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The New Beethoven最新文献

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“A Really Excellent and Capable Man”: Beethoven and Johann Traeg “一个真正优秀而有能力的人”:贝多芬和约翰·特拉格
The New Beethoven Pub Date : 2020-09-01 DOI: 10.1017/9781787448124.005
D. Jones
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引用次数: 0
Beethoven's Cavatina, Haydn's Seasons, and the Thickness of Inscription 贝多芬的《卡瓦蒂娜》、海顿的《四季》与铭文的厚度
The New Beethoven Pub Date : 2020-09-01 DOI: 10.1017/9781787448124.024
Elaine R. Sisman
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引用次数: 0
“Mit Verstärkung des Orchesters”: The Orchestra Personnel at the First Public Performance of Beethoven's Eroica “Mit Verstärkung des Orchesters”:贝多芬《英雄》首次公开演出的乐团人员
The New Beethoven Pub Date : 2020-09-01 DOI: 10.1017/9781787448124.011
T. Albrecht
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引用次数: 0
“So Here I Am, in the Middle Way”: The Autograph of the “Harp” Quartet and the Expressive Domain of Beethoven’s Second Maturity “所以我在这里，在中间的道路上”:“竖琴”四重奏的亲笔签名与贝多芬第二成熟的表达领域
The New Beethoven Pub Date : 2020-09-01 DOI: 10.1017/9781787448124.015
M. L. Turner
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引用次数: 0
Early German-Language Reviews of Beethoven's Late String Quartets 贝多芬晚期弦乐四重奏的早期德语评论
The New Beethoven Pub Date : 2020-09-01 DOI: 10.1017/9781787448124.018
R. Wallace
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引用次数: 0
Cue-Staff Annotations in Beethoven's Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Opus 101 贝多芬钢琴作品中的五线谱注释:来自钢琴奏鸣曲亲笔签名的思考和例子，作品101
The New Beethoven Pub Date : 2020-09-01 DOI: 10.1017/9781787448124.022
Federica Rovelli
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引用次数: 0
Three Movements or Four? The Scherzo Movements in Beethoven's Early Sonatas 三乐章还是四乐章?贝多芬早期奏鸣曲中的谐调乐章
The New Beethoven Pub Date : 2020-09-01 DOI: 10.1017/9781787448124.019
E. Buurman
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引用次数: 0
Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127 有意义的细节:贝多芬手稿中的表达标记，重点是作品127
The New Beethoven Pub Date : 2020-09-01 DOI: 10.1017/9781787448124.016
Nicholas Kitchen
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引用次数: 0
Another Little Buck Out of Its Stable 又一只小雄鹿从马厩里出来了
The New Beethoven Pub Date : 2020-09-01 DOI: 10.2307/j.ctv105bbrb.26
Richard Kramer
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引用次数: 0
General Index 总索引
The New Beethoven Pub Date : 2020-09-01 DOI: 10.2307/j.ctv105bbrb.30
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引用次数: 0
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