F Scott Fitzgerald Review最新文献

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Sharing the Road with Burton Holmes and Dr. Jones: Mapping Fitzgerald’s “The Cruise of the Rolling Junk” and the American Road Narrative 与伯顿·福尔摩斯和琼斯博士共享道路:绘制菲茨杰拉德的“滚动垃圾之旅”和美国道路叙事
F Scott Fitzgerald Review Pub Date : 2018-12-20 DOI: 10.5325/FSCOTFITZREVI.16.1.0001
Michael J. Martin
{"title":"Sharing the Road with Burton Holmes and Dr. Jones: Mapping Fitzgerald’s “The Cruise of the Rolling Junk” and the American Road Narrative","authors":"Michael J. Martin","doi":"10.5325/FSCOTFITZREVI.16.1.0001","DOIUrl":"https://doi.org/10.5325/FSCOTFITZREVI.16.1.0001","url":null,"abstract":"Abstract:F. Scott Fitzgerald’s “The Cruise of the Rolling Junk” remains a critically neglected text. This article proposes that one reason for this neglect is that the work has yet to be placed into any greater critical context. It remedies this problem by analyzing the essay in the context of the American road narrative. Specifically, the reading places Fitzgerald’s work within its own historical moment by recognizing how it both distances itself from and yet is complicit in the romantic idea of travel as expressed by the twentieth-century travel orator Burton Holmes. Through a close reading of the text, the article argues that while Fitzgerald attempts to break from the overly picturesque view of travel and adventure that colored much early travel and road literature in an effort to highlight the sense of identity loss (in terms of self and world), he is, in the end, unsuccessful in fully accomplishing his own narrative goal. However, in his attempt, Fitzgerald does place himself within the greater conversation of the American road narrative and helps to complicate traditional theories of American road literature.","PeriodicalId":40217,"journal":{"name":"F Scott Fitzgerald Review","volume":"16 1","pages":"1 - 17"},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45535800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Great Nick: Performing Authorial Masculinity in The Great Gatsby 伟大的尼克:在《了不起的盖茨比》中表现权威男子气概
F Scott Fitzgerald Review Pub Date : 2018-12-20 DOI: 10.5325/FSCOTFITZREVI.16.1.0189
Todd Onderdonk
{"title":"The Great Nick: Performing Authorial Masculinity in The Great Gatsby","authors":"Todd Onderdonk","doi":"10.5325/FSCOTFITZREVI.16.1.0189","DOIUrl":"https://doi.org/10.5325/FSCOTFITZREVI.16.1.0189","url":null,"abstract":"Abstract:This article examines Nick Carraway as an author surrogate who directs critical attention to revisions by F. Scott Fitzgerald of his “authorial masculinity,” a quantity found wanting by critics of his previous works in highly gendered language. Seeking to cultivate critical esteem from advocates of the modernist avant-garde, Fitzgerald created his partially involved narrator to redress criticisms of his lack of manly objectivity and intellectual authority, and his “womanish” romanticism. Nick showcases toughminded authorial traits framed as masculine in the text, distinctly modernist capabilities dramatized through an analytical focus on the value of romanticism itself, personified in Gatsby. Nick performs Fitzgerald’s own impersonal mastery of the paradox of “American” romanticism, illusory and fatal, yet a motive force for human endeavor that the novel famously types as a national characteristic. The article suggests how Nick’s performance may have been crucial in helping Fitzgerald achieve the critical esteem underlying his current canonicity.","PeriodicalId":40217,"journal":{"name":"F Scott Fitzgerald Review","volume":"16 1","pages":"189 - 212"},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49373768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Great Global Warmer: Jay Gatsby as a Microcosm of Climate Change 全球变暖:杰伊·盖茨比是气候变化的一个缩影
F Scott Fitzgerald Review Pub Date : 2018-12-20 DOI: 10.5325/FSCOTFITZREVI.16.1.0174
Kyle Keeler
{"title":"The Great Global Warmer: Jay Gatsby as a Microcosm of Climate Change","authors":"Kyle Keeler","doi":"10.5325/FSCOTFITZREVI.16.1.0174","DOIUrl":"https://doi.org/10.5325/FSCOTFITZREVI.16.1.0174","url":null,"abstract":"Abstract:This article traces James Gatz’s transformation into Jay Gatsby as a representation and personification of human-caused climate change. Gatsby’s life depends on many human-centered, selfish endeavors, from his inspiration via Dan Cody’s mining practices and his involvement in intense deforestation during World War I to his bootlegging enterprise dependent on South American agriculture and the rise of the automobile, all the while ignoring the waste of the valley of ashes in favor of a consumer-culture lifestyle that feeds the socioeconomic disparity and wealth gap that began in America in the 1920s. While Gatsby’s life and transformation depend on these practices, each one is in some part responsible for Earth’s current ecological crisis. This article uses ecological philosophy to argue further that by going too far forward in time to reclaim what he had lost, Gatsby is also representative of humanity’s eventual quest for a previously inhabitable Earth after each of these selfish ventures wreak havoc on the planet’s environment. After the planet has become inhospitable due to extreme climate change, human beings will seek to return to a more environmentally welcoming planet; however, we will be unable to do so. In so doing, we may be destroyed by our own selfish endeavors, unable to repeat the past; and eventually, much like Gatsby, there will be no one to attend our funeral after we have been destroyed by our own valleys of ash.","PeriodicalId":40217,"journal":{"name":"F Scott Fitzgerald Review","volume":"16 1","pages":"174 - 188"},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45781870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Daisy’s “Advertisement of the Man”: An Evasive Self-Revelation 黛西的“男人的广告”:一种回避的自我启示
F Scott Fitzgerald Review Pub Date : 2018-12-20 DOI: 10.5325/FSCOTFITZREVI.16.1.0160
L. Purdon
{"title":"Daisy’s “Advertisement of the Man”: An Evasive Self-Revelation","authors":"L. Purdon","doi":"10.5325/FSCOTFITZREVI.16.1.0160","DOIUrl":"https://doi.org/10.5325/FSCOTFITZREVI.16.1.0160","url":null,"abstract":"Abstract:Daisy’s Chapter 7 reference in The Great Gatsby to the “advertisement of the man,” an evasion in the Buchanans’ salon to draw attention away from her previous oblique admission of love for Gatsby, reveals something important about her thinking and character as well as something important about F. Scott Fitzgerald’s magazine reading when working on the novel. Not a reference to the illustrated Arrow Collar Man, but rather to an advertising first, an advertisement including the photograph of an actual man, this evasion demonstrates a shrewd maneuver on Fitzgerald’s part of appealing to his readership’s “Smart Set” while providing a visual consumerist sartorial metaphor of Gatsby’s uniqueness of character, the dashing and singular constancy of purpose that attracted Daisy to him in the first place.","PeriodicalId":40217,"journal":{"name":"F Scott Fitzgerald Review","volume":"16 1","pages":"160 - 173"},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42548374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Mad Flapper: Socialization in Fitzgerald’s “Bernice Bobs Her Hair” 疯狂的少女:菲茨杰拉德《伯尼斯剪短头发》中的社会化
F Scott Fitzgerald Review Pub Date : 2018-12-20 DOI: 10.5325/FSCOTFITZREVI.16.1.0018
Ya'ara Notea
{"title":"The Mad Flapper: Socialization in Fitzgerald’s “Bernice Bobs Her Hair”","authors":"Ya'ara Notea","doi":"10.5325/FSCOTFITZREVI.16.1.0018","DOIUrl":"https://doi.org/10.5325/FSCOTFITZREVI.16.1.0018","url":null,"abstract":"Abstract:Fitzgerald’s engagement (some even say obsession) with his era’s changing attitudes toward youth and gender is prominent in much of his work. “Bernice Bobs Her Hair,” published in 1920, is no exception. Employing the theoretical framework of the female Bildungsroman—the female narrative of development—this article presents a contextualized reading of the story as an early study of flapperhood, of modern perceptions of youth and maturation, and of the process of female socialization, revealing Fitzgerald’s complex relationship with the ideal he and his wife so helped to advance. Studying the story’s engagement with the larger literary and ideological debates that this genre participates in offers a deeper understanding of Fitzgerald’s depiction of the process of socialization that calls into question previous assumptions about both maturation and femininity. Moreover, this analysis engenders an alternative reading of the story’s ending, which further problematizes Fitzgerald’s portrayal of socialization into flapperhood.","PeriodicalId":40217,"journal":{"name":"F Scott Fitzgerald Review","volume":"16 1","pages":"18 - 37"},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48127494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Little Girl Bay,” Frontier, and Folklore: Fitzgerald’s Use of Regional History in The Great Gatsby “小女孩湾”、边疆与民俗:菲茨杰拉德在《了不起的盖茨比》中对地区历史的运用
F Scott Fitzgerald Review Pub Date : 2018-12-20 DOI: 10.5325/FSCOTFITZREVI.16.1.0109
J. Kenyon
{"title":"“Little Girl Bay,” Frontier, and Folklore: Fitzgerald’s Use of Regional History in The Great Gatsby","authors":"J. Kenyon","doi":"10.5325/FSCOTFITZREVI.16.1.0109","DOIUrl":"https://doi.org/10.5325/FSCOTFITZREVI.16.1.0109","url":null,"abstract":"Abstract:F. Scott Fitzgerald made deliberate, artistic choices in depicting the Midwest. In The Great Gatsby, he chose “Little Girl Bay” as the setting for James Gatz’s transformation into Jay Gatsby on the shores of Lake Superior. Fitzgerald’s setting is based on Little Girl’s Point on Michigan’s Upper Peninsula. Historic information about this frontier setting illuminates Gatz’s transformation and grounds his traits in regional history. This article explores the setting’s proximity to logging and mining camps, infamous turn-of-the-twentieth-century Hurley, Wisconsin, saloons and brothels, and the confluence of immigrant newcomers and indigenous people. It places significant focus on Henry R. Schoolcraft’s Ojibwe folktale “Leelinau, or The Lost Daughter” as the basis for the name of Little Girl’s Point as handed down by Schoolcraft’s wife, Bamewawagezhikaquay (Jane J. Schoolcraft). The tale, which parallels motifs in The Great Gatsby, tells of a young maiden who runs off with her fairy lover. At night her moonlit figure is seen on the shore by fishermen across the waters. When they approach, she flees, sheltered by her lover’s green plumes.","PeriodicalId":40217,"journal":{"name":"F Scott Fitzgerald Review","volume":"16 1","pages":"109 - 126"},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41593020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Great Gatsby and Iven Kruse’s Der dritte Bismarck [The Third Bismarck] The Impact of Spengler’s The Decline of the West in Transnational Perspective 《了不起的盖茨比》与《第三代俾斯麦》——跨国视角下斯宾格勒《西方衰亡》的影响
F Scott Fitzgerald Review Pub Date : 2018-12-20 DOI: 10.5325/FSCOTFITZREVI.16.1.0127
H. Kruse
{"title":"The Great Gatsby and Iven Kruse’s Der dritte Bismarck [The Third Bismarck] The Impact of Spengler’s The Decline of the West in Transnational Perspective","authors":"H. Kruse","doi":"10.5325/FSCOTFITZREVI.16.1.0127","DOIUrl":"https://doi.org/10.5325/FSCOTFITZREVI.16.1.0127","url":null,"abstract":"Abstract:Despite the entirely accidental nature of their juxtaposition—briefly touched upon in the introduction—F. Scott Fitzgerald’s The Great Gatsby and Iven Kruse’s The Third Bismarck offer fruitful material for a transnational study of the impact of World War I on fiction in the postwar period as well as of the mood and the temper of the times in Germany and the United States. Both novels were published in 1925 and both describe the lives of veterans as they try to adjust to living in peace-time. In terms of the genesis of each novel, it is the intense encounter of both authors with Oswald Spengler’s The Decline of the West that pervades and colors their work, leading Kruse to reject Spengler’s teachings, in his novel as well as in newspaper articles, and Fitzgerald to embrace Spengler’s views both in his novel and his personal convictions as expressed in interviews and correspondence. As much as the two novels themselves, their compositional histories thus afford an opportunity to probe and assess postwar intellectual trends in each country as well as providing documented case studies of the reception of Spengler’s epoch-making work on both sides of the Atlantic.","PeriodicalId":40217,"journal":{"name":"F Scott Fitzgerald Review","volume":"16 1","pages":"127 - 159"},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48175591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Yeatsian Modernism: Romantic Nationalism, Hero Worship, and the “Celtic Element” in Tender Is the Night and The Love of the Last Tycoon 叶现代主义:浪漫主义民族主义、英雄崇拜与《温柔是夜》和《最后的大亨之爱》中的“凯尔特元素”
F Scott Fitzgerald Review Pub Date : 2018-12-20 DOI: 10.5325/FSCOTFITZREVI.16.1.0060
Robert C. Utrup
{"title":"Yeatsian Modernism: Romantic Nationalism, Hero Worship, and the “Celtic Element” in Tender Is the Night and The Love of the Last Tycoon","authors":"Robert C. Utrup","doi":"10.5325/FSCOTFITZREVI.16.1.0060","DOIUrl":"https://doi.org/10.5325/FSCOTFITZREVI.16.1.0060","url":null,"abstract":"Abstract:Most scholars have overlooked F. Scott Fitzgerald’s relationship to his Irish roots and the role that his “Irishness” plays in his writing. This article explores how the “Celtic Element” in literature, popularized by writers like Matthew Arnold and W. B. Yeats in the mid-to-late nineteenth century, influenced Fitzgerald’s response to the crisis of modernity. By examining Fitzgerald’s artistic and aesthetic relationship to his Irish heritage—tied to the debate between Arnold and Yeats on the characteristics and value of Celtic Literature—and by drawing textual comparisons between the work of Yeats and Fitzgerald, this article shows how, like Yeats, Fitzgerald employs the use of tragic heroes to promote premodern characteristics as a response to the materialism he saw tainting modern American society. Examining specifically Yeats’s On Baile’s Strand in relation to Tender Is the Night and The Love of the Last Tycoon, this article argues that Fitzgerald employs the same type of “romantic nationalism” as the great Irish poet and dramatist. Both authors’ protagonists represent ancestral ideals and values that have been lost to the rise of modernity.","PeriodicalId":40217,"journal":{"name":"F Scott Fitzgerald Review","volume":"16 1","pages":"60 - 83"},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44720438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Fitzgerald as Prose Technician: A Short Catalog of Rhetorical Devices 菲茨杰拉德散文技术员:修辞手法简录
F Scott Fitzgerald Review Pub Date : 2018-01-03 DOI: 10.5325/FSCOTFITZREVI.15.1.0149
B. Zimmerman
{"title":"Fitzgerald as Prose Technician: A Short Catalog of Rhetorical Devices","authors":"B. Zimmerman","doi":"10.5325/FSCOTFITZREVI.15.1.0149","DOIUrl":"https://doi.org/10.5325/FSCOTFITZREVI.15.1.0149","url":null,"abstract":"Abstract:Using the taxonomy and the terminology of classical rhetoric, this article examines the prose of the four novels published in Fitzgerald's lifetime as well as several of his most notable short stories. This methodology enables one to go beyond the fuzzy descriptors—such as \"brilliant,\" \"clear,\" \"vital,\" \"lucid,\" \"fluent,\" \"natural,\" \"fine,\" and \"rich\"—often applied to Fitzgerald's writing. The article eschews the impressionistic in favor of a more \"scientific\" approach to that prose: through the exegetical microscope of the rhetorical lexicon, it demonstrates the surprising subtleties of Fitzgerald's linguistic craftsmanship. Without claiming that Fitzgerald was steeped in the terminology of classical rhetoric, it proposes that he at least had an intuitive understanding of the syllabic, lexical, aural, descriptive, metaphorical, syntactical, argumentative, grammatical, verisimilous, emotional, psychological, and even the comedic and satirical strategies and maneuvers that the terms describe and for which the ancient Greeks and Romans provided names and categories. The article concludes with a number of observations about Fitzgerald's careful and conscientious craftsmanship: some buttress widely accepted pronouncements about his prose style, techniques, and philosophy of composition; others, one hopes, are new insights that may surprise even Fitzgerald's most enthusiastic champions and be embraced by them.","PeriodicalId":40217,"journal":{"name":"F Scott Fitzgerald Review","volume":"15 1","pages":"149 - 199"},"PeriodicalIF":0.0,"publicationDate":"2018-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47875512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Violet Stockton and the Making of Minnie Bibble 维奥莱特·斯托克顿和《米妮·比布尔》的制作
F Scott Fitzgerald Review Pub Date : 2018-01-03 DOI: 10.5325/fscotfitzrevi.15.1.0072
David Page
{"title":"Violet Stockton and the Making of Minnie Bibble","authors":"David Page","doi":"10.5325/fscotfitzrevi.15.1.0072","DOIUrl":"https://doi.org/10.5325/fscotfitzrevi.15.1.0072","url":null,"abstract":"Abstract:Violet Stockton, who F. Scott Fitzgerald met in 1908 when she came to St. Paul to visit her grandparents, was one of Fitzgerald's lesser-known muses, but she is prominently mentioned in his Thoughtbook and played a central role at that point in his life. This article provides biographical information about her and her family and speculates about the influence she may have had on the Minnie Bibble character in Fitzgerald's Basil Duke Lee stories and on Fitzgerald's decision to attend Princeton University. That thirty-two years after their first meeting Violet Stockton appears on a list Fitzgerald compiled of his \"Fixations\" certainly makes her relevant to anyone interested in his infatuations and inspirations.","PeriodicalId":40217,"journal":{"name":"F Scott Fitzgerald Review","volume":"15 1","pages":"72 - 80"},"PeriodicalIF":0.0,"publicationDate":"2018-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48600172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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