{"title":"Politics of Bricolage and the Double-Sided Message of the LEGO Movie","authors":"Dalia Grobovaite","doi":"10.18192/cjmsrcem.v15i1.6469","DOIUrl":"https://doi.org/10.18192/cjmsrcem.v15i1.6469","url":null,"abstract":"With the release of The Lego Movie in 2014, Frankfurt School’s critical theory once again finds an application in the contemporary media landscape. Its main postulates articulated by Theodor Adorno and Max Horkheimer have never lost significance and relevance. New media products provide a convenient platform to engage in the discussion and reinforce some of the most influential critiques of the culture industries. Although with less negative dialect, the paper approaches Horkheimer’s and Adorno’s critique of mass culture in a contemporary media landscape referencing their most influential work of critical theory - Dialectic of Enlightenment. The paper carefully examines the script of The Lego Movie and producers’ interviews and relates those to the critical concepts of the culture industries. From the onset, The Lego Movie brings up a few controversial messages. First, the idea of creativity and imagination appears to be limited to the use of the brick, namely the Lego brick. Secondly, although the basic maxim of the movie is the promotion of self-identity and individuality, the development of these personal traits through the storyline is debatable. Finally, the producers’ aim to criticize American mass culture and the culture industry is dubious as much as their claim to have no intention for the movie to serve as a commercial. The paradox of the latter is poignant since the critique of mass culture is embedded in the product of the same culture — the medium of the screen — the movie. The Lego movie uses a powerful medium to convey the message of the consumer culture – the colorful brick, which is easily recognized by kids all over the world. It is arguable whether the medium intensifies the messages disseminated through the movie. A massive increase in the sales of Lego sets after the movie’s release may suggest an affirmative answer.","PeriodicalId":401869,"journal":{"name":"Canadian Journal of Media Studies","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132267832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stepping Out: Representations of Female Sexuality in the Canadian Television Series Bomb Girls","authors":"Tracy Moniz","doi":"10.18192/cjmsrcem.v15i1.6467","DOIUrl":"https://doi.org/10.18192/cjmsrcem.v15i1.6467","url":null,"abstract":"This paper analyzes representations of female sexuality in the Canadian prime-time television series Bomb Girls (2012-2013), which depicts the lives of women working at a munitions factory in Toronto during the Second World War. The historical drama takes place in a period of simultaneous restraint and liberation around female gender and sexuality. This paper contends that Bomb Girls (re)constructs a narrative about female sexuality that breaks from a traditionally gendered and heteronormative story. Bomb Girls challenges dominant discourse on representations of gender in media, instead capturing the complexities around female sexual relationships and sexual orientation during the war. These threads coalesce into a narrative that paints the ‘bomb girls’ themselves as progressive symbols of female sexuality. This paper, like the series, contributes to a feminist counter-discourse focusing on the plurality of female voices and experiences and, in doing so, it pays tribute to working women on the Canadian home front during the war.","PeriodicalId":401869,"journal":{"name":"Canadian Journal of Media Studies","volume":"133 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115173284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Les textos entre partenaires amoureux: un outil qui contribue à un meilleur déroulement des interactions en face-à-face ?","authors":"Benoît Schryer, P. Ross","doi":"10.18192/cjmsrcem.v15i1.6468","DOIUrl":"https://doi.org/10.18192/cjmsrcem.v15i1.6468","url":null,"abstract":"Devant la disponibilité de multiples nouveaux canaux de communication, les partenaires amoureux valorisent particulièrement l’utilisation de la messagerie texte (ou textos) entre eux (Coyne et al., 2011; Pettigrew, 2009). L'usage des textos dans le cadre de relations amoureuses pose un problème intéressant eu égard aux comportements et aux attentes qui caractérisent ce type de relation. En effet, si le développement et le maintien des relations amoureuses reposent sur les interactions intimes (Andersen et al. 2006, p. 260) et la communication non-verbale qui les constituent (ibid; Frisby & Booth-Butterfield 2012, pp. 468-469), on peut se demander de quelle façon les textos – un moyen de communication a priori plus limité que la communication en face-à-face ou même le téléphone pour la transmission de signaux non verbaux – affectent les relations amoureuses. Le présent article cherche à faire la lumière sur la question à partir d'entretiens réalisés auprès de douze (12) jeunes couples amoureux. Les résultats suggèrent notamment que ces derniers utilisent les textos afin de préparer et minimiser l'incertitude qui peut caractériser leurs rencontres en face-àface.","PeriodicalId":401869,"journal":{"name":"Canadian Journal of Media Studies","volume":"890 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131612279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cohen, Nicole S. Writers' Rights: Freelance Journalism in a Digital Age","authors":"Gabriela Perdomo","doi":"10.18192/cjmsrcem.v15i1.6470","DOIUrl":"https://doi.org/10.18192/cjmsrcem.v15i1.6470","url":null,"abstract":"<jats:p>--</jats:p>","PeriodicalId":401869,"journal":{"name":"Canadian Journal of Media Studies","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121289301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Women's War: Media Representations of Female Civil Labour during World War I","authors":"Reisa Klein, Michèle Martin","doi":"10.18192/cjmsrcem.v14i1.6473","DOIUrl":"https://doi.org/10.18192/cjmsrcem.v14i1.6473","url":null,"abstract":"This paper looks at the coverage of women’s civil labour during WWI in two magazines, Maclean’s in Canada and L’Illustration in France, supplemented with material from war museums and academic works. Our concern is media representations of the indispensible participation of these women, not as victims and passive entities in the conflict, but as individuals who have significantly contributed to the war effort. We contend that the magazines’ content did not reflect the magnitude of women’s civil labour during WWI and the importance they had not only in sustaining the war effort, maintaining a general level of production that would allow their countries to remain significantly involved in the war, but also in their contribution to the modernisation of society.","PeriodicalId":401869,"journal":{"name":"Canadian Journal of Media Studies","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127205547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The View from Below: Rob Ford and Perceptions of Canada on U.S. Late Night Comedy","authors":"May Friedman","doi":"10.18192/cjmsrcem.v14i1.6472","DOIUrl":"https://doi.org/10.18192/cjmsrcem.v14i1.6472","url":null,"abstract":"This analysis aims to review the means by which an imagined Canadianness is described through the responses of American comedians to late Toronto mayor Rob Ford on comedy shows which aired between May 2013 and May 2014. The Rob Ford story, as taken up in late night U.S. comedy, both maintains and transgresses stereotypes about Canada and Canadians. Likewise, an examination of the constructed Ford (and the constructed Canada which simultaneously emerges) in late night comedy focuses on appropriate behaviours and expectations, especially with respect to the governance of body and mind.","PeriodicalId":401869,"journal":{"name":"Canadian Journal of Media Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130337580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In Memoriam: David R. Spencer","authors":"Marc W. Edge","doi":"10.18192/cjmsrcem.v14i1.6471","DOIUrl":"https://doi.org/10.18192/cjmsrcem.v14i1.6471","url":null,"abstract":"<jats:p>--</jats:p>","PeriodicalId":401869,"journal":{"name":"Canadian Journal of Media Studies","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115593977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Never-ending Story: Postmedia, the Competition Bureau, and Press Ownership in Canada","authors":"Marc W. Edge","doi":"10.18192/cjmsrcem.v14i1.6474","DOIUrl":"https://doi.org/10.18192/cjmsrcem.v14i1.6474","url":null,"abstract":"The 2014 purchase by Canada’s largest newspaper chain of its second-largest chain increased concentration of newspaper ownership considerably. The deal’s 2015 approval by the Competition Bureau, some scholars noted, provoked little outcry over the latest federal regulatory failure to stop the increased concentration level. A series of inquiries, from the 1981 report of the Royal Commission on Newspapers to Senate reports in 1970 and 2006, all identified increased concentration of newspaper ownership as a problem and proposed measures to solve it. Formed in the 1980s, the Competition Bureau took action against a local newspaper monopoly in Vancouver in the early 1990s but has been ineffective since. This study charts the historical progress of newspaper ownership concentration in Canada and calculates that Postmedia now publishes 37.6 percent of Canadian paid daily newspaper circulation and owns fifteen of the twenty-two largest Englishlanguage dailies. That includes 75.4 percent in the three westernmost provinces, where Postmedia owns eight of the nine largest dailies. Possible explanations for a lack of outcry include the company’s use of the “death of newspapers” meme as justification and the fact the deal’s effect was felt mostly in Western Canada, far from the corridors of power.","PeriodicalId":401869,"journal":{"name":"Canadian Journal of Media Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131063262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}