Poe Studies-History Theory Interpretation最新文献_第6页

Poe in Europe: Recent French Criticism 爱伦·坡在欧洲:近代法国批评

4区文学

Poe Studies-History Theory Interpretation Pub Date : 2009-06-11 DOI: 10.1111/J.1754-6095.1978.TB00290.X

Patrick F. Quinn

引用次数: 0

When Is Now?: Poe’s Aesthetics of Temporality 现在是什么时候?:坡的时间性美学

4区文学

Poe Studies-History Theory Interpretation Pub Date : 2008-10-01 DOI: 10.1111/J.1754-6095.2008.00005.X

C. Weinstein

{"title":"When Is Now?: Poe’s Aesthetics of Temporality","authors":"C. Weinstein","doi":"10.1111/J.1754-6095.2008.00005.X","DOIUrl":"https://doi.org/10.1111/J.1754-6095.2008.00005.X","url":null,"abstract":"T ime is an essential component in The Narrative of Arthur Gordon Pym. Augustus’s watch runs down and his father’s chronometer goes missing. The passage of days, hours, and minutes occupies a great deal of narrative space and anxious speculation. The narrative even assumes the form of a log with its explicit demarcation of months and dates. But time’s presence runs deeper than even these instances suggest, as my epigraph from Pym intimates and as this essay will show.1 Adverbs designating the passage of time, such as “after” and “at length,” are a constitutive feature of Pym’s narrative fabric, as are adjectives that convey an experience of time, such as “immediate” and “still.” As much as Pym’s is a journey in space, it is a journey in and through time. And lest we forget, it is also a fictional voyage of exploration written in time by Arthur Gordon Pym/Edgar Allan Poe and read in the time of the 1830s. In an analysis of how the discipline of anthropology strategically deploys the markers of time, such as tenses and adverbs, to produce the subjects of its study as colonized others separate in time, Johannes Fabian provides a valuable template for understanding Poe’s Pym—which, as we know, contains a substantial amount of material plagiarized from exploratory and ethnographic texts of the antebellum period. Through close readings of key anthropological texts, Fabian foregrounds the central, but theoretically unstudied, role time has played in the imperial/epistemological conquest of space and argues that “time [has been required] to accommodate the schemes of a one-way history:","PeriodicalId":40386,"journal":{"name":"Poe Studies-History Theory Interpretation","volume":"26 1","pages":"107 - 81"},"PeriodicalIF":0.0,"publicationDate":"2008-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78267847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 9

“The Whole Numerous Race of the Melancholy among Men”: Mourning, Hypocrisy, and Same-Sex Desire in Poe’s Narrative of Arthur Gordon Pym “人类忧郁的整个种族”:爱伦·坡《阿瑟·戈登·皮姆》叙事中的哀悼、虚伪与同性欲望

4区文学

Poe Studies-History Theory Interpretation Pub Date : 2008-10-01 DOI: 10.1111/J.1754-6095.2008.00003.X

David Greven

引用次数: 3

Queer Poe: The Tell-Tale Heart of His Fiction 酷儿·坡:他小说的泄密核心

4区文学

Poe Studies-History Theory Interpretation Pub Date : 2008-10-01 DOI: 10.1111/J.1754-6095.2008.00002.X

Leland S. Person

{"title":"Queer Poe: The Tell-Tale Heart of His Fiction","authors":"Leland S. Person","doi":"10.1111/J.1754-6095.2008.00002.X","DOIUrl":"https://doi.org/10.1111/J.1754-6095.2008.00002.X","url":null,"abstract":"“When I wish to find out how wise, or how stupid, or how good, or how wicked is any one, or what are his thoughts at the moment,” C. Auguste Dupin explains in “The Purloined Letter” (1845), “I fashion the expression of my face, as accurately as possible, in accordance with the expression of his, and then wait to see what thoughts or sentiments arise in my mind or heart, as if to match or correspond with the expression” (Works, 3:984–85).1 This example of mimicry—of a man making himself “correspond” intellectually and emotionally with another man—can offer an interesting point of entry for studying connections between male relationships and the play of desire in Poe’s fiction. The possibility of a physical identification so potent that a telepathic communication of thoughts and feelings occurs between two men invites interpretation from a gay or queer perspective. Poe’s fiction includes a remarkable number of such identificatory moments, raising questions about the range of thoughts or sentiments that can arise in a man’s mind or heart under such intense conditions. To what extent can those thoughts and sentiments be understood according to homoerotic structures of desire and response? Analyzing Poe’s representation of male-male intimacy can also tell us a great deal about the nineteenth-century imaginary—about the forms that intense male relationships could take before “homosexuality” became a set of behaviors and a state of being. Jonathan Ned Katz has catalogued many examples of “sex between men” long before “homosexuality” entered the American lexicon.2 None other than Rufus Griswold, Poe’s notorious literary executor, noted the “horrible sin not to be mentioned among Christians” in his review of Whitman’s 1855 edition of Leaves of Grass.3 Robert K. Martin has also observed that from the 1840s to the 1880s, a “range of possibilities” for male-to-male relationships existed that “could run from boyhood ‘chums’ to an idealized comradeship of ‘knights-errant’ to an anguished and guilt-ridden projection of the self onto figures of Gothic evil.”4 The “figures of Gothic evil” that occupy one end of Martin’s spectrum resemble the male characters in the tales that concern me here, and their origin as “guilt-ridden projections” seems consonant with the male psychology Poe represents. Keeping in mind Katz’s","PeriodicalId":40386,"journal":{"name":"Poe Studies-History Theory Interpretation","volume":"61 1","pages":"30 - 7"},"PeriodicalIF":0.0,"publicationDate":"2008-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83925462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 13

Religious Satire and Poe’s “Angel of the Odd” 宗教讽刺与坡的《古怪天使》

4区文学

Poe Studies-History Theory Interpretation Pub Date : 2008-10-01 DOI: 10.1111/J.1754-6095.2008.00004.X

Michael McGehee

{"title":"Religious Satire and Poe’s “Angel of the Odd”","authors":"Michael McGehee","doi":"10.1111/J.1754-6095.2008.00004.X","DOIUrl":"https://doi.org/10.1111/J.1754-6095.2008.00004.X","url":null,"abstract":"In his 1844 tale “The Angel of the Odd,” 1 Edgar Allan Poe tells the story of the drunken narrator’s visitation from an “Angel,” who proceeds to torment him with a series of odd incidents that upset his expectations of ordinary life. Conventionally read as an attack on the reign of reason,2 the tale also contains numerous references to the Christian tradition. Cataloging the biblical references in the Poe corpus, William Forrest establishes in Biblical Allusions in Poe that “The Angel of the Odd” indeed contains several allusions to the Old Testament, but he ignores any to the New Testament.3 As the present essay will show, however, connections to the New Testament and Christian institutions abound as part of the tale’s interest in satirizing both. Like the New Testament, “The Angel of the Odd” tells a story of unbelief versus belief. While the biblical text concerns itself foremost with how its characters respond to Jesus’ claim to be the Messiah, Poe’s tale describes how the narrator responds to the antics of the Angel of the Odd. Although he exhorts the narrator to stop drinking alcohol so heavily, the Angel’s real interest lies in trying to arrest the narrator’s reason in order to make room for the incredible, or the “odd”; yet the manner in which the Angel inculcates these lessons colors them in hues common to the Christian tradition.4 “The Angel of the Odd,” then, functions on two levels: On its upper level, the tale parallels the New Testament; its characters, images, and motifs, by way of analogy, evoke certain features of that text while also probing its implications for human life. On an underlying level, the grotesque qualities of “The Angel of the Odd”—its comedic and profane suggestions—twist and destabilize the religious parallels. Thus, the analogues become satirical comments on religion, at first lighthearted then progressively more serious. Many writers of Poe’s day, responding to the broad spirit of reform that suffused antebellum American society, sought to correct human behavior by representing the grave consequences of profligacy, but they did so in stylistically restrained prose that maintained a safe distance from the vices they condemned. However, other reform writers, David Reynolds observes, “described vice in such lurid detail that they themselves were branded as dangerously immoral or sacrilegious.”5 Poe was not a reform writer in the sense","PeriodicalId":40386,"journal":{"name":"Poe Studies-History Theory Interpretation","volume":"40 4 1","pages":"65 - 79"},"PeriodicalIF":0.0,"publicationDate":"2008-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87018964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Poe’s Taking of Pelham One Two Three Four Five Six 爱伦坡的《夺取佩勒姆》一二三四五六

4区文学

Poe Studies-History Theory Interpretation Pub Date : 2008-10-01 DOI: 10.1111/J.1754-6095.2008.00006.X

Richard Kopley

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引用次数: 3

Romantic Irony in “The Rescued Fugitives” 《被解救的逃犯》中的浪漫反讽

4区文学

Poe Studies-History Theory Interpretation Pub Date : 2006-01-12 DOI: 10.1111/J.1754-6095.2006.TB00187.X

G. Farrell

引用次数: 0

The Snow Man: A Brief Afterword 《雪人:简短的后记

4区文学

Poe Studies-History Theory Interpretation Pub Date : 2006-01-12 DOI: 10.1111/j.1754-6095.2006.tb00196.x

Eric Carl Link

{"title":"The Snow Man: A Brief Afterword","authors":"Eric Carl Link","doi":"10.1111/j.1754-6095.2006.tb00196.x","DOIUrl":"https://doi.org/10.1111/j.1754-6095.2006.tb00196.x","url":null,"abstract":"Dick Thompson is a scholar. He is a friend. I cannot speak with greater authority than Bob Lamb about his scholarship. I cannot speak with greater authority than Len Neufeldt about his friendship. I could speak of the years we spent writing Neutral Ground together, but of what use? We had an idea. It grew through sweat and serendipity. We labored over it for a while. It was published and we turned to our various separate projects. There are stories that might be told, but they would be no different than the stories the contributors to this volume could tell a hundred different ways. They are good stories. When Dick lived in West Lafayette and taught the hell out of American literature and changed Poe studies forever and built retaining walls out of railroad ties to landscape his home and was a model of decency, he had a dining room adorned with a print of Jesus on the cross. It was a signed and numbered print by some artist whose name I’ve forgotten. It was an abstract portrait-lots of harsh black brush strokes, hints of thorns and pain. It was beautiful. We stood in front of it one day and stared at it for a moment. We saw the same thing, but we saw different things. I saw a portrait of strength, suffering, and defeat. Dick Thompson saw these things, but he also saw the gentleness, the feminine lines, whispers of something else. I tried to see what he saw. I’m not sure I ever did. Maybe once or twice. We never spoke of that particular portrait again, but every time I walked past it I would slow my steps to catch another glance. Literature-great literature-is like Jesus on the wall. Dick Thompson knows this. He sees the harsh lines and the gentle curves. The black marks on a cream background. He sees the suffering and the gentleness. The albatross framing the penguin. The apotheosis from out of the ocean perishing. I learned something about what it meant to be a scholar the day Dick Thompson and I were mulling over a couple of his ideas about nineteenthcentury intellectual history and he turned to me and said that I should challenge his theories. Don’t accept them. Work them over. Toss them out if they don’t work. I tested the theories. They worked. Among graduate students at Purdue, Dick Thompson had a reputation-a mystique. It had something to do with high standards, with intellectual rigor, with respect for the profession and for the true capabilities of the human mind-the things that sometimes scare graduate students, I suppose. Those of us who know Dick Thompson’s infectious smile, easy laugh, and unflinching humanism would sometimes remind him of his reputation among the graduate students. He always acted bemused by it, but he wasn’t. Not really. It was part of the landscape garden he walked through. Wallace Stevens once wrote, “One must have a mind of winter / To regard the frost and the boughs / Of the pine-trees crusted with snow.” In his scholarship, in his teaching, in the way he reads a poem, Dick Thompson is Stevens’s snow man. The s","PeriodicalId":40386,"journal":{"name":"Poe Studies-History Theory Interpretation","volume":"1 1","pages":"153 - 153"},"PeriodicalIF":0.0,"publicationDate":"2006-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88381035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Literary Commerce and the Discourses of Gastronomy in Poe’s “Bon-Bon” 文学商业与坡的《Bon-Bon》中的美食话语

4区文学

Poe Studies-History Theory Interpretation Pub Date : 2006-01-12 DOI: 10.1111/J.1754-6095.2006.TB00184.X

A. Hammond

引用次数: 2

G. R. Thompson: A Selected Bibliography g·r·汤普森:《参考书目选》

4区文学

Poe Studies-History Theory Interpretation Pub Date : 2006-01-12 DOI: 10.1111/J.1754-6095.2006.TB00197.X

Eric Carl Link

引用次数: 0