{"title":"An Animal Counter-Textuality? Sounding the Dog in the Global South","authors":"Anna Frieda Kuhn","doi":"10.51865/jlsl.2021.09","DOIUrl":"https://doi.org/10.51865/jlsl.2021.09","url":null,"abstract":"The visual bias in the West has decisively shaped literary and cultural criticism in the past decades. Perpetuated by the linguistic turn, this bias has seen the written word placed firmly at the heart of (post-)humanist critique. Surveying current trends in contemporary theory, it soon becomes evident that, coinciding with the decline of the linguistic turn, Animal and Sound Studies have been on a steady rise. Increasingly shaping the global literary imagination, canine poetics, in particular, are enmeshed in a complex ideological web. Basing my investigation on literary and dramatic works from the Global South, such as Mark Fleishman et al.’s Antigone (Not Quite/Quiet) (2019), Craig Higginson’s Dream of the Dog (2007), and Ari Gauthier’s Carnet secret de Lakshmi (2015), I argue that, analogous to the way sound has gained increased agency in the Global South, so too canine figurations point to the way acoustic symbols can be rearticulated.","PeriodicalId":40259,"journal":{"name":"Word and Text-A Journal of Literary Studies and Linguistics","volume":"10 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89028963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing Animality in Yoko Tawada’s Memoirs of a Polar Bear","authors":"J. Johnson","doi":"10.51865/jlsl.2021.10","DOIUrl":"https://doi.org/10.51865/jlsl.2021.10","url":null,"abstract":"Yoko Tawada, an author writing in both Japanese and German, is what critics call an exophonic writer, that is, a writer who uses a language other than one’s mother tongue for creative purposes. Writing from a foreign point of view is part of Tawada’s interest in acquiring perceptions of otherness both linguistically and culturally. We might apply Tawada’s exophonic writing when entering animal worlds by creating what Frederike Middelhoff terms ‘literary auto-zoographies’. Tawada’s novel Memoirs of a Polar Bear contains three generations of polar bear narratives: two circus performers and one zoo inhabitant. The text takes a postmodern metafictional approach to problems that arise in speaking for the animal other, a subject under much discussion in Animal Studies scholarship today. My article examines each of the three characters and their corresponding narrative modes. First, the grandmother polar bear writes a first-person autobiography of her life as a performer; in doing so, Tawada combines fiction and nonfiction to deconstruct the bear character’s identity thus resulting in what might be called a more authentic animal autobiography. Second, the article focuses on Tawada’s fascination with translation through the human-animal shared spaces between Tosca (the daughter of the unnamed grandmother polar bear character) and her human trainer. Lastly, the article examines the grandson, Knut, as an example of the current humanimal subject of ecopoetics with an emphasis on Knut as an environmental figure.","PeriodicalId":40259,"journal":{"name":"Word and Text-A Journal of Literary Studies and Linguistics","volume":"51 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87552031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Vulnerability of Animal Life in Derrida’s Philosophy","authors":"Patrick Llored","doi":"10.51865/jlsl.2021.03","DOIUrl":"https://doi.org/10.51865/jlsl.2021.03","url":null,"abstract":"Derrida has been preoccupied by the animal from the beginning to the end of his life. It can be found from the first to the last texts, but its presence is always subjected to new formulations and explications, as if the question of the animal in Derrida’s thinking could never be exhausted: indeed, nothing and nobody can seemingly exhaust it… Our reading takes this inexhaustibility as its starting point in order to examine one of the last concepts reworked by Derrida towards the end of his life, to which his readers have hitherto paid scant attention: the concept of vulnerability. This article probes into the possibility for this concept to allow us to reread in depth Derrida’s relevant texts as a unified body of works, albeit without claiming to exhaust their meaning(s).","PeriodicalId":40259,"journal":{"name":"Word and Text-A Journal of Literary Studies and Linguistics","volume":"45 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74090868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Three Ways of Looking at a Tiger: Animal Minds in Yann Martel’s Life of Pi","authors":"Xinyi Cao","doi":"10.51865/jlsl.2021.12","DOIUrl":"https://doi.org/10.51865/jlsl.2021.12","url":null,"abstract":"Engagement with animals is a central theme in Yann Martel’s novel Life of Pi, reflected and shaped by the character-narrator Pi’s reading of animal minds. The article examines attributions of minds to animals in three types of encounters with them: observation, interaction, and narration. While in childhood Pi tends to project human temperaments and emotions onto animals, he is forced to recognize animals’ species-specific experiences as the shipwreck foregrounds his embodiment. As such, the novel introduces the logic of nonhuman psychology into narrative development, formulating an intersubjective and interspecies relationship. Furthermore, at the end of the novel, it alerts us to intellectual and therapeutic functions of animals as narrative elements through comparison between representations of human and animal minds. The text not only identifies different presences of animals in the human world, but generates insights into how narrative in general conveys and responds to complex human-animal entanglements in our reality.","PeriodicalId":40259,"journal":{"name":"Word and Text-A Journal of Literary Studies and Linguistics","volume":"87 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80828527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Animality and Textual Experimentalism in João Guimarães Rosa’s My Uncle, the Jaguar","authors":"Ana Carolina Torquato","doi":"10.51865/jlsl.2021.13","DOIUrl":"https://doi.org/10.51865/jlsl.2021.13","url":null,"abstract":"This article analyses how form and content are intertwined in the story My Uncle, the Jaguar (1961) by Brazilian writer João Guimarães Rosa. In the first part, I use the fourteenth episode of Ulysses (1920), ‘Oxen of the Sun’, as an example of how language and form can convey ideas. The next section deals with Rosa’s efforts to create a character-narrator who seems to be on the verge of becoming-animal. The character’s transformation into a jaguar-like being is ambiguous, seeming to be both psychological and behavioural. In this sense, there is no evidence whether his metamorphosis is physical. However, the language of the narrative conveys his transformation, transcending him from Portuguese to Tupi-Guarani, to an animal snarling onomatopoeic language. To support my argument, I use a theoretical framework derived from Animal Studies and Anthropological Studies as a means of giving a better explanation of the variable cultural background concerning human-animal relationships.","PeriodicalId":40259,"journal":{"name":"Word and Text-A Journal of Literary Studies and Linguistics","volume":"25 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76484373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}