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The Hairy Ape 毛猿
IF 0.3
Eugene O Neill Review Pub Date : 2022-09-01 DOI: 10.5325/eugeoneirevi.43.2.0227
Alexander Pettit
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引用次数: 0
Staging Depth: Eugene O'Neill And The Politics Of Psychological Discourse by Joel Pfister (review) 舞台深度：尤金·奥尼尔与心理话语的政治
IF 0.3
Eugene O Neill Review Pub Date : 2022-09-01 DOI: 10.5860/choice.33-1398
David Palmer
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引用次数: 0
Kyra Markham: Letters To Louis Sheaffer (1962–63) 凯拉·马卡姆：致路易斯·谢弗的信（1962–63）
IF 0.3
Eugene O Neill Review Pub Date : 2022-09-01 DOI: 10.5325/eugeoneirevi.43.2.0126
Jeff Kennedy, Alexander Pettit
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引用次数: 0
Ah, Wilderness! 啊,荒野!
IF 0.3
Eugene O Neill Review Pub Date : 2022-09-01 DOI: 10.5325/eugeoneirevi.43.2.0232
Sheila Hickey Garvey
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引用次数: 0
Trifles and Sometimes I Sing 琐事和有时我唱歌
IF 0.3
Eugene O Neill Review Pub Date : 2022-03-01 DOI: 10.5325/eugeoneirevi.43.1.0106
B. Rowen
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引用次数: 0
Not Smart, The Silent Waiter and Winter's Night 《不聪明》《沉默的侍者》《冬夜
IF 0.3
Eugene O Neill Review Pub Date : 2022-03-01 DOI: 10.5325/eugeoneirevi.43.1.0110
J. J. Thompson
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引用次数: 0
A Letter from Eugene O’Neill to Patrick McCartan (June 11, 1934); or, Yeats, the Abbey Theatre, and Days Without End (April 16, 1934) 尤金·奥尼尔给帕特里克·麦卡坦的信(1934年6月11日);《叶芝、艾比剧院和无尽的日子》(1934年4月16日)
IF 0.3
Eugene O Neill Review Pub Date : 2022-02-25 DOI: 10.5325/eugeoneirevi.43.1.0001
Christopher Murray
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引用次数: 0
Rare Air: Long Day’s Journey Into Night at American Stage 稀有的空气:在美国舞台上漫长的白天进入黑夜的旅程
IF 0.3
Eugene O Neill Review Pub Date : 2022-02-25 DOI: 10.5325/eugeoneirevi.43.1.0059
Patrick Midgley
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引用次数: 0
“A Step in the Right Direction”: Eugene O’Neill’s First Pulitzer Prizes, A Century Later “向正确方向迈出一步”:一个世纪后尤金·奥尼尔首次获得普利策奖
IF 0.3
Eugene O Neill Review Pub Date : 2022-02-25 DOI: 10.5325/eugeoneirevi.43.1.0016
Dan Venning
{"title":"“A Step in the Right Direction”: Eugene O’Neill’s First Pulitzer Prizes, A Century Later","authors":"Dan Venning","doi":"10.5325/eugeoneirevi.43.1.0016","DOIUrl":"https://doi.org/10.5325/eugeoneirevi.43.1.0016","url":null,"abstract":"ABSTRACT:This article reexamines Eugene O’Neill’s first Pulitzer Prizes, for Beyond the Horizon and “Anna Christie.” These prizes, awarded in such swift succession almost exactly a century ago, positioned O’Neill as the United States’s premier dramatist and also established the model for critically acclaimed American drama. O’Neill’s early successes are about misbegotten outsiders, whose lives as farmers, sailors, immigrants, and sex workers convey a diverse and realistic American experience in contrast with the fantasies of vaudeville and melodrama. Yet O’Neill depicts these characters without indicting the systemic injustices that force them into their outsider roles. The plays, like O’Neill himself, are cautiously and imperfectly progressive. A century after these awards, we can see how O’Neill continues to shape American drama and how recent dramatists awarded the Pulitzer Prize continue to build upon O’Neill’s model of social and cultural inclusivity.","PeriodicalId":40218,"journal":{"name":"Eugene O Neill Review","volume":"43 1","pages":"16 - 38"},"PeriodicalIF":0.3,"publicationDate":"2022-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47052593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Infantilized Adults and Intergenerational Stasis in Long Day’s Journey Into Night, The Glass Menagerie, and Death of a Salesman 《漫漫长夜之旅》、《玻璃动物园》和《推销员之死》中的婴儿化成年人和代际停滞
IF 0.3
Eugene O Neill Review Pub Date : 2022-02-25 DOI: 10.5325/eugeoneirevi.43.1.0039
Kaitlyn Farrell Rodriguez
{"title":"Infantilized Adults and Intergenerational Stasis in Long Day’s Journey Into Night, The Glass Menagerie, and Death of a Salesman","authors":"Kaitlyn Farrell Rodriguez","doi":"10.5325/eugeoneirevi.43.1.0039","DOIUrl":"https://doi.org/10.5325/eugeoneirevi.43.1.0039","url":null,"abstract":"ABSTRACT:This article examines the narrative and structural stasis that results from repeated infantilizing exchanges between parents and adult children sharing homes in the highly canonical mid-twentieth-century American plays Long Day’s Journey Into Night, The Glass Menagerie, and Death of a Salesman. These moments of overparenting, which tend to focus on the adult children’s bodies and health, educational and career choices, and language, are met with acts of resistance that in turn perpetuate a cycle of intergenerational conflict. Understanding the psychological effects of infantilization is crucial to recognizing the downward trajectory of both generations in all three plays into a stagnated state of memory rather than future progress. This article engages with relevant sociohistorical and autobiographical contextual material and argues that the cycle of infantilization dramatized in these plays is rooted in mid-century American culture and traditional gender roles.","PeriodicalId":40218,"journal":{"name":"Eugene O Neill Review","volume":"43 1","pages":"39 - 58"},"PeriodicalIF":0.3,"publicationDate":"2022-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47832635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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