{"title":"\"Am I Not a Poetess?\"","authors":"Tricia A. Lootens","doi":"10.1353/vcr.2022.a900623","DOIUrl":"https://doi.org/10.1353/vcr.2022.a900623","url":null,"abstract":"","PeriodicalId":40377,"journal":{"name":"Victorian Review-An Interdisciplinary Journal of Victorian Studies","volume":"48 1","pages":"200 - 206"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42604580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Seeing and Surveilling Disability: Ethics and Modes of Looking in R.L. Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde","authors":"Olivia Abram","doi":"10.1353/vcr.2022.a900629","DOIUrl":"https://doi.org/10.1353/vcr.2022.a900629","url":null,"abstract":"Abstract:According to Anne McGuire, \"disability marks the body in ambiguous ways—it appears and disappears, is noticed and is hidden.\" Applying a critical disability lens to literary analysis requires asking questions about how and why we—as readers but also the presumably normate \"we\" whom narrators often metonymically implicate—notice and hide disability in literature. This paper argues that Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde (1886) encourages a reconsideration of looking practices, specifically how we look at (and view) disability. Unlike conventional (often ableist) texts that encourage (especially nondisabled) readers to look at disabled characters, Strange Case forces readers to see through the eyes of disabled characters. Stevenson's novella demonstrates how changing the way nondisabled readers see the disabled subject is foundational to mutual understanding. I categorize modes of looking demonstrated in the text using Rosemarie Garland-Thomson's distinction between the gaze, \"an oppressive act of disciplinary looking that subordinates,\" and the stare, \"an intense visual exchange that makes meaning\" (9). By doing so, I provide a productive new reading of disabled-nondisabled relations in Stevenson's Strange Case. This paper promotes a more ethical approach to reading texts with disabled characters, acknowledging the power of both the writer and reader in controlling the construction of the disabled subject. I conclude that what is important for the development of ethical reading approaches is an attention to interpreting what we do \"see\"—that is, which mode(s) of looking we adopt.","PeriodicalId":40377,"journal":{"name":"Victorian Review-An Interdisciplinary Journal of Victorian Studies","volume":"48 1","pages":"309 - 326"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66511326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Disraeli and the Politics of Fiction: Some Reconsiderations ed. by A.D. Cousins and Dani Napton (review)","authors":"N. Clausson","doi":"10.1353/vcr.2022.a900633","DOIUrl":"https://doi.org/10.1353/vcr.2022.a900633","url":null,"abstract":"","PeriodicalId":40377,"journal":{"name":"Victorian Review-An Interdisciplinary Journal of Victorian Studies","volume":"48 1","pages":"337 - 342"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43206123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pauline Johnson, Canada's \"Indian Poetess\": \"The Most Unique Fixture in the Literary World of Today\"","authors":"C. Gerson","doi":"10.1353/vcr.2022.a900619","DOIUrl":"https://doi.org/10.1353/vcr.2022.a900619","url":null,"abstract":"Works Cited Bradley, Katherine [Leigh, Arran]. The New Minnesinger and Other Poems. Longmans, Green, 1875. Brown, Susan. “The Victorian Poetess.” The Cambridge Companion to Victorian Poetry, edited by Joseph Bristow, Cambridge UP, 2000, pp. 180–202. Field, Michael. Mystic Trees. Eveleigh Nash, 1913. Hughes, Linda K. “Women Poets and the Poetess Tradition.” Victorian Literature: Criticism and Debates, edited by Lee Behlman and Anne Longmuir, Routledge, 2016, pp. 75–83. Laird, Holly A. “The Coauthored Pseudonym: Two Women Named Michael Field.” The Faces of Anonymity: Anonymous and Pseudonymous Publication from the Sixteenth to the Twentieth Century, edited by Robert J. Griffin, Palgrave Macmillan, 2003, pp. 193–209. Linley, Margaret. “Dying to Be a Poetess: The Conundrum of Christina Rossetti.” The Culture of Christina Rossetti: Female Poetics and Victorian Contexts, edited by Mary Arseneau et al., Ohio UP, 1999, pp. 285–314. Lootens, Tricia. The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres. Princeton UP, 2017. Mitton, Matthew. “Before Michael Field: Katharine Bradley as ‘Arran Leigh.’ ” Philological Quarterly, vol. 89, nos. 2–3, 2010, pp. 311–35. Parker, Sarah. The Lesbian Muse and Poetic Identity, 1889–1930. Pickering & Chatto, 2013. Prins, Yopie. Victorian Sappho. Princeton UP, 1999. Review of The New Minnesinger and Other Poems, by Arran Leigh. Academy, vol. 8, 3 Jul. 1875, p. 9. Review of The New Minnesinger and Other Poems, by Arran Leigh. Athenaeum, 24 Jul. 1875, p. 115. Thain, Marion. “What Kind of a Critical Category is ‘Women’s Poetry?’ ” Victorian Poetry, vol. 41, no. 4, 2003, 575–84. Thain, Marion, and Ana Vadillo, editors. Michael Field, The Poet: Published and Manuscript Materials. Broadview, 2009. Zellinger, Elissa. Lyrical Strains: Liberalism and Women’s Poetry in Nineteenth-Century America. U of North Carolina P, 2020.","PeriodicalId":40377,"journal":{"name":"Victorian Review-An Interdisciplinary Journal of Victorian Studies","volume":"48 1","pages":"182 - 186"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44698503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Crimean War and Its Afterlife by Lara Kriegel (review)","authors":"Katherine Voyles","doi":"10.1353/vcr.2022.a900631","DOIUrl":"https://doi.org/10.1353/vcr.2022.a900631","url":null,"abstract":"","PeriodicalId":40377,"journal":{"name":"Victorian Review-An Interdisciplinary Journal of Victorian Studies","volume":"48 1","pages":"331 - 333"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46702751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"The Sweetest Little Thing That Ever Died:\" Nineteenth-Century Comfort Books and the Creation of the Immortal Child","authors":"Mary Gryctko","doi":"10.1353/vcr.2022.a900628","DOIUrl":"https://doi.org/10.1353/vcr.2022.a900628","url":null,"abstract":"Abstract:This article focuses on \"comfort books,\" texts about children's deaths written by and for bereaved parents in the United States and Great Britain, and circulated transatlantically during the nineteenth century. In these texts, the dead child emerges as the ideal child: passive, forever innocent, and forever possessable. In contrast to earlier morality tales that focus on the death of children, these stories are not presented as warnings to other children but as something that adult readers, authors, and parents can take pleasure in, as the dead child is frozen permanently in its ideal form, unable to grow up or change. This eternal infancy is imagined to extend to the afterlife, with many comfort book authors expecting to meet embodied versions of their children in heaven, preserved forever at the age at which they died. These texts worked to bolster the always uneasily situated \"cult of the child\" that emerged in the Victorian era. This rising figuration of childhood as a time of innocence, powerlessness, and unproductivity was challenged by the prevalence of real children who not only grew, changed, and desired but were incredibly productive and appeared to exercise (often limited) agency in their own lives and careers. Made into objects rather than people, dead children fulfill the need for a stable, unchanging model of childhood in ways that living children cannot. The dead child becomes a real-world version of Peter Pan, the boy (or girl) who never grows up and who therefore embodies perfect childhood.","PeriodicalId":40377,"journal":{"name":"Victorian Review-An Interdisciplinary Journal of Victorian Studies","volume":"48 1","pages":"293 - 308"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41469585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Culinary and the Colonial in G.F. Atkinson's Curry and Rice","authors":"Meghna Sapui","doi":"10.1353/vcr.2022.a900625","DOIUrl":"https://doi.org/10.1353/vcr.2022.a900625","url":null,"abstract":"Abstract:This article examines the culinary conceit in George Francklin Atkinson's illustrated book Curry and Rice. Published immediately following the Indian Revolt of 1857, Curry and Rice is remarkable for its complete silence on this major anticolonial challenge to British rule in India. I examine the role that food plays in creating, maintaining, and ultimately imploding this suggestive silence. While previous scholarship on this book has read its culinary discourse as complicit in its narrative amnesia about the Revolt, I argue that food speaks the agency that it is supposed to silence. In the colonial setting, the culinary cannot be read apart from the corporeal: food always figures bodies that prepare, present, and eat it. Thus, whereas Atkinson uses an extended food conceit to discursively overwrite rebel agency in this post-1857 satire, I show through a careful reading of such culinary discourse how food subverts and usurps narrative containment and narratorial intention by signifying anticolonial menace, Indian agency, and narrative slippages.","PeriodicalId":40377,"journal":{"name":"Victorian Review-An Interdisciplinary Journal of Victorian Studies","volume":"48 1","pages":"225 - 248"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46050440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}