuznetsova","doi":"10.22455/ab-978-5-9208-0675-8-112-126","DOIUrl":"https://doi.org/10.22455/ab-978-5-9208-0675-8-112-126","url":null,"abstract":"Based on the analysis of two “Loneliness” poems united by a common theme, the paper considers two main ways Bunin went to create the prosaism effect in his poetry: one is preserving the lyrical content while transforming the lyrical form; another is eliminating the lyrical content while preserving the lyrical form. In the first case, the level of intimacy and the confession feeling are increased, the content of the poem being the directly expressed feelings and experiences of the author, his spiritual experience. The form of the poem in this case is largely based on negative techniques (Yuri Lotman): weakening of rhythm and rhyme, simplicity of lexical means, “unadorned” speech, lack of tropes. In the second case it is vice versa: the rich, traditionally decorated poetic form is preserved, but pathetic lyricism and subjective point of view on the world are almost completely eliminated. Bunin had different reasons for such poetic experiments. On the one hand, it is the unity of the artistic world of the author who wrote both poetry and prose. On the other hand, it is a general tendency in modernist literature to blur the boundaries between genres and types of literature.","PeriodicalId":404337,"journal":{"name":"I.A. Bunin and his time: Context of Life — History of Work","volume":"165 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127412375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Poetics of Ivan Bunin ‛Novel Stories’ of the 1910s 20世纪10年代伊万·布宁小说的诗学

I.A. Bunin and his time: Context of Life — History of Work Pub Date : 1900-01-01 DOI: 10.22455/ab-978-5-9208-0675-8-92-99

Larisa V. Lyapaeva

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Legends from the Works of the French Orientalist A.P. Caussin de Perceval in the Works of Ivan Bunin 从法国东方学家A.P.考森·德·珀西瓦尔的作品看伊万·布宁作品中的传奇

I.A. Bunin and his time: Context of Life — History of Work Pub Date : 1900-01-01 DOI: 10.22455/ab-978-5-9208-0675-8-953-967

R. M. Safiulina

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Ivan Bunin’s Marks on K. Zaitsev’s ‛Ivan Bunin. Life and Works’ Monograph: an Essay of Interpretation) 伊凡·布宁评扎伊采夫的《伊凡·布宁》。《生活与作品专著:解读随笔》

I.A. Bunin and his time: Context of Life — History of Work Pub Date : 1900-01-01 DOI: 10.22455/ab-978-5-9208-0675-8-659-677

N. Prashcheruk

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’Dry Valley’, a Short Novel by Ivan Bunin: the History of the Text Formation 伊凡·布宁的短篇小说《干谷》:文本形成的历史

I.A. Bunin and his time: Context of Life — History of Work Pub Date : 1900-01-01 DOI: 10.22455/ab-978-5-9208-0675-8-592-603

G. Vorontsova

{"title":"’Dry Valley’, a Short Novel by Ivan Bunin: the History of the Text Formation","authors":"G. Vorontsova","doi":"10.22455/ab-978-5-9208-0675-8-592-603","DOIUrl":"https://doi.org/10.22455/ab-978-5-9208-0675-8-592-603","url":null,"abstract":"The paper considers the history of formation of the text of one of Ivan Bunin’s major literary works ― the short novel “Dry Valley”. Written in 1911, the short novel, based on extensive autobiographical material, was published five times. Acquaintance with the text in different editions leads to the conclusion that the creative history of the “Dry Valley” did not end in 1912 with its publication in the Vestnik Evropy magazine, but lasted up to 1934 comprising the preparation of the final Complete Works in the writer’s lifetime. This is proved by the edit of the short novel which concerns different stages of its edition history. The whole edit in the text of “Dry Valley” can be divided into two groups. The first group comprises the corrections that are common to the writer and caused by reading the work during the preparation of a new edition. They generally concern the narrative style, clarifications in the text, nuances of its certain pieces, descriptions, characters’ personalities and so forth. All of these fit into the concept of variants. The second group comprises the corrections that suggest the writers’ redefinition of the ideas that had served as the original basis of the literary text. This kind of edit is sometimes called “semantic” and doesn’t fit well into the concept of variants, tending more to the concept of editing. The author of the article comes to a conclusion that we actually deal with two texts of “Dry Valley” with identical plot, story line and list of characters, but of different orientation and direction.","PeriodicalId":404337,"journal":{"name":"I.A. Bunin and his time: Context of Life — History of Work","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133929429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Ivan Bunin’s “At the Summer Home” Story: from the “To the World’s End” Collection to the Complete Work 伊凡·布宁《在夏日之家》的故事:从《走向世界尽头》合集到全集

I.A. Bunin and his time: Context of Life — History of Work Pub Date : 1900-01-01 DOI: 10.22455/ab-978-5-9208-0675-8-633-647

Anastasiia Yu. Pavlova

{"title":"Ivan Bunin’s “At the Summer Home” Story: from the “To the World’s End” Collection to the Complete Work","authors":"Anastasiia Yu. Pavlova","doi":"10.22455/ab-978-5-9208-0675-8-633-647","DOIUrl":"https://doi.org/10.22455/ab-978-5-9208-0675-8-633-647","url":null,"abstract":"The paper examines the creative history of an early little studied short story by Ivan Bunin “At the Summer Home” basing the research on three main publications. It describes in detail the successive changes that the text underwent from its first publication (in the “To the End of the World and Other Stories” collection, 1897) to the publication in the Complete Works edition (1915). The analysis also concerns such key components of the work as the images of the main characters, the conflict, and the ending. The article shows how minor changes radically change the character of the main character, how the author’s sympathies are distributed among the characters; how, due to the changes, the text turns into a work with complex interpersonal and individual internal conflicts. The circumstances of the creation of the story are also mentioned, together with the critical reviews received by the author from editors and reviewers of literary journals. On the basis of the above textual studies, the author draws conclusions about the number of editions of the story “At the Summer Home”, and which of the texts should be considered the main one.","PeriodicalId":404337,"journal":{"name":"I.A. Bunin and his time: Context of Life — History of Work","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133923843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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‘The Temple of the Sun’, a Book of Travel Sketches by Ivan Bunin: The Problem of the Title and the Main Text 伊凡·布宁游记《太阳神庙》:标题与正文的问题

I.A. Bunin and his time: Context of Life — History of Work Pub Date : 1900-01-01 DOI: 10.22455/ab-978-5-9208-0675-8-881-889

E. Ponomarev

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‛In Search of Lost Time’. On the Traces of Memories of I. Bunin and V. Nabokov 《追忆似水年华》。论布宁和纳博科夫的记忆痕迹

I.A. Bunin and his time: Context of Life — History of Work Pub Date : 1900-01-01 DOI: 10.22455/ab-978-5-9208-0675-8-545-556

I. Racz

{"title":"‛In Search of Lost Time’. On the Traces of Memories of I. Bunin and V. Nabokov","authors":"I. Racz","doi":"10.22455/ab-978-5-9208-0675-8-545-556","DOIUrl":"https://doi.org/10.22455/ab-978-5-9208-0675-8-545-556","url":null,"abstract":"Memory is like art: a creative, constructive act, which is perfectly felt in the works of Ivan Bunin and Vladimir Nabokov. The kinship of memory with creativity is also confirmed by the fact that the inner emotional world of the creative subject is decisive in both processes. One of the points of connection and particular sensitivity of the art of Bunin and Nabokov is precisely the fact that they do not believe in time. The time of consciousness is also separated from the physically measurable time of reason in Nabokov’s first novel and Bunin’s story “Mitya’s Love”. In the world of their heroes a key role belongs to various forms of manifestation of memory: individual, historical, and even archaic. The connection with the past expands the boundaries of the personal existence of their heroes, allows the individual to feel himself part of the One Whole. Bunin’s characters, who embodied the ideal of eternal feminine, tend to come to life in memory as well. And like the rose of Jericho, in the stories of Bunin written in exile the historical Russia also comes to life again, becoming a timeless theme of historical memory. The act of remembrance moves us away from the present, thanks to it, we can relive the past with a “living life”.","PeriodicalId":404337,"journal":{"name":"I.A. Bunin and his time: Context of Life — History of Work","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122278990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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