Prague Journal of English Studies最新文献_第4页

When “We Believe that ...”: The Role of Collective “we” in the Dialogic Negotiation in Hard News Discourse 当“我们相信……”:集体“我们”在硬新闻话语对话谈判中的作用

Prague Journal of English Studies Pub Date : 2020-07-01 DOI: 10.2478/pjes-2020-0008

Zuzana Nádraská

{"title":"When “We Believe that ...”: The Role of Collective “we” in the Dialogic Negotiation in Hard News Discourse","authors":"Zuzana Nádraská","doi":"10.2478/pjes-2020-0008","DOIUrl":"https://doi.org/10.2478/pjes-2020-0008","url":null,"abstract":"Abstract The present paper examines the occurrence of collective self expressed by the first person plural “we” in British broadsheet hard news reports. Given that “we” typically embraces “I” and the “non-I”, and is viewed in contradistinction to “others”, it is subjective and dialogic (inter-subjective) in nature (Baumgarten et al.; Benveniste). This study, grounded in Systemic Functional Linguistics and the theory of engagement, examines the coupling, i.e., co-occurrence, of one dialogic signal “we” with other dialogic meanings (entertain, proclaim and disclaim) used for the dialogic negotiation of content and writer-reader engagement (Martin, “Beyond Exchange”; Martin and White). Couplings are interpreted from the point of view of the overall rhetorical strategy they are put to, referred to as syndromes of meaning (Zappavigna et al., “Syndromes”; Zappavigna et al., “The Coupling”). The rhetorical functions of syndromes reflect the basic dialogic meanings of the examined engagement categories such as a tentative suggestion of an opinion (entertain), a strong statement of an opinion (proclaim) and a rejection of a dispreferred opinion (disclaim). Finer variations within the individual rhetorical strategies are related to the difference in the source of dialogic positioning (an individual versus collective voice) and the referential scope of the pronoun (a precisely defined reference versus reference with a more general and diffused scope).","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"454 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125791448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Rebekah Hyneman’s Leaves of the Upas Tree: A Tale of (In)temperance and (Im)morality 丽贝卡·海曼的《Upas Tree: In)temperance and (In) morality》

Prague Journal of English Studies Pub Date : 2020-07-01 DOI: 10.2478/pjes-2020-0003

Irina Rabinovich

{"title":"Rebekah Hyneman’s Leaves of the Upas Tree: A Tale of (In)temperance and (Im)morality","authors":"Irina Rabinovich","doi":"10.2478/pjes-2020-0003","DOIUrl":"https://doi.org/10.2478/pjes-2020-0003","url":null,"abstract":"Abstract The intent of this paper is to examine the use, by nineteenth-century American authors, of the temperance novel, a popular literary sub-genre in antebellum America, as a literary means for presenting the widespread controversy in the nation as regards the achievements of temperance societies. Moreover, my goal is to show that the popularity of temperance novels, in spite of their didactic and moralistic nature, displays the public’s readiness to consume temperance literature, thus reciprocating the attempt of writers to promote social ideals and heal social ills. Finally, since Rebekah Hyneman, a convert to Judaism, is the only Jewish-American writer who wrote a temperance novel, and is one among a small number of female writers who used this genre, it is interesting to examine if and how her double “Otherness” (being a Jew and a female novelist) distinguishes her from her literary Christian male and/or female counterparts. Hyneman’s novel Leaves of the Upas Tree: A Story for Every Household (1854–55) serves as a case in point of a temperance novel that demonstrates how a dysfunctional American family operates as a microcosm and how temperance and other charitable societies fail to cope with individuals’ tribulations. More importantly, the novel aims to attest that a familial defective unit, affected by excessive drinking, breeds a ruthless societal macrocosm, lacking compassion, empathy, and social and communal support. The merciless, xenophobic and anti-Semitic community depicted in the novel serves as a prism through which the author presents much more acute plagues afflicting America.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127806960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

On Writer’s Block: The Reflection of Lacanian Post-Structuralist Psychoanalysis in Paul Auster’s Oracle Night 作家的障碍:拉康后结构主义精神分析在保罗·奥斯特的《神谕之夜》中的反映

Prague Journal of English Studies Pub Date : 2019-07-01 DOI: 10.2478/pjes-2019-0008

Maroš Buday

引用次数: 0

Alienation and Character Typology in African American and Native American Narratives: A Jungian Reading of The Bluest Eye and Winter in the Blood 非裔美国人和印第安人叙事中的异化与人物类型学:《最蓝的眼睛》和《血中的冬天》的荣格解读

Prague Journal of English Studies Pub Date : 2019-07-01 DOI: 10.2478/pjes-2019-0004

Issa Omotosho Garuba

{"title":"Alienation and Character Typology in African American and Native American Narratives: A Jungian Reading of The Bluest Eye and Winter in the Blood","authors":"Issa Omotosho Garuba","doi":"10.2478/pjes-2019-0004","DOIUrl":"https://doi.org/10.2478/pjes-2019-0004","url":null,"abstract":"Abstract Alienation is a recurring literary subject in the United States. Its peculiarity is occasioned by the phenomenon of racial segregation, among others, with which the society is characterized. Thus, considerable critical attention has been given to the causes as well as the attendant socio-political, economic and psychological imports on the victims. From a psychological perspective, specifically, this paper engages in a comparative analysis of the effects of alienation on characters of African American and Native American origins produced by the same system in two novels which have African American and Native American roots – Toni Morrison’s The Bluest Eye and James Welch’s Winter in the Blood, respectively. In order to understand the variance and/or convergence in the personality formations of the African American and Native American characters in the narratives, consequent upon the racially alienating system, the paper adopts Carl Jung’s psychological theory of personality typology, labelled introversion and extraversion, with a view to assessing how, typically, persons of these origins are more likely to react to the socio-political, cultural and economic situations affecting them as minority ethnic groups in the United States.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131128908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

A Shadow of Truth: Honor Klein in Iris Murdoch’s A Severed Head 真相的阴影:爱瑞丝·默多克《斩首》中的荣耀·克莱因

Prague Journal of English Studies Pub Date : 2019-07-01 DOI: 10.2478/pjes-2019-0002

Barbora Kašpárková

引用次数: 0

Suburban Identity in the Poetry of John Updike 约翰·厄普代克诗歌中的郊区身份

Prague Journal of English Studies Pub Date : 2019-07-01 DOI: 10.2478/PJES-2019-0003

Jiří Flajšar

引用次数: 0

Early Modern Cultural Hybridity: Bartholomew Fair as a Heterotopia of Hamlet 近代早期文化混杂:巴塞洛缪集市作为哈姆雷特的异托邦

Prague Journal of English Studies Pub Date : 2019-07-01 DOI: 10.2478/pjes-2019-0001

M. Procházka

引用次数: 1

“I am rather strong on Voyages and Cannibalism”: The other Dickens and other Victorians in Richard Flanagan’s Wanting “我很擅长航海和食人”:理查德·弗拉纳根《欲望》中的其他狄更斯和维多利亚时代的人

Prague Journal of English Studies Pub Date : 2019-07-01 DOI: 10.2478/pjes-2019-0009

B. Kucała

{"title":"“I am rather strong on Voyages and Cannibalism”: The other Dickens and other Victorians in Richard Flanagan’s Wanting","authors":"B. Kucała","doi":"10.2478/pjes-2019-0009","DOIUrl":"https://doi.org/10.2478/pjes-2019-0009","url":null,"abstract":"Abstract This paper analyses Richard Flanagan’s novel Wanting (2008) as a narrative informed by a revisionary and critical attitude to nineteenth-century ideologies, which is common to, and, indeed, stereotypical in much neo-Victorian fiction. Drawing on the biographies of two eminent Victorians: Charles Dickens and Sir John Franklin, Flanagan constructs their fictional counterparts as split between a respectable, public persona and a dark, inner self. While all the Victorian characters are represented as “other” than their public image, the focus in the novel, and in this paper, is on Dickens’s struggle to reconcile social propriety with his personal discontent. Flanagan represents this conflict through Dickens’s response to the allegations that starving survivors of Franklin’s ill-fated Arctic expedition resorted to cannibalism. The zeal with which the Victorian writer refuted such reports reveals his own difficulty in living up to social and moral norms. The paper argues that the main link between the different narrative strands in the novel is the challenge they collectively pose to the distinction between the notions of civilization and savagery.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"235 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121217783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Remediating Joyce’s Techno-Poetics: Mark Amerika, Kenneth Goldsmith, Mark Z. Danielewski 修复乔伊斯的技术诗学:马克·阿梅里卡，肯尼斯·戈德史密斯，马克·z·丹尼尔维斯基

Prague Journal of English Studies Pub Date : 2019-07-01 DOI: 10.2478/pjes-2019-0007

David Vichnar

引用次数: 0

Aesthetic Universals in Neil Gaiman’s Post-Postmodern Mythmaking 尼尔·盖曼后后现代神话创作中的美学共性

Prague Journal of English Studies Pub Date : 2019-07-01 DOI: 10.2478/pjes-2019-0006

Ivan Čipkár

{"title":"Aesthetic Universals in Neil Gaiman’s Post-Postmodern Mythmaking","authors":"Ivan Čipkár","doi":"10.2478/pjes-2019-0006","DOIUrl":"https://doi.org/10.2478/pjes-2019-0006","url":null,"abstract":"Abstract Aesthetic theory, as reflected in both contemporary cognitive (Patrick Colm Hogan) and more traditional structuralist criticism (H.G. Widdowson), points to the dynamics between familiarity and surprise as the driving force behind the pleasure we derive from reading fiction. This paper explains how Neil Gaiman’s works, particularly his novel Neverwhere, utilize genre expectations and reinvent mythologies in order to captivate audiences in the current age of unprecedented access to information and a rather superficial intertextuality. The paper draws on Brian Attebery’s analyses of the literature of the fantastic to place Gaiman within the context of both modernist and postmodernist legacies, while proposing that his works could be best understood as representative of the current cultural paradigm, sometimes labelled as the pseudo-modern or post-postmodernism. The discussion of the shifting paradigm is used as a backdrop for the scrutiny of the devices employed in Gaiman’s writing: the pre-modern focus on storytelling, prototypicality, modernist “mythic principle”, postmodernist textual strategies, and utilization of current technologies and mass-communication media.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122045575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0