{"title":"“So Here I Am, in the Middle Way”: The Autograph of the “Harp” Quartet and the Expressive Domain of Beethoven’s Second Maturity","authors":"M. L. Turner","doi":"10.1017/9781787448124.015","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":402899,"journal":{"name":"The New Beethoven","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The New Beethoven","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/9781787448124.015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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