{"title":"Peircean studies in Russia: A historical and cross-cultural perspective","authors":"N. Lukianova, Elena Fell","doi":"10.1386/ejpc_00026_1","DOIUrl":"https://doi.org/10.1386/ejpc_00026_1","url":null,"abstract":"This article aims to contribute to the Peircean studies by providing an account of the reception of Peirce’s philosophy in Russian academia. Peirce was introduced to Russian scholarship at the beginning of the twentieth century, but Russian scholars’ work on Peirce remains\u0000 unnoticed for the most part in the international academic world. Presenting an outline of their research fills a certain gap in the Peircean studies demonstrating how Peirce was received in imperial Russia, the USSR and post-Soviet Russian academia. This overview can also serve, to some extent,\u0000 as a contribution to the studies in cross-cultural communication, because the authors present Russian philosophers’ take on an American philosopher considered in the context of the changing historical and cultural landscape. From being introduced to Peirce via a francophone scholar at\u0000 the beginning of the twentieth century to criticizing Peirce from the stance of dialectical materialism during the Cold War and exploring Peirce’s original work from various angles in the recent decades, Russophone academics could not avoid being affected by the complexity of cross-cultural\u0000 communication.","PeriodicalId":40280,"journal":{"name":"Empedocles-European Journal for the Philosophy of Communication","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46755044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Communication, risk, trust","authors":"B. Kovács","doi":"10.1386/ejpc_00030_1","DOIUrl":"https://doi.org/10.1386/ejpc_00030_1","url":null,"abstract":"Communication presumes trust, but trust presumes risk. The main characteristic of trust is that it offers social stability, gives strength for mutual expectations and makes possible the construction of a common world. These traits make possible to present the temporal, spatial and identical\u0000 aspects of trust. The confrontation of ‘traditional’ and online trust shows that there is not an essential difference between them but a relational one, the essence of trust appears on his relational mode. The relational approach makes evident that only the risky choice gives content\u0000 for trust, in the sense that it is capable to open new, creative possibilities for communication.","PeriodicalId":40280,"journal":{"name":"Empedocles-European Journal for the Philosophy of Communication","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47510392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mediating actio in distans: Leibniz, Clarke and Newton on the communicability of forces","authors":"Florian Sprenger","doi":"10.1386/ejpc_00028_1","DOIUrl":"https://doi.org/10.1386/ejpc_00028_1","url":null,"abstract":"This article revisits the debate between Leibniz and Clarke to explore conceptual shifts in the use of the term medium. A basic tenet of physics since antiquity says that every act of communication ‐ that is, every transmission of a force from the place of its cause to that of\u0000 its effect ‐ requires a medium to ensure its interaction. In the context of the Early Modern Period, media were regarded as mediating instances that enabled communication. If these instances were not immediately connected but rather spatially separated from one another ‐ as in\u0000 the case of gravitation, magnetism or electricity ‐ then there had to be a medium to ensure both the transmission of the force and the causal connection. Although the mediation of the medium took place in an inexplicable way, it seemed to explain one process or another by its mere introduction.\u0000 The epistemological foundations of communicability ‐ those with which Leibniz, Clarke and Newton were attempting to come to terms ‐ remain relevant to the descriptive language with which we depict our present and its technological condition. Without duration there is no mediation\u0000 but rather immediacy and simultaneity. Immediacy means that the necessary separation between the two events, the abyss of communication, is negated. Immediacies, like instantaneous actions at a distance, presuppose the difference they are deemed to eradicate.","PeriodicalId":40280,"journal":{"name":"Empedocles-European Journal for the Philosophy of Communication","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42719259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘La herida de un hombre no es una novedad’: Gender, violence and performance in Azul y no tan rosa","authors":"Katherine L. Brown","doi":"10.1386/EJPC_00019_1","DOIUrl":"https://doi.org/10.1386/EJPC_00019_1","url":null,"abstract":"\u0000Azul y no tan rosa was the first Venezuelan film to win the Goya for Best Spanish Language Foreign Film. It was also the first Venezuelan film to feature a kiss between two men, as well as an openly transgender character. At the heart of the film is a scene which cross-cuts between transsexual Delirio performing the 1980s Venezuelan pop hit ‘No soy una señora’ and a vicious homophobic attack. This scene exemplifies the film’s preoccupation with the performance of gender, its denunciation of machista violence, and its call for acceptance of difference.","PeriodicalId":40280,"journal":{"name":"Empedocles-European Journal for the Philosophy of Communication","volume":"11 1","pages":"147-152"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47521362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bolívar Echeverría y las asimultaneidades de la modernidad capitalista: Ethos barroco y blanquitud","authors":"Cristina Catalina","doi":"10.1386/EJPC_00022_1","DOIUrl":"https://doi.org/10.1386/EJPC_00022_1","url":null,"abstract":"This article presents an approach to the way in which Bolívar Echeverría, based on his reformulation of Marxist criticism, attempts to locate in the truncated configurations of Latin American modernity potentials for resisting the universal expansion of the value form. Drawing on his distinction between modernity and capitalism, as well as his interpretation of the fundamental tension between natural form and value form, the article exposes Exheverría’s historical analysis of the triumph of the realist ethos over the baroque ethos of Latin American modernity. Nevertheless, the remnants of the latter constitute for Echeverría a possible counter-figure of the realistic ethos embodied by Whiteness. This is how his approach attempts to go beyond both Eurocentrism and the postmodern rejection of modernity, aiming to save the hope of a concrete universalism against the purely abstract universalism of capitalist modernity.","PeriodicalId":40280,"journal":{"name":"Empedocles-European Journal for the Philosophy of Communication","volume":"11 1","pages":"187-201"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42297747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"«Potencia, no poder». De la fotografía como gesto de resistencia y migración","authors":"Elena Cardona","doi":"10.1386/EJPC_00020_1","DOIUrl":"https://doi.org/10.1386/EJPC_00020_1","url":null,"abstract":"\u0000Hay imágenes poderosas y hay imágenes potentes. Todavía más, hay imágenes potentes que hacen resistencia al poder, que son acto y gesto de resistencia en sí mismas. Entre marzo y agosto del año 2017 la sociedad venezolana vivió uno de los períodos más sensibles de la ya prolongada crisis institucional del país, caracterizada visiblemente por cotidianas protestas de calle duramente reprimidas por las fuerzas de seguridad del Estado, fenómeno que fue nombrado por los medios de comunicación internacionales como la Primavera venezolana o la Rebelión de Abril. En un contexto hipermediatizado por las imágenes recirculadas por las redes sociales digitales y la prensa internacional, principalmente, destacan para mí los trabajos realizados por tres fotógrafos venezolanos: Gabriel Osorio, Vladimir Marcano Sifontes y Gabriel Méndez, cuyas fotografías testimonian experiencias traumáticas colectivas de resistencia al poder político en su propio «aquí y ahora» contingente, y articulan sus reflexiones desde el diálogo con ese otro sin nombre (el venezolano común, anónimo) en imágenes potentes que se tornan gestos de resistencia y migración.","PeriodicalId":40280,"journal":{"name":"Empedocles-European Journal for the Philosophy of Communication","volume":"11 1","pages":"153-178"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41854204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Image, power and peripheries: Current perspectives on Latin American studies","authors":"Miguel E. Vásquez R","doi":"10.1386/EJPC_00015_2","DOIUrl":"https://doi.org/10.1386/EJPC_00015_2","url":null,"abstract":"This is an introduction to the Special Issue of Empedocles European Journal for the Philosophy of Communication focused on Latin American studies. The articles collected here were meticulously selected in light of previous discussions and conferences about Latin America that took place over the past year. The contributors transversally analyse several issues in current Latin American studies, particularly those related to philosophy, art, literature and visual studies. They propose alternative readings of Latin America taking into account its singularity and the way in which traditional categories such as representation, power, modernity or gender, among others, are implicitly and explicitly used and criticized.","PeriodicalId":40280,"journal":{"name":"Empedocles-European Journal for the Philosophy of Communication","volume":"11 1","pages":"93-103"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43745596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"(U)topías del pensamiento decolonial: Guamán Poma y Euroamérica","authors":"Rodrigo Castro Orellana","doi":"10.1386/EJPC_00021_1","DOIUrl":"https://doi.org/10.1386/EJPC_00021_1","url":null,"abstract":"This article analyses some of the main aspects that characterize the genealogy of thought proposed by the so-called decolonial turn. The article focuses on a specific case: Walter Mignolo’s interpretation of the work of Guamán Poma de Ayala, Primer nueva corónica y buen gobierno (S. XVII). In this context, I will present a critique of the reduction made of Guamán to a frontier thinker whose hallmark would be to introduce the question of the coloniality of power. I will propose as an alternative approach the study of Primer nueva corónica as a cultural product of the Euro-American archive.","PeriodicalId":40280,"journal":{"name":"Empedocles-European Journal for the Philosophy of Communication","volume":"11 1","pages":"179-186"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48861785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Imagen, poder y periferia(s): Perspectivas actuales sobre Latinoamérica","authors":"M. Vásquez R.","doi":"10.1386/EJPC_00016_2","DOIUrl":"https://doi.org/10.1386/EJPC_00016_2","url":null,"abstract":"Esta es una introducción al volumen especial de Empedocles: European Journal for the Philosophy of Communication enfocada en estudios latinoamericanos. Los trabajos que a continuación se presentan forman parte de una selección minuciosa llevada a cabo a propósito de varias conversaciones sobre Latinoamérica llevadas a cabo durante el último año. Los artículos en cuestión recorren transversalmente diversas áreas del pensamiento latinoamericano en la actualidad, particularmente las relacionadas con la filosofía, el arte, la literatura y los estudios visuales. Del mismo modo, proponen lecturas alternativas de la realidad latinoamericana atendiendo a su autenticidad, su contexto y a la forma en la cual se interpretan y critican, implícita y explícitamente, categorías tradicionales como representación, poder, modernidad o género entre otras.","PeriodicalId":40280,"journal":{"name":"Empedocles-European Journal for the Philosophy of Communication","volume":"11 1","pages":"105-117"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41800804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"«Fuera de lugar»: Roberto Schwarz y la centralidad de la experiencia periférica","authors":"Jordi Maiso","doi":"10.1386/EJPC_00017_1","DOIUrl":"https://doi.org/10.1386/EJPC_00017_1","url":null,"abstract":"This article analyses Roberto Schwarz’s contributions to understanding the significance of Brazilian culture in relation to the way in which it is embedded in the dynamics of global capitalism. At first, it analyses to what extent his approach to Latin American culture can be understood as a dialectical alternative to postcolonial and subaltern studies. Then, based on his analysis of the intertwining of artistic form and social reality, it focuses on how Schwarz reveals the significance of Machado de Assis’ late narrative, which goes far beyond the strictly local. Finally, it offers some insights into his understanding of the evolution of the peripheral ‘maladjustment’ in the recent evolution of global capitalism on the basis of Paulo Lins’ novel Cidade de Deus.","PeriodicalId":40280,"journal":{"name":"Empedocles-European Journal for the Philosophy of Communication","volume":"11 1","pages":"119-135"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48897120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}