《漫漫长夜之旅》、《玻璃动物园》和《推销员之死》中的婴儿化成年人和代际停滞

IF 0.4 0 LITERATURE, AMERICAN
Kaitlyn Farrell Rodriguez
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引用次数: 0

摘要

摘要:本文探讨了二十世纪中期美国戏剧《漫漫长夜之旅》、《玻璃动物园》和《推销员之死》中,父母和成年子女之间反复发生的婴儿化交流所导致的叙事和结构停滞。这些过度租房的时刻往往集中在成年儿童的身体和健康、教育和职业选择以及语言上,但却遇到了抵制行为,从而使代际冲突的循环永久化。了解婴儿化的心理影响对于认识到这三部剧中两代人都进入了记忆停滞状态而不是未来进步的下降轨迹至关重要。本文结合了相关的社会历史和自传背景材料,认为这些戏剧中的婴儿化循环植根于世纪中期的美国文化和传统性别角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Infantilized Adults and Intergenerational Stasis in Long Day’s Journey Into Night, The Glass Menagerie, and Death of a Salesman
ABSTRACT:This article examines the narrative and structural stasis that results from repeated infantilizing exchanges between parents and adult children sharing homes in the highly canonical mid-twentieth-century American plays Long Day’s Journey Into Night, The Glass Menagerie, and Death of a Salesman. These moments of overparenting, which tend to focus on the adult children’s bodies and health, educational and career choices, and language, are met with acts of resistance that in turn perpetuate a cycle of intergenerational conflict. Understanding the psychological effects of infantilization is crucial to recognizing the downward trajectory of both generations in all three plays into a stagnated state of memory rather than future progress. This article engages with relevant sociohistorical and autobiographical contextual material and argues that the cycle of infantilization dramatized in these plays is rooted in mid-century American culture and traditional gender roles.
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来源期刊
Eugene O Neill Review
Eugene O Neill Review LITERATURE, AMERICAN-
CiteScore
0.10
自引率
66.70%
发文量
27
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