Naharaim最新文献_第2页

“I Seek the Stars in the Daytime”: Citation, Recitation, and Leah Goldberg’s Hidden German Poem “我在白天寻找星星”:引用，背诵，和利亚·戈德堡的隐藏的德国诗

Naharaim Pub Date : 2023-06-01 DOI: 10.1515/naha-2022-0011

Michal Peles Almagor

{"title":"“I Seek the Stars in the Daytime”: Citation, Recitation, and Leah Goldberg’s Hidden German Poem","authors":"Michal Peles Almagor","doi":"10.1515/naha-2022-0011","DOIUrl":"https://doi.org/10.1515/naha-2022-0011","url":null,"abstract":"Abstract This article examines the German poem inserted in Leah Goldberg’s debut novel Mikhtavim minesi’ah medumah (Letters From an Imagined Journey 1936/37). I argue that the novel serves as a framework through which Goldberg can momentarily become a German poet, stretching the limits of her Jewish subjectivity and of the monolingual Hebrew literary sphere. Whereas studies have addressed the intertextual references in Goldberg’s novel, scholarly discussions have failed to attend Goldberg’s German poem, overlooking her non-Hebrew poetic voice and the literary genealogy to which she ascribes herself. To understand this moment, I attend Ruth’s intercultural relations with Erich Kästner and Rainer Maria Rilke, whom she quotes over the course of her travels. In so doing, Goldberg points to Ruth’s imagined literary genealogy while putting herself into this tradition as a way to form her voice as a German poet. Written by the protagonist, the poem is recalled and recited in German by Shnithalel, Ruth’s friend from India. This German poem, I argue, offers a key to understanding Goldberg’s prose as a dialogic mode of writing that grapples with Jewish subjectivity and voice, emerging poetically between self and other (Ich and Sie) and interlinguistically between Hebrew and German.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

DerPavian Trauerspiel in einem Aktvon Ludwig Robert 德维格

Naharaim Pub Date : 2023-06-01 DOI: 10.1515/naha-2023-2001

Amit Levy

引用次数: 0

From Pariah to Baboon: Ludwig Robert’s Parody of Michael Beer’s Paria 从贱民到狒狒:路德维希·罗伯特模仿迈克尔·比尔的《贱民》

Naharaim Pub Date : 2023-06-01 DOI: 10.1515/naha-2022-0008

Ezra Loren Engelsberg

{"title":"From Pariah to Baboon: Ludwig Robert’s Parody of Michael Beer’s <i>Paria</i>","authors":"Ezra Loren Engelsberg","doi":"10.1515/naha-2022-0008","DOIUrl":"https://doi.org/10.1515/naha-2022-0008","url":null,"abstract":"Abstract Michael Beer’s successful 1823 play Der Paria is famous as an early complaint against the status of Jews as second-rate citizens. As such, it is fundamental to the conception of Jews as pariahs, best known through the writings of Hannah Arendt. Its long reception history has overlooked an important source, that is now uncovered for the first time in a hundred years. Beer’s play was parodied by Ludwig Robert with Der Pavian. Both authors were scions of Berlin’s Jewish elite, and among the first authors of Jewish descent to write in German. Robert’s parody shows why he did not share in the general enthusiasm about Der Paria, how the choice of the parodic genre was a self-referential critique, and how form and content of the parody together intervened in Beer’s use of the genre of Trauerspiel. Thus, it contributes to our understanding of the diverse strategies and self-perceptions of upper-class Berlin Jews, confronted with the limits of their pioneering the Jewish integration into non-Jewish society, showing the role of theater as a means of negotiating contemporary social problems both in private and publicly, stressing the difficult presence of Jews in the German public sphere.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135145121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Better Use an Arrow: ‘I-Thou,’ ‘Relation,’ and Their Difference in Martin Buber’s I and Thou 最好用箭：马丁·布伯的《我与你》中的“我与你”、“关系”及其差异

IF 0.1

Naharaim Pub Date : 2022-12-12 DOI: 10.1515/naharaim-2022-0006

Asaf Ziderman

{"title":"Better Use an Arrow: ‘I-Thou,’ ‘Relation,’ and Their Difference in Martin Buber’s I and Thou","authors":"Asaf Ziderman","doi":"10.1515/naharaim-2022-0006","DOIUrl":"https://doi.org/10.1515/naharaim-2022-0006","url":null,"abstract":"Abstract This paper corrects a pervasive mistake in readings of Buber’s iconic trope, “I-Thou” (Ich-Du; hereafter, I-You). The mistake lies in considering it synonymous to the principal concept of his dialogical thought, “relation” (Beziehung). A detailed reading of relevant passages in Buber’s I and Thou (hereafter, IAT) reveals their difference: While both “relation” and “I-You” refer to the same reality—to the dialogic moment—they do so with a different focus and scope: “Relation” refers to the dialogic moment in its bilateral entirety. However, “primary word I-You” (hereafter, PWIY)—the phrase in which the I-You trope in fact appears in IAT—focuses on the active share of only one of the two interlocutors in the dialogic moment. While PWIY does refer to the dialogical moment (which is indeed bilateral), it denotes only a partial aspect of the dialogical moment. It focuses exclusively on my active turning toward you and defocuses your concurrent turning toward me (which, no doubt, is present as well). This mistake, I show, is due to interpreters’ enthusiastic endorsement of Buber’s later phrase, the “I-You relation,” which is indeed synonymous with “relation.” It is then easy to read back the “I-You relation” into the earlier, more focused concept of PWIY. Furthermore, this enthusiasm has blinded readers from realizing that, following IAT, Buber in fact abandoned the I-You trope and used it only reluctantly, mainly when addressing his interpreters who used it themselves, or when discussing IAT where it indeed appeared.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"0 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41604783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Better Use an Arrow: ‘I-Thou,’ ‘Relation,’ and Their Difference in Martin Buber’s I and Thou 最好用箭：马丁·布伯的《我与你》中的“我与你”、“关系”及其差异

IF 0.1

Naharaim Pub Date : 2022-12-01 DOI: 10.1515/naha-2022-0006

Asaf Ziderman

{"title":"Better Use an Arrow: ‘I-Thou,’ ‘Relation,’ and Their Difference in Martin Buber’s I and Thou","authors":"Asaf Ziderman","doi":"10.1515/naha-2022-0006","DOIUrl":"https://doi.org/10.1515/naha-2022-0006","url":null,"abstract":"Abstract This paper corrects a pervasive mistake in readings of Buber’s iconic trope, “I-Thou” (Ich-Du; hereafter, I-You). The mistake lies in considering it synonymous to the principal concept of his dialogical thought, “relation” (Beziehung). A detailed reading of relevant passages in Buber’s I and Thou (hereafter, IAT) reveals their difference: While both “relation” and “I-You” refer to the same reality—to the dialogic moment—they do so with a different focus and scope: “Relation” refers to the dialogic moment in its bilateral entirety. However, “primary word I-You” (hereafter, PWIY)—the phrase in which the I-You trope in fact appears in IAT—focuses on the active share of only one of the two interlocutors in the dialogic moment. While PWIY does refer to the dialogical moment (which is indeed bilateral), it denotes only a partial aspect of the dialogical moment. It focuses exclusively on my active turning toward you and defocuses your concurrent turning toward me (which, no doubt, is present as well). This mistake, I show, is due to interpreters’ enthusiastic endorsement of Buber’s later phrase, the “I-You relation,” which is indeed synonymous with “relation.” It is then easy to read back the “I-You relation” into the earlier, more focused concept of PWIY. Furthermore, this enthusiasm has blinded readers from realizing that, following IAT, Buber in fact abandoned the I-You trope and used it only reluctantly, mainly when addressing his interpreters who used it themselves, or when discussing IAT where it indeed appeared.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"16 1","pages":"257 - 273"},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47889339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Is a Psychic Thermidor Inevitable? Marcuse’s Hedonism and Its Freudian Challenge 心理热是不可避免的吗？马尔库塞的享乐主义及其对弗洛伊德的挑战

IF 0.1

Naharaim Pub Date : 2022-12-01 DOI: 10.1515/naha-2022-0012

D. Yinon

{"title":"Is a Psychic Thermidor Inevitable? Marcuse’s Hedonism and Its Freudian Challenge","authors":"D. Yinon","doi":"10.1515/naha-2022-0012","DOIUrl":"https://doi.org/10.1515/naha-2022-0012","url":null,"abstract":"Abstract In this paper I argue that Marcuse’s Eros and Civilization is a revision of his early hedonism presented in his early papers from the 1930’s, a revision necessitated by the challenge Freud’s psychoanalysis posited to the possibility of hedonism. In the first section of the paper, I present Marcuse’s critical hedonist position, mainly in “On Hedonism” (1938), where he develops a social and objective hedonism that should be set as a main political goal of a society. Accordingly, the key to a transformation of society is located at the social-political level. However, Freud’s metapsychology shows that the barriers that prevent a transformation of society are located at a much deeper level and are found in the relation between the psychological structure of individuals and social pressure, between the dynamics of the instincts and society’s material welfare. Thus, the possibility of a society that asserts happiness as its principle depends on the possibility of a transformation of human metapsychology and its social manifestation. This challenge, and the manner in which Marcuse dealt with it is the subject of the second section in which I analyze Eros and Civilization as Marcuse’s rethinking of his hedonism in light of Freud.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"16 1","pages":"275 - 298"},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44001322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Crossing the Bridge, Facing the Problem”: The Problem of Transference in Avot Yeshurun’s Poetry “过桥，面对问题”:叶叔润诗歌中的移情问题

IF 0.1

Naharaim Pub Date : 2022-12-01 DOI: 10.1515/naha-2022-0001

Asif Rahamim

{"title":"“Crossing the Bridge, Facing the Problem”: The Problem of Transference in Avot Yeshurun’s Poetry","authors":"Asif Rahamim","doi":"10.1515/naha-2022-0001","DOIUrl":"https://doi.org/10.1515/naha-2022-0001","url":null,"abstract":"Abstract The article offers a panoramic view of the tropes of “space” and “place” in the poetry of Avot Yeshurun, and explores the radical transformation they underwent throughout the years – from the early poems of the 1930s, to the last volume of poems published before the poet’s death in 1992. I contend that the shift in the nature of the Yeshurunian space, caused by the catastrophe of the Shoah, the foundation of the State of Israel, and the Palestinian Nakba that proceeded it, can be viewed through the prism of what I call “the problem of transference”. Struggling to re-connect the now insurmountably severed worlds – the pre-catastrophe world of the golah, and the new, post-catastrophe, Israeli world – Yeshurun’s poetry exhibits an ever-growing tendency to transfer language-materials from one side of the abyss to the other, desperately attempting to both salvage the remains of the ruined home, and establish the new world as a proper dwelling place. This back-and-forth movement of traumatic transference, I argue, is a powerful interpretive tool by which to understand the poet’s entire poetic project and to account for its peculiarities, and above all - its famous “clash of languages” which consists of Hebrew, Yiddish, and Arabic.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"16 1","pages":"179 - 201"},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47920607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Nazi Germany in the Viewfinder: On Space and Movement in German-Jewish Youth Culture 取景器中的纳粹德国：德国犹太青年文化中的空间与运动

IF 0.1

Naharaim Pub Date : 2022-12-01 DOI: 10.1515/naha-2022-0009

Rebekka Grossmann

{"title":"Nazi Germany in the Viewfinder: On Space and Movement in German-Jewish Youth Culture","authors":"Rebekka Grossmann","doi":"10.1515/naha-2022-0009","DOIUrl":"https://doi.org/10.1515/naha-2022-0009","url":null,"abstract":"Abstract This article analyzes instances of independent mobility of Jewish youngsters in Nazi Germany through the lens of photography. Photographs, taken by teenagers of their trips and sometimes assembled in albums or collages demonstrate that the category of mobility helps to uncover and define a particular kind of agency exclusive to Jewish youth, shaped by the simultaneous attachment to and disconnect from the environments they crossed. Travel is observed as a space in which freedom and restrictions were negotiated, preparing youngsters for a near future of sometimes radically independent choices. Moreover, it is investigated in its capacity of offering instances of contact – planned or spontaneous – with other youth, with Jewish adults or with Germans, which additionally shaped the youngers’ identities on the move. Photography not only helped youngsters to produce records and memories. It also incited new trips and encounters. The camera, then, served as a means of translation which helped Jewish teenagers make sense of their surroundings in a moment of utmost crisis. Ultimately, the photographs attest to an alternative German topography created by independent youngsters who found a home in a cosmopolitan way of life tested on provincial roads.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"124 2","pages":"203 - 227"},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41296171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Eastern European Perspectives on the Restitution of Nazi-Looted Jewish Cultural Property: Gershom Scholem in Prague, 1946 东欧对纳粹掠夺的犹太文化财产的归还:Gershom Scholem在布拉格，1946年

IF 0.1

Naharaim Pub Date : 2022-12-01 DOI: 10.1515/naha-2022-0007

Anna Holzer-Kawałko

{"title":"Eastern European Perspectives on the Restitution of Nazi-Looted Jewish Cultural Property: Gershom Scholem in Prague, 1946","authors":"Anna Holzer-Kawałko","doi":"10.1515/naha-2022-0007","DOIUrl":"https://doi.org/10.1515/naha-2022-0007","url":null,"abstract":"Abstract This article offers a critical examination of the travel diaries written by Gershom Scholem (1897–1982), a well-known pioneer scholar of Jewish mysticism and a professor at the Hebrew University of Jerusalem. In 1946, Scholem was sent to Prague on behalf of the Hebrew University to retrieve the Nazi-looted Jewish libraries from Czechoslovakia to Palestine. In recent years, at the same time as a significant rise of scholarly interest in the fate of the plundered Jewish books and manuscripts, Scholem’s accounts have come to serve as a main source of information on the Jewish cultural property in the Bohemian lands. Where most of the currently available studies take his description of the Czechoslovak restitution affairs almost for granted, this article seeks to adopt a more distant approach to these materials, by undertaking a comparison with the documentation produced by the local Jewish bodies and the archival sources of the Czechoslovak authorities responsible for the management of Jewish assets. Zooming in on the encounter between Scholem and the leaders of the Jewish community in Prague, the paper points especially to the multiple misunderstandings that arose between the two parties during his visit. It then explores the difference between his and the Prague protagonists’ perspectives on the Nazi-looted Jewish cultural property.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"16 1","pages":"229 - 256"},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43735024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“A Self-Portrait in Books” — Reflections on the Aphoristic Library of Elazar Benyoëtz “书中的自画像”——对埃拉扎尔·本约茨格言图书馆的思考

IF 0.1

Naharaim Pub Date : 2022-06-01 DOI: 10.1515/naha-2022-0004

Jannis Kühne, Anna Rosa Schlechter

引用次数: 0