Seeing and Surveilling Disability: Ethics and Modes of Looking in R.L. Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Olivia Abram
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Abstract

Abstract:According to Anne McGuire, "disability marks the body in ambiguous ways—it appears and disappears, is noticed and is hidden." Applying a critical disability lens to literary analysis requires asking questions about how and why we—as readers but also the presumably normate "we" whom narrators often metonymically implicate—notice and hide disability in literature. This paper argues that Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde (1886) encourages a reconsideration of looking practices, specifically how we look at (and view) disability. Unlike conventional (often ableist) texts that encourage (especially nondisabled) readers to look at disabled characters, Strange Case forces readers to see through the eyes of disabled characters. Stevenson's novella demonstrates how changing the way nondisabled readers see the disabled subject is foundational to mutual understanding. I categorize modes of looking demonstrated in the text using Rosemarie Garland-Thomson's distinction between the gaze, "an oppressive act of disciplinary looking that subordinates," and the stare, "an intense visual exchange that makes meaning" (9). By doing so, I provide a productive new reading of disabled-nondisabled relations in Stevenson's Strange Case. This paper promotes a more ethical approach to reading texts with disabled characters, acknowledging the power of both the writer and reader in controlling the construction of the disabled subject. I conclude that what is important for the development of ethical reading approaches is an attention to interpreting what we do "see"—that is, which mode(s) of looking we adopt.
观察与监视残疾:R.L.史蒂文森《化身博士》中的伦理与观察模式
摘要:根据安妮·麦奎尔的说法,“残疾以模糊的方式标记着身体——它出现和消失,被注意和被隐藏。”在文学分析中运用批判性的残疾视角,需要提出这样的问题:我们——作为读者,以及叙述者经常转喻地暗示的可能规范的“我们”——如何以及为什么注意并隐藏文学中的残疾。本文认为,罗伯特·路易斯·史蒂文森的《化身博士的奇异案例》(1886)鼓励人们重新思考观察实践,特别是我们如何看待(和看待)残疾。不像传统的(通常是残疾主义的)文本鼓励(尤其是非残疾的)读者去看残疾人物,《奇案》强迫读者通过残疾人物的眼睛去看。史蒂文森的中篇小说表明,改变非残疾读者看待残疾主题的方式是相互理解的基础。我使用Rosemarie Garland-Thomson对凝视(凝视是一种压迫性的、纪律性的注视,服从于凝视)和凝视(凝视是一种产生意义的强烈的视觉交流)的区分,对文本中展示的观看模式进行了分类(9)。通过这样做,我为史蒂文森的《奇案》中残疾人与非残疾人的关系提供了一种富有成效的新解读。本文提出了一种更合乎伦理的阅读方式,承认作者和读者在控制残疾主体建构方面的力量。我的结论是,对于伦理阅读方法的发展来说,重要的是要注意解释我们所“看到”的东西——也就是说,我们采用的是哪种观看模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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