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Short Film Studies最新文献

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The boundaries of oblivion: Ghosts and memory in Apichatpong Weerasethakul’s short films 遗忘的边界:阿比察邦·维拉斯哈古短片中的幽灵与记忆
Short Film Studies Pub Date : 2023-03-01 DOI: 10.1386/sfs_00089_1
Agnieszka Kiejziewicz
{"title":"The boundaries of oblivion: Ghosts and memory in Apichatpong Weerasethakul’s short films","authors":"Agnieszka Kiejziewicz","doi":"10.1386/sfs_00089_1","DOIUrl":"https://doi.org/10.1386/sfs_00089_1","url":null,"abstract":"This article analyses chosen Apichatpong’s short films, organized in two thematic areas, with reference to the director’s primary interest in communicating about post-traumatic memory. The first part is dedicated to ghostly presences, their meanings and depictions. Apichatpong’s ghosts derive from the light penetrating the surface to human-shape projections or figments of imagination. This part of the analysis will refer to Derrida’s hauntology concept and its dissemination in such films as A Letter to Uncle Boonmee (2009) or Apichatpong’s early project Haunted Houses (2001). In the following part of the article, I will focus on the destruction of memory, symbolized by the images of fire, burning objects or split narrative structures. Here I will analyse films such as Blue (2018) and Ashes (2012), pointing out similar semiotic references in Apichatpong’s feature films. The analysis presented is accompanied by the observation of connections between Apichatpong’s feature films and short films, with a particular emphasis on his new short projects. My reflection on the topic was built upon the audio-visual resources, including interviews and records from exhibitions, as well as subject literature in English, Polish and Japanese.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43611869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Two divergent cinematic readings of enslavement in ‘An Occurrence at Owl Creek Bridge’ 《猫头鹰溪桥事件》中关于奴役的两种不同的电影解读
Short Film Studies Pub Date : 2023-03-01 DOI: 10.1386/sfs_00090_1
David Melbye
{"title":"Two divergent cinematic readings of enslavement in ‘An Occurrence at Owl Creek Bridge’","authors":"David Melbye","doi":"10.1386/sfs_00090_1","DOIUrl":"https://doi.org/10.1386/sfs_00090_1","url":null,"abstract":"Ambrose Bierce’s Civil War story ‘An Occurrence at Owl Creek Bridge’ was adapted in 1959 as a television episode of Alfred Hitchcock Presents and in 1962 as Robert Enrico’s French film La Rivière du hibou, which was presented as an episode of The Twilight Zone in turn. Although the common reading of this story aligns it with the author’s other ‘antiwar’ narratives, African American enslavement comes to the fore in both these audio-visual adaptations, but with opposite connotations. Examining their digression in narrative and stylistic directions illustrates the dichotomies of motion-picture aesthetics: low vs. high art, mainstream vs. avant-garde, escapism vs. social critique – and demonstrates the cultural possibility for these contrasting approaches to register concurrently as popular media products.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43638147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Textures of ecology: A flat ontology of things in Zachary Epcar’s Return to Forms 生态学的肌理：埃普卡《形式的回归》中事物的扁平本体论
Short Film Studies Pub Date : 2023-03-01 DOI: 10.1386/sfs_00091_1
A. Bülbül
{"title":"Textures of ecology: A flat ontology of things in Zachary Epcar’s Return to Forms","authors":"A. Bülbül","doi":"10.1386/sfs_00091_1","DOIUrl":"https://doi.org/10.1386/sfs_00091_1","url":null,"abstract":"This article analyses Return to Forms with regard to Levi R. Bryant’s flat ontology, which eliminates any degree of hierarchy between things. Foregrounding the entanglements of different textures, Zachary Epcar’s haptic and sonic experiment echoes Bryant’s object-oriented philosophy and calls for a radical ecological sensibility through assembling the manifold fabrics of everyday life with an unusual tone. In this new materialist outlook, human and non-human, actual and virtual, body and matter coincide.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47900459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nor from the Second Level: Multilayer juxtaposition and the Two Social Reality approach 也不是从第二层:多层并置和两种社会现实的方法
Short Film Studies Pub Date : 2023-03-01 DOI: 10.1386/sfs_00092_1
Adam Muhammad Taufiq Mohamad Suharto
{"title":"Nor from the Second Level: Multilayer juxtaposition and the Two Social Reality approach","authors":"Adam Muhammad Taufiq Mohamad Suharto","doi":"10.1386/sfs_00092_1","DOIUrl":"https://doi.org/10.1386/sfs_00092_1","url":null,"abstract":"In the Malaysian short film, Nor from the Second Level, in addition to the use of Soviet montage editing techniques, the juxtaposition between the Malaysian deputy prime minister’s speech and the monologue of Nor, the protagonist, creates a conflicting discourse about the survival of the working class and other marginalized groups during economic turmoil. The juxtaposition of the two voices is aligned with the concept or approach called ‘Two Social Reality’ and was conceptualized by the Malaysian social anthropologist Shamsul Amri Baharuddin, who argued that our overall social reality is defined by the social phenomena that take place within the two social realities: ‘authority-defined’ and ‘everyday-defined’.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47260549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Compression makes every movie a melodrama’: A conversation with Laura U. Marks on the Small File Media Festival “压缩让每一部电影都成为情节剧”：在小文件媒体节上与劳拉·U·马克斯的对话
Short Film Studies Pub Date : 2023-03-01 DOI: 10.1386/sfs_00088_7
Martin P. Rossouw
{"title":"‘Compression makes every movie a melodrama’: A conversation with Laura U. Marks on the Small File Media Festival","authors":"Martin P. Rossouw","doi":"10.1386/sfs_00088_7","DOIUrl":"https://doi.org/10.1386/sfs_00088_7","url":null,"abstract":"This article presents a conversation with Laura U. Marks, a distinguished scholar of film and new media who launched the Small File Media Festival in 2020. Marks’ message is that large-file streaming is harmful to the planet and that we need to act against its growing yet under-the-radar carbon footprint. The festival’s goal is to demonstrate that movies can be captivating and immersive even if they are not large in file size, and encourages creators to experiment with low-energy technologies and techniques. Given the high stakes, the festival’s organizers hope that small-file media will become increasingly influential as an aesthetic movement.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49087851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Purple and blue: Memory, capitalism and ecological collapse in Flores 紫色与蓝色：弗洛雷斯的记忆、资本主义与生态崩溃
Short Film Studies Pub Date : 2023-03-01 DOI: 10.1386/sfs_00093_1
Jason Avilez
{"title":"Purple and blue: Memory, capitalism and ecological collapse in Flores","authors":"Jason Avilez","doi":"10.1386/sfs_00093_1","DOIUrl":"https://doi.org/10.1386/sfs_00093_1","url":null,"abstract":"The ecological landscape an individual, and by extension a community, inhabits is an influential and integral aspect of their experiences and cultural practices in life. But today, capitalist activity continues to cause major ecological collapse and, consequently, mass migrations. This article examines how the Portuguese short film Flores explores a time of ecological apocalypse in two ways. In the first, personal and collective memory of a land before collapse enables inhabitants to hold onto their homes and, in the second, global capitalist forces combine to create a loose form of ecological ‘recovery’.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49184176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editor’s Introduction 编辑器的介绍
Short Film Studies Pub Date : 2023-03-01 DOI: 10.1386/sfs_00086_2
Cynthia Felando
{"title":"Editor’s Introduction","authors":"Cynthia Felando","doi":"10.1386/sfs_00086_2","DOIUrl":"https://doi.org/10.1386/sfs_00086_2","url":null,"abstract":"The ‘Editor’s introduction’ notes the two interviews and five critical/analytical articles included in issue 13.1, which include attention to the energy-focused Small File Media Festival; Richard Raskin’s book, The Yin and Yang of Short Film Storytelling (); Thai filmmaker Apichatpong Weerasethakul’s short films; two historical short film adaptations of the Ambrose Bierce story, ‘An Occurrence at Owl Creek Bridge’; the experimental short, Return to Forms ; the Malaysian fiction short, Nor from the Second Level , and Portuguese science-fiction short Flores .","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":"125 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135467515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An interview with Richard Raskin about his book, The Yin and Yang of Short Film Storytelling 采访理查德·拉斯金关于他的书《短片叙事的阴阳》
Short Film Studies Pub Date : 2023-03-01 DOI: 10.1386/sfs_00087_7
Cynthia Felando
{"title":"An interview with Richard Raskin about his book, The Yin and Yang of Short Film Storytelling","authors":"Cynthia Felando","doi":"10.1386/sfs_00087_7","DOIUrl":"https://doi.org/10.1386/sfs_00087_7","url":null,"abstract":"This article features an interview with Richard Raskin, the distinguished short film scholar and teacher – and founding editor of Short Film Studies (SFS), who discusses his new book, The Yin and Yang of Short Film Storytelling.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45412650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Charting the short fiction film 制作短片电影的图表
Short Film Studies Pub Date : 2022-09-01 DOI: 10.1386/sfs_00085_1
P. Fikse
{"title":"Charting the short fiction film","authors":"P. Fikse","doi":"10.1386/sfs_00085_1","DOIUrl":"https://doi.org/10.1386/sfs_00085_1","url":null,"abstract":"In this article, I explore the landscape of short fiction film in the frame of two broad categories, Classical and Art shorts, and present a chart identifying how styles and devices are at play. Finally, as a brief case study, a short fiction film example is scrutinized and tentatively categorized according to the chart.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43045118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The aesthetic reception of the film Exam 电影《考试》的审美接受
Short Film Studies Pub Date : 2022-09-01 DOI: 10.1386/sfs_00079_1
Aynaz Ghaderi Ghalehno
{"title":"The aesthetic reception of the film Exam","authors":"Aynaz Ghaderi Ghalehno","doi":"10.1386/sfs_00079_1","DOIUrl":"https://doi.org/10.1386/sfs_00079_1","url":null,"abstract":"Few studies have observed audience reception within the context of narrative short films. Short films, with their idiosyncratic structures and smaller audience, have been overlooked by the field of film studies in favour of other forms – namely feature films. This article discusses the audience reception of the short film Exam in accordance with Molinié’s Sémiostylistique (‘semio-stylistics’) and examines the aesthetic effect of this short film on its audience.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48796431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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