Studia Universitatis Babes-Bolyai Musica最新文献_第10页

The Character “Lucrezia Borgia” of Donizetti’s Homonymous Opera. An Analysis of Character and Vocal Features 多尼采蒂同名歌剧中的角色“Lucrezia Borgia”。性格与声乐特征分析

Studia Universitatis Babes-Bolyai Musica Pub Date : 2022-06-30 DOI: 10.24193/subbmusica.2022.1.17

E. Adetu, Petruța-Maria Coroiu

引用次数: 0

Das Gebet „Vaterunser” in der komponistischen Sicht von Ciprian Porumbescu – theologische und musikologische Aspekte “主祷文”，在Ciprian Porumbescu的作曲观点中

Studia Universitatis Babes-Bolyai Musica Pub Date : 2022-06-30 DOI: 10.24193/subbmusica.2022.1.15

Mihai Brie

{"title":"Das Gebet „Vaterunser” in der komponistischen Sicht von Ciprian Porumbescu – theologische und musikologische Aspekte","authors":"Mihai Brie","doi":"10.24193/subbmusica.2022.1.15","DOIUrl":"https://doi.org/10.24193/subbmusica.2022.1.15","url":null,"abstract":"\"The Messianic model of prayer uttered on the Mount of Olives, which has become a standard for the entire treasury of the later church, is our interdisciplinary research today. Given that it was uttered by Jesus Christ himself, it becomes relevant to any believer who wants his daily life to be in continual communion with God. In the liturgical richness of the Christian church of all times, the Lord’s Prayer (Our Father) is an integral part of any time of the day, morning, noon, or evening, because it represents the quintessence of the key words that every Christian visionary must have in his vocabulary. daily. In the following I have prepared research meant to attract the musician or theologian, or the contemporary scientist in the pragmatization of the manipulative requests contained in this grandiose prayer. Thus, we combined theological research with musicological research in an exceptional composition from the old Romanian space. In the history of the local culture and civilization, famous names have remained that have shaped the Romanian academic space from all times. One of these names of scientific relevance was Ciprian Porumbescu. Endowed natively with hard work, he succeeds and confirms over time his passage through time. A plurivalent musician, but also a poet and essayist, he manages to imprint in the history of the second half of the 19th century a unique perspective on the religious and folkloric and patriotic treasure of Bucovina. All this treasure is haloed by its vast improvement in Chernivtsi and Vienna, inscribing itself in the memory of the musical times of the end of the 19th century both far from the native places and especially capitalizing on them with their whole load of centuries in a vision. unique, complex, representative musician of Romanian choral music. Keywords: Jesus Christ, religion, church, Porumbescu, culture, choir, folklore, music, history \"","PeriodicalId":40238,"journal":{"name":"Studia Universitatis Babes-Bolyai Musica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48634570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Encouraging Guidelines in Neuromusicological Research Regarding Classical Music’s Usage in Sonic Therapy - When Science Becomes Magic 关于古典音乐在声音治疗中的使用的神经音乐学研究的令人鼓舞的指南-当科学变成魔术

Studia Universitatis Babes-Bolyai Musica Pub Date : 2022-06-30 DOI: 10.24193/subbmusica.2022.1.02

Csilla Csákány

{"title":"Encouraging Guidelines in Neuromusicological Research Regarding Classical Music’s Usage in Sonic Therapy - When Science Becomes Magic","authors":"Csilla Csákány","doi":"10.24193/subbmusica.2022.1.02","DOIUrl":"https://doi.org/10.24193/subbmusica.2022.1.02","url":null,"abstract":"\"In systematic musicology as a branch of music psychology we found an intriguing orientation called cognitive neuroscience of music, or neuromusicology. It studies the function of the brain in music processing, the way music perception and production manifests in brain. Compared to other analytical models of music cognition, the mapping of the brain’s functioning serves to examine the outcome of music rather than its process, and as the music therapy methods discussed reflect, most approaches follow this ontological direction. As recent scientific researches shows, the brain mapping technique differentiates moment of listening, playing classical music or improvising. In the light of the research findings, our main focus was to get to know and understand how our musical brains functions during classical music audition so we could argue from a scientific approach not only the existing therapeutic methods used in music therapy, but the perception of classical music in the present. In the master class “Dialogue of the Arts”, we explore with our students in all grades the possible links between music and other artistic and scientific disciplines. One of the most exciting aspects of this is music and brain research, an incredibly fast-developing field whose results could reinforce the place and role of classical music in contemporary society, reinforcing existing broad-based promotion of classical music education (Kodály, El sistema etc.) Keywords: music cognition, neuromusicology, sonic therapy, classical music, models of therapy. \"","PeriodicalId":40238,"journal":{"name":"Studia Universitatis Babes-Bolyai Musica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69199975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Changing of the Aesthetic Ballet’s Sphere in the Interwar Period. Between the Deconstruction of Oskar Schlemmer’s Ballet and the Idea of “Gebrauchmusik” of Paul Hindemith – An Imagistic Alley From Oskar Schlemmer to Céline Dion [1922-2019] 两次世界大战期间审美芭蕾领域的变化。在对奥斯卡·施莱默芭蕾的解构与保罗·辛德米特的“大众音乐”理念之间——从奥斯卡·施莱默到c<s:1>莱恩·迪昂的想象之路[1922-2019]

Studia Universitatis Babes-Bolyai Musica Pub Date : 2022-06-30 DOI: 10.24193/subbmusica.2022.1.06

Maria-Roxana Bischin

{"title":"The Changing of the Aesthetic Ballet’s Sphere in the Interwar Period. Between the Deconstruction of Oskar Schlemmer’s Ballet and the Idea of “Gebrauchmusik” of Paul Hindemith – An Imagistic Alley From Oskar Schlemmer to Céline Dion [1922-2019]","authors":"Maria-Roxana Bischin","doi":"10.24193/subbmusica.2022.1.06","DOIUrl":"https://doi.org/10.24193/subbmusica.2022.1.06","url":null,"abstract":"\"The ballet can be deconstructed through some mathematized forms as the geometrical lines and trough created symmetries. Once, Paul Klee painted the Abstract Ballet (1937) in the manner that some musicians made innovative experiments in the music, or in the same manner as Oskar Schlemmer found a unique form of expression for his Triadisches Ballet. But, there were two types of ballet in the interwar period of the twentieth century between which we can differentiate: the Classical ballet (wich maintains a Romantic line too) and the Avant-garde ballet that appeared through the Triadisches Ballet composed by Oskar Schlemmer. Some dancers like Mikhail Baryshnikov brought the ballet in the area of the classic performance, and others as Maya Plisețkaia (the ʻprima-ballerinaʼ of the twentieth century) brought the ballet to a classical-romantic line. Apparently, Oskar Schlemmer and Paul Klee wanted to dislodge the corrugations as they may have dislodged a cupboard or a box. I will show in my analysis how ballet can be part of our lives and how its limitation to mathematized forms sometimes has the role of a deconstruction of the expression of the artistic message. In my analysis, I will serve myself of the analysis of Dasein to justify the “becoming” of the dancer [object]ified through the corporal movements and to justify the stage- Space as a place of “being-in-the-world”. Keywords: ballet, body, dance, Weimar period, Oskar Schlemmer, Paul Hindemith, Avant-garde, ontical-structures, Céline Dion, Paul Klee, Alexandre Vauthier. \"","PeriodicalId":40238,"journal":{"name":"Studia Universitatis Babes-Bolyai Musica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69200328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Converting Nationalism Into Socialism Through Folk Music in Stalinist Romania 从民族音乐看斯大林时期罗马尼亚的民族主义向社会主义的转变

Studia Universitatis Babes-Bolyai Musica Pub Date : 2022-06-30 DOI: 10.24193/subbmusica.2022.1.07

Otilia-Maria Badea

{"title":"Converting Nationalism Into Socialism Through Folk Music in Stalinist Romania","authors":"Otilia-Maria Badea","doi":"10.24193/subbmusica.2022.1.07","DOIUrl":"https://doi.org/10.24193/subbmusica.2022.1.07","url":null,"abstract":"\"When a political change occurs, either in democratic or under authoritarian circumstances, the institutional dimension is the first that manifests the control exerted by the new power. We know that the socialist realism was imposed by politicians but in the end, it was created by the composers. Either convinced or not by the communist beliefs, they were faced with providing content for a doctrine that had clear contours and sharp direction, but with technical dimensions impossible to pinpoint. My intention is to shed light not on the politically active composers (whose works explicitly conveyed the propaganda messages of the regime), but rather on those that were trying to find a middle ground between the requirements of the socialist realism canon and their own ideals and aesthetic preferences. One of the most common solutions used by these composers, and one of the most polyvalent, was the appeal to folklore. It conveniently satisfied both the nationalism and the artistic aspirations of the interwar school of composition as well as the requirements of the communist present. Keywords: Nationalism, socialist realism, Stalinist Romania, Soviet model, Romanian Composers Union. \"","PeriodicalId":40238,"journal":{"name":"Studia Universitatis Babes-Bolyai Musica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69200335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Music Transfer and Cultural Contact: Romanian Popular Songs in the Repertoire of the Saxons From the Secașe Valley 音乐转移和文化接触:来自Secașe山谷的撒克逊人保留曲目中的罗马尼亚流行歌曲

Studia Universitatis Babes-Bolyai Musica Pub Date : 2022-06-30 DOI: 10.24193/subbmusica.2022.1.12

Theodor Constantiniu

{"title":"Music Transfer and Cultural Contact: Romanian Popular Songs in the Repertoire of the Saxons From the Secașe Valley","authors":"Theodor Constantiniu","doi":"10.24193/subbmusica.2022.1.12","DOIUrl":"https://doi.org/10.24193/subbmusica.2022.1.12","url":null,"abstract":"\"The Secașe Valley is an ethnographic area populated by different ethnic groups, the most numerous being the Romanians, Saxons, Hungarians, and Roma. Starting from field recordings of Romanian music performed by Saxon peasants from this region, we aim to contribute to the topic of inter-ethnic musical exchange in Transylvania. The songs borrowed by the Saxons from their Romanian neighbors are diverse, ranging from ritual songs, ballads, lyric songs representative for the area, to dance songs, romances, and other modern creations. We concluded that the Saxons thoroughly absorbed the style of traditional Romanian music not only from their own villages, but also from a wider area that goes past the Secașe Valley and into the neighboring regions. This allows us to claim that, as an ethnic minority, the Saxons were involved in a process of acculturation. The cultural strategy adopted by the Saxon community was the integration within the dominant culture, but without abandoning its own musical patrimony. Keywords: Transylvanian Saxons, Secașe Valley, cultural exchange, inter-ethnic relations, acculturation, Romanian folk songs, Southern Transylvania \"","PeriodicalId":40238,"journal":{"name":"Studia Universitatis Babes-Bolyai Musica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69200403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Compositional particularities and asian influences in the musical conception and works of john cage 约翰·凯奇音乐观念和作品中的作曲特点和亚洲影响

Studia Universitatis Babes-Bolyai Musica Pub Date : 2022-06-30 DOI: 10.24193/subbmusica.2022.1.09

Rucsanda Mădălina Dana, N. Karácsony

{"title":"Compositional particularities and asian influences in the musical conception and works of john cage","authors":"Rucsanda Mădălina Dana, N. Karácsony","doi":"10.24193/subbmusica.2022.1.09","DOIUrl":"https://doi.org/10.24193/subbmusica.2022.1.09","url":null,"abstract":"\"One of the most important figures of the 20th century, avant-garde composer, artist, writer, and theorist John Cage was deeply influenced by various philosophical orientations from South and East Asia, such as Hinduism, Buddhism, Taoism, Zen, and I-Ching. He studied various doctrines and the works of several Asian philosophers, which resulted in the reorientation of his philosophical and aesthetic ideas. At the same time, this influenced his musical style, the conception of his compositions, as well as his thoughts on the functions of art – discernible in his music. Cage identified himself with certain ideas he encountered in the philosophical texts he studied, but he refrained from describing himself as representative of any of these orientations. Unlike other Western composers inspired by oriental art and music, Cage was rather influenced by the philosophical dimension of Asia. He avoided the use of Asian music sources in his works and was not interested in using new sounds for the sake of creating a novel musical discourse but aimed to evoke or emphasize certain philosophical ideas through his composition. The aim of the present paper is to present the Asian philosophical influences that marked the figure of John Cage, his perspective on life and art, and influenced his rhetoric, as well as the ideas that he employed within his compositional process. Keywords: John Cage, Asia, Avant-garde, Hinduism, Buddhism, Zen, I-Ching, indeterminacy \"","PeriodicalId":40238,"journal":{"name":"Studia Universitatis Babes-Bolyai Musica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49091432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Expression of the Romanian Folk Style in Béla Bartók’s String Quartet No. 1 巴姆拉西Bartók第一弦乐四重奏中罗马尼亚民间风格的表现

Studia Universitatis Babes-Bolyai Musica Pub Date : 2022-06-30 DOI: 10.24193/subbmusica.2022.1.19

A. Pătraş

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The Hypnotic Garden: Repetition and Trance in Salvatore Sciarrino’s Works for Flute 催眠的花园:萨尔瓦托·夏里诺长笛作品中的重复与恍惚

Studia Universitatis Babes-Bolyai Musica Pub Date : 2022-06-30 DOI: 10.24193/subbmusica.2022.1.20

Diana Rotaru

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"Significant Personalities as Turning Points in the Life and Music of Johannes Brahms " “重要人物是约翰内斯·勃拉姆斯生活和音乐的转折点”

Studia Universitatis Babes-Bolyai Musica Pub Date : 2022-06-30 DOI: 10.24193/subbmusica.2022.1.05

Sebastian Shwan, Stela Drăgulin

{"title":"\"Significant Personalities as Turning Points in the Life and Music of Johannes Brahms \"","authors":"Sebastian Shwan, Stela Drăgulin","doi":"10.24193/subbmusica.2022.1.05","DOIUrl":"https://doi.org/10.24193/subbmusica.2022.1.05","url":null,"abstract":"\"This paper aims to reveal the turning points in the life and work of German composer Johannes Brahms. These main events were influenced by certain figures of the epoch, whose encounters marked the artistic activity of Brahms. In explaining the reasons that lay behind the composition of a work, emotion is one of the most specific criteria. Personal experience becomes the indispensable condition of artistic creation and lays at the core of the creative impulse. The paper is structured according to the following four aspects: the first friends (together with Albert Dietrich and their mentor, Robert Schumann, Brahms contributed to the composition of the FAE Sonata for piano and violin, Julius Otto Grimm is the witness of Brahms’ love for Agathe von Siebold, while Julius Stockhausen emerges as the master of the Brahms lieder), the conductors who became the composer’s close friends and promoted his symphonies (Hermann Levi, Hans Richter, Hans von Bülow, the latter a genuine emissary of Brahms’s works, the author of the Three B syntagm – Bach, Beethoven, Brahms), the Viennese friends (the critic Eduard Hanslick, who characterized the works in Opp. 117-119 as genuine monologues and Joseph Hellmesberger, founder of the quartet name after him, with whom Brahms performed gems of the chamber music repertoire), and the confidants of Brahms, permanent figures in the life of the composer (the surgeon Theodor Billroth and Joseph Viktor Widmann, the author of the memoirs that revealed significant aspects of the composer’s life and works). Keywords: Johannes Brahms, works, life, significant personalities, friends \"","PeriodicalId":40238,"journal":{"name":"Studia Universitatis Babes-Bolyai Musica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69200246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0