Intrecci d ArtePub Date : 2021-08-02DOI: 10.6092/ISSN.2240-7251/13336
Veronika Lorencová
{"title":"Paolo Pagani. Jesus Miraculously Heals a Blind Man","authors":"Veronika Lorencová","doi":"10.6092/ISSN.2240-7251/13336","DOIUrl":"https://doi.org/10.6092/ISSN.2240-7251/13336","url":null,"abstract":"Paolo Pagani (1655-1716) is an artist whose work has not yet been fully explored. Based on the study of Pagani`s work, it is now possible to incorporate in his work an unknown preparatory drawing on the theme of the Miraculous Healing of a Blind Man by Jesus Christ. This rare drawing is of fundamental importance for the understanding of the style of the artist’s first production and could shed new light on the dating of other works by Pagani.","PeriodicalId":40113,"journal":{"name":"Intrecci d Arte","volume":"10 1","pages":"127-132"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48553514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Intrecci d ArtePub Date : 2021-08-02DOI: 10.6092/ISSN.2240-7251/13333
Eliška Zlatohlávková
{"title":"Alcune osservazioni sul recente rinvenimento di un quadro rappresentante il «Giudizio universale» alla maniera di Hans Rottenhammer","authors":"Eliška Zlatohlávková","doi":"10.6092/ISSN.2240-7251/13333","DOIUrl":"https://doi.org/10.6092/ISSN.2240-7251/13333","url":null,"abstract":"The article deals with a replica of the famous painting by Hans Rottenhammer depicting the Last Judgment, which is owned by the Sternberg family at the castle in Castolovice. The painting received only marginal attention and was considered the work of Rottenhammer. The article brings new information about provenance and possible authorship.","PeriodicalId":40113,"journal":{"name":"Intrecci d Arte","volume":"10 1","pages":"87-98"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49248654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Intrecci d ArtePub Date : 2021-08-02DOI: 10.6092/ISSN.2240-7251/13164
Angela Ghirardi
{"title":"Pellegrini nell’Aldilà: Dante e Virgilio in un disegno di Bartolomeo Passerotti al Louvre","authors":"Angela Ghirardi","doi":"10.6092/ISSN.2240-7251/13164","DOIUrl":"https://doi.org/10.6092/ISSN.2240-7251/13164","url":null,"abstract":"The drawing inv. 8471 by Bartolomeo Passerotti in the Louvre is studied from iconographic point of view: we argue to identify, in the two figures, the great poets Dante and Virgil traveling through Hell. Furthermore, for the drawing, inspired by the Divine Comedy, we propose a chronology around 1575, based on stylistic comparison, and we hypothesize as probable its original Florentine destination.","PeriodicalId":40113,"journal":{"name":"Intrecci d Arte","volume":"10 1","pages":"51-59"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44627265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Intrecci d ArtePub Date : 2021-08-02DOI: 10.6092/ISSN.2240-7251/13332
David Ekserdjian
{"title":"Undici dipinti per Bagnacavallo Senior","authors":"David Ekserdjian","doi":"10.6092/ISSN.2240-7251/13332","DOIUrl":"https://doi.org/10.6092/ISSN.2240-7251/13332","url":null,"abstract":"This short contribution presents a group of little-known paintings, here attributed to Bartolomeo Ramenghi, better known as Bagnacavallo Senior.","PeriodicalId":40113,"journal":{"name":"Intrecci d Arte","volume":"10 1","pages":"23-31"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46155659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Intrecci d ArtePub Date : 2021-08-02DOI: 10.6092/ISSN.2240-7251/13341
R. Serra
{"title":"Biagio Pupini, non solo disegni!","authors":"R. Serra","doi":"10.6092/ISSN.2240-7251/13341","DOIUrl":"https://doi.org/10.6092/ISSN.2240-7251/13341","url":null,"abstract":"The article deals with some drawings by Biagio Pupini. He was a key figure in the Bolognese art between 1520s and 1540s, but his personality is partially yet to be discovered. For this reason, the article will present some cultural background information about Biagio’s education and beginnings. The contribution will then focus on some drawings that can be attributed to Pupini, considering them in relation with paintings and frescoes executed during his career.","PeriodicalId":40113,"journal":{"name":"Intrecci d Arte","volume":"10 1","pages":"33-49"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41949761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Intrecci d ArtePub Date : 2021-08-02DOI: 10.6092/ISSN.2240-7251/13331
Gianni Nigrelli
{"title":"Intorno a un nuovo documento su Tiziano Aspetti (1557/1559-1606), scultore padovano","authors":"Gianni Nigrelli","doi":"10.6092/ISSN.2240-7251/13331","DOIUrl":"https://doi.org/10.6092/ISSN.2240-7251/13331","url":null,"abstract":"The essay focuses on the paduan sculptor and bronzist Tiziano Aspetti and the Gonzaga rulers. The author discusses the latest Aspetti’s mantuan activity and he adds an unpublished notary deed dating back to 1607 where are listed some goods of the sculptor, then in the hands of the mantuan inlayer Sebastiano Picchi.","PeriodicalId":40113,"journal":{"name":"Intrecci d Arte","volume":"10 1","pages":"73-85"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41574404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Intrecci d ArtePub Date : 2021-08-02DOI: 10.6092/ISSN.2240-7251/13329
Stefano L'occaso
{"title":"Miscellanea di disegni del Cinquecento tra Roma e Lombardia (Cristoforo Caresana, Giovan Paolo Cavagna, Teodoro Ghisi, Luzio Luzzi, Bernardino Malpizzi, Cesare Nebbia, Enea Salmeggia)","authors":"Stefano L'occaso","doi":"10.6092/ISSN.2240-7251/13329","DOIUrl":"https://doi.org/10.6092/ISSN.2240-7251/13329","url":null,"abstract":"The paper deals with hitherto unpublished drawings or with published drawings whose destination is here unveiled; the sheets dealt with belong to many Italian and European public collection or have passed through the art market; they are here referred to artists working in the 16th century in Rome or in Lombardy.","PeriodicalId":40113,"journal":{"name":"Intrecci d Arte","volume":"10 1","pages":"61-72"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46243410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Intrecci d ArtePub Date : 2021-08-02DOI: 10.6092/ISSN.2240-7251/13328
Elisa Marangon
{"title":"«Difeso… con ogni mezzo sul suolo patrio». Armando Ottaviano Quintavalle e il salvataggio del patrimonio artistico di Parma al castello di Torrechiara","authors":"Elisa Marangon","doi":"10.6092/ISSN.2240-7251/13328","DOIUrl":"https://doi.org/10.6092/ISSN.2240-7251/13328","url":null,"abstract":"The aim of the article is to investigate the role played by the Superintendent and art historian Armando Ottaviano Quintavalle (1894-1967) for the protection of Parma’s and Piacenza’s cultural heritage inside the Castle of Torrechiara, in Langhirano, during the Second World War. The article elaborates and deepens some results of the research conducted during my master’s thesis, starting from the archival sources preserved in Parma’s Library of the National Gallery, in the Monumental Complex of Pilotta. The first paragraph analyses the activities of the Superintendent at the Regia Galleria, then, the second one focuses on the development of the shelter established inside the Castle, for the protection of the artistic heritage of the province. Finally, the last paragraph explores the actions taken by Quintavalle’s “human capital”, that is, his employees, through a technical-logistical reconstruction of the events that occurred in Langhirano.","PeriodicalId":40113,"journal":{"name":"Intrecci d Arte","volume":"10 1","pages":"133-153"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41353877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Intrecci d ArtePub Date : 2021-08-02DOI: 10.6092/ISSN.2240-7251/13335
Dalibor Lešovský
{"title":"The Martyrdom of St. Lawrence by Lazzaro Tavarone. An unknown study in the National Gallery in Prague","authors":"Dalibor Lešovský","doi":"10.6092/ISSN.2240-7251/13335","DOIUrl":"https://doi.org/10.6092/ISSN.2240-7251/13335","url":null,"abstract":"Lazzaro Tavarone is considered one of the most important exponents of Genoese painting between the sixteenth and seventeenth centuries. He was a very prolific draftsman and drawing played a very important role in his work. One of his hitherto unknown drawings is kept in the Drawings and Prints Cabinet of the National Gallery in Prague. It is a preparatory study for the fresco in the choir of the Genoa cathedral. The drawing depicts the Martyrdom of San Lorenzo. The article introduces the reader to the examination of the design and the culture in which the work is placed.","PeriodicalId":40113,"journal":{"name":"Intrecci d Arte","volume":"10 1","pages":"99-108"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48476744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}