Stepping Out: Representations of Female Sexuality in the Canadian Television Series Bomb Girls

Tracy Moniz
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Abstract

This paper analyzes representations of female sexuality in the Canadian prime-time television series Bomb Girls (2012-2013), which depicts the lives of women working at a munitions factory in Toronto during the Second World War. The historical drama takes place in a period of simultaneous restraint and liberation around female gender and sexuality. This paper contends that Bomb Girls (re)constructs a narrative about female sexuality that breaks from a traditionally gendered and heteronormative story. Bomb Girls challenges dominant discourse on representations of gender in media, instead capturing the complexities around female sexual relationships and sexual orientation during the war. These threads coalesce into a narrative that paints the ‘bomb girls’ themselves as progressive symbols of female sexuality. This paper, like the series, contributes to a feminist counter-discourse focusing on the plurality of female voices and experiences and, in doing so, it pays tribute to working women on the Canadian home front during the war.
走出:加拿大电视剧《炸弹女孩》中女性性的表现
本文分析了加拿大黄金时段电视剧《炸弹女孩》(2012-2013)中女性性行为的表现,该电视剧描述了二战期间在多伦多一家军工厂工作的女性的生活。这部历史剧发生在一个围绕女性性别和性的束缚与解放并存的时期。本文认为,炸弹女孩(重新)构建了一个关于女性性的叙事,打破了传统的性别和异性恋规范的故事。炸弹女孩挑战了媒体中关于性别表现的主流话语,而是捕捉了战争期间女性性关系和性取向的复杂性。这些线索结合成一种叙事,将“炸弹女孩”本身描绘成女性性欲的进步象征。这篇论文,就像这个系列一样,对女权主义的反话语做出了贡献,关注女性声音和经历的多元性,并以此向战争期间在加拿大后方工作的女性致敬。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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