Victorian Review-An Interdisciplinary Journal of Victorian Studies最新文献

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Kinscapes, Counter Histories, and Nineteenth-Century Tintypes Kinscapes, Counter history, and 19世纪的Tintypes
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Victorian Review-An Interdisciplinary Journal of Victorian Studies Pub Date : 2022-03-01 DOI: 10.1353/vcr.2022.0005
Heather Caverhill, C. Thomson
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引用次数: 0
On Microphotography: Aunt Lucy at the Microscope 显微摄影:显微镜下的露西阿姨
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Victorian Review-An Interdisciplinary Journal of Victorian Studies Pub Date : 2022-03-01 DOI: 10.1353/vcr.2022.0010
Jennifer Green‐Lewis
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引用次数: 1
Speculating on the Spectre: William H. Mumler's Charles Livermore with the Spirit of Estelle (1869) 对幽灵党的思考:威廉H.穆勒的查尔斯·利弗莫尔与埃斯特尔精神(1869)
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Victorian Review-An Interdisciplinary Journal of Victorian Studies Pub Date : 2022-03-01 DOI: 10.1353/vcr.2022.0012
L. Kaplan
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引用次数: 0
Should Victorian Studies Be Posthuman? A Panel Discussion 维多利亚时代的研究应该是后人类的吗?小组讨论
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Victorian Review-An Interdisciplinary Journal of Victorian Studies Pub Date : 2022-03-01 DOI: 10.1353/vcr.2022.0023
S. Alexander, Miranda Butler, B. Clarke, Tamara Ketabgian, Amy R. Wong, Dongshin Yi, M. Ward
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引用次数: 0
Two-Way Mirror: The Life of Elizabeth Barrett Browning by Fiona Sampson (review) 《双向镜:伊丽莎白·巴雷特·勃朗宁的一生》菲奥娜·桑普森著(书评)
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Victorian Review-An Interdisciplinary Journal of Victorian Studies Pub Date : 2022-03-01 DOI: 10.1353/vcr.2022.0018
M. Stone
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引用次数: 1
Love Story's Ontology: Species Feeling in New Grub Street 爱情故事的本体论:新格鲁伯街的物种感觉
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Victorian Review-An Interdisciplinary Journal of Victorian Studies Pub Date : 2022-03-01 DOI: 10.1353/vcr.2022.0000
J. Galvan, R. Pasquini, Sandy M. Burnley, Karen Bourrier, Heather Caverhill, C. Thomson, Susan E. Cook, Christopher Keep, Shalini Le Gall, Jennifer Green‐Lewis, Earnestine Jenkins, L. Kaplan, Andrea Korda, Vanessa Warne, Marija Reiff, Sebastian Egholm Lund, Lucky Issar, D. Novak, M. Stone, Jennifer Tucker, Mira Rai Waits, Denae Dyck, Lara Karpenko, S. Alexander, Miranda Butler, Bruce Clarke, Tamara Ketabgian, Amy R. Wong, Dongshin Yi, Megan Ward
{"title":"Love Story's Ontology: Species Feeling in New Grub Street","authors":"J. Galvan, R. Pasquini, Sandy M. Burnley, Karen Bourrier, Heather Caverhill, C. Thomson, Susan E. Cook, Christopher Keep, Shalini Le Gall, Jennifer Green‐Lewis, Earnestine Jenkins, L. Kaplan, Andrea Korda, Vanessa Warne, Marija Reiff, Sebastian Egholm Lund, Lucky Issar, D. Novak, M. Stone, Jennifer Tucker, Mira Rai Waits, Denae Dyck, Lara Karpenko, S. Alexander, Miranda Butler, Bruce Clarke, Tamara Ketabgian, Amy R. Wong, Dongshin Yi, Megan Ward","doi":"10.1353/vcr.2022.0000","DOIUrl":"https://doi.org/10.1353/vcr.2022.0000","url":null,"abstract":"Abstract:Naturalism is an under-acknowledged posthumanism, and George Gissing's New Grub Street helps to reveal its ontologically and formally intricate aesthetics. Posthumanism challenges conventional humanism in insisting on the self as materially embodied, situated, and impinged: the self is not transcendent or etherealized, as in Cartesian philosophy. Gissing's Darwinian fiction often, interestingly, implies the premise of human non-specialness through stories of love and marriage. This essay claims that New Grub Street—with all its attention to writing, the print marketplace, and consumer appeal—metafictionally suggests the popular love story of the marriage plot as a particularly delusive product in that it encourages the false notion of human species distinction. New Grub Street's characters absorb this plot as a pattern for their own lives, which then fools them into thinking that a mere emotion, love, has a grand power to shape their futures, whatever their material circumstances. In other words, Gissing represents the feeling of love as a rhapsodic exaggeration of interiority and of interiority's supposed freedom from embodied conditions. But New Grub Street does not simply satirize its characters' ontological mistake. Rather, it demonstrates naturalism's complicated formal tendency to oscillate between two scales: the macroscale—deep, long species history—and, every bit as important, the microscale, or characters' small, daily, felt sense of their lives. Naturalism holds both versions of reality as equally valid; it is a fundamentally dual, dynamic form of realism, whose aesthetics, moreover, also works dynamically with readers themselves, implicating them, too, in a perplexed account of human being.","PeriodicalId":40377,"journal":{"name":"Victorian Review-An Interdisciplinary Journal of Victorian Studies","volume":"48 1","pages":"1 - 106 - 107 - 12 - 12 - 123 - 125 - 128 - 128 - 131 - 131 - 134 - 134 - 136 - 136 - 139 - 141 - 14"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44734156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blended Identities in American Photography 美国摄影中的混合身份
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Victorian Review-An Interdisciplinary Journal of Victorian Studies Pub Date : 2022-03-01 DOI: 10.1353/vcr.2022.0011
Earnestine Jenkins
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引用次数: 0
The Queen's Mark: Guns, Photography, and the Visual Abstraction of Precision 女王的印记:枪支、摄影和精确的视觉抽象
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Victorian Review-An Interdisciplinary Journal of Victorian Studies Pub Date : 2022-03-01 DOI: 10.1353/vcr.2022.0019
Jennifer Tucker
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引用次数: 0
Charles Dodgson's Portrait of the Arnold Sisters 查尔斯·道奇森的阿诺德姐妹肖像
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Victorian Review-An Interdisciplinary Journal of Victorian Studies Pub Date : 2022-03-01 DOI: 10.1353/vcr.2022.0004
Karen Bourrier
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引用次数: 0
Weather Sensitive: The Pathetic Fallacy and Charlotte Brontë's Meteorology in Villette 天气敏感:可悲的谬论和夏洛特Brontë在维莱特的气象
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Victorian Review-An Interdisciplinary Journal of Victorian Studies Pub Date : 2021-10-27 DOI: 10.1353/vcr.2021.0015
S. Anger
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引用次数: 1
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