音乐转移和文化接触:来自Secașe山谷的撒克逊人保留曲目中的罗马尼亚流行歌曲

IF 0.1 0 MUSIC
Theodor Constantiniu
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引用次数: 0

摘要

“Secașe山谷是一个民族志区,居住着不同的民族,人数最多的是罗马尼亚人、撒克逊人、匈牙利人和罗姆人。从该地区撒克逊农民演奏的罗马尼亚音乐的现场录音开始,我们的目标是促进特兰西瓦尼亚民族间音乐交流的主题。撒克逊人从他们的罗马尼亚邻居那里借来的歌曲种类繁多,从仪式歌曲、民谣、代表该地区的抒情歌曲,到舞曲、浪漫歌曲和其他现代创作。我们得出的结论是,撒克逊人完全吸收了传统罗马尼亚音乐的风格,不仅来自他们自己的村庄,而且来自更广泛的地区,通过Secașe山谷进入邻近地区。这使我们可以断言,作为一个少数民族,撒克逊人经历了一个文化适应的过程。撒克逊人所采用的文化策略是融入主流文化,但不放弃自己的音乐遗产。关键词:特兰西瓦尼亚撒克逊人,Secașe山谷,文化交流,民族关系,文化适应,罗马尼亚民歌,南特兰西瓦尼亚
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music Transfer and Cultural Contact: Romanian Popular Songs in the Repertoire of the Saxons From the Secașe Valley
"The Secașe Valley is an ethnographic area populated by different ethnic groups, the most numerous being the Romanians, Saxons, Hungarians, and Roma. Starting from field recordings of Romanian music performed by Saxon peasants from this region, we aim to contribute to the topic of inter-ethnic musical exchange in Transylvania. The songs borrowed by the Saxons from their Romanian neighbors are diverse, ranging from ritual songs, ballads, lyric songs representative for the area, to dance songs, romances, and other modern creations. We concluded that the Saxons thoroughly absorbed the style of traditional Romanian music not only from their own villages, but also from a wider area that goes past the Secașe Valley and into the neighboring regions. This allows us to claim that, as an ethnic minority, the Saxons were involved in a process of acculturation. The cultural strategy adopted by the Saxon community was the integration within the dominant culture, but without abandoning its own musical patrimony. Keywords: Transylvanian Saxons, Secașe Valley, cultural exchange, inter-ethnic relations, acculturation, Romanian folk songs, Southern Transylvania "
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