Photographies最新文献_第2页

LINES AND BETRAYALS: THE COLONIAL OCCUPATION OF THE KWANYAMA KINGDOM ON THE ANGOLA/NAMIBIA BORDER AND POSTMORTEM PHOTOGRAPHS OF MANDUME YA NDEMUFAYO (1917) 界线与背叛：安哥拉/纳米比亚边境上的夸尼亚马王国的殖民占领和 Mandume ya Ndemufayo 的死后照片（1917 年）

Photographies Pub Date : 2024-02-27 DOI: 10.1080/17540763.2023.2271008

Patricia Hayes

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“THE NUMBER ONE CHINA-JAPAN CAMERA HOUSE”: CHIYO YOKO PHOTO SUPPLIES AND THE BUSINESS OF PHOTOGRAPHY IN INTERWAR SHANGHAI "中日第一照相馆"：千代洋子摄影用品与战时上海的摄影商业

Photographies Pub Date : 2024-02-27 DOI: 10.1080/17540763.2023.2269397

H. T. Lee

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INTRODUCTION: BOUNDARIES AND BORDERS 导言：疆界与边界

Photographies Pub Date : 2024-02-27 DOI: 10.1080/17540763.2023.2297538

David Bate, Erina Duganne, Liz Wells

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EDITORIAL 17.1-2 编辑 17.1-2

Photographies Pub Date : 2024-02-27 DOI: 10.1080/17540763.2023.2297535

David Bate

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Editorial – 16.3 社论–16.3

Photographies Pub Date : 2023-08-09 DOI: 10.1080/17540763.2023.2239558

Liz Wells

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OF FAST AND SLOW PAGES: MOVEMENT IN THE PHOTOBOOK 快速和缓慢的页面:在摄影书的运动

Photographies Pub Date : 2023-08-09 DOI: 10.1080/17540763.2023.2227634

A. Schürmann

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FRAMING “THE PHOTOGRAPHIC SELF” IN EDUCATION PROGRAMS FOR PHOTOGRAPHERS IN RUSSIA AND SWEDEN 俄罗斯和瑞典摄影师教育项目中的摄影自我框架

Photographies Pub Date : 2023-08-09 DOI: 10.1080/17540763.2023.2233510

P. Åker

{"title":"FRAMING “THE PHOTOGRAPHIC SELF” IN EDUCATION PROGRAMS FOR PHOTOGRAPHERS IN RUSSIA AND SWEDEN","authors":"P. Åker","doi":"10.1080/17540763.2023.2233510","DOIUrl":"https://doi.org/10.1080/17540763.2023.2233510","url":null,"abstract":"The aim of this study is to understand the ‘photographic selves’ – the collective competences and skills required for making, interpreting, and communicating through photographs — that are articulated in the educational framework for future photographers in Russia and Sweden. These are two countries with very different histories in relation to photographic practices. Theories on photography from recent decades have emphasized that digital photography is a different medium from analogue photography. This study seeks to understand whether and how this is addressed in two different cultural contexts, based on interviews with teachers and department heads, combined with written descriptions of courses and educational programs. The material makes visible different ideal photographic practices. One, the most common in both countries, is firmly embedded in the international documentary tradition. Other ways, represented by teachers at a Russian art school for photography, stress a more critical perspective toward established conventions. However, absent at the studied schools are more freer understandings of photography in the wake of digitization. Photography is still framed by the historically anchored indexical relation to the surrounding world and as a fixed object.","PeriodicalId":39970,"journal":{"name":"Photographies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42730605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Surrealism and the slaughterhouse: art and animals in Lotar’s La Villette and Franju’s Blood of the Beasts 超现实主义与屠宰场：洛塔的《拉维莱特》和弗兰朱的《野兽之血》中的艺术与动物

Photographies Pub Date : 2023-08-09 DOI: 10.1080/17540763.2023.2227632

Thomas Aiello

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HERMENEUTICAL AND INTERDISCIPLINARY SOCIO-SEMIOTIC MODEL FOR A PHOTOGRAPHIC CRITIQUE. CASE ANALYSIS: MAX SIEDENTOPF, HOW TO SURVIVE A DEADLY GLOBAL VIRUS, 2020 解释学和跨学科的社会-犹太模式的摄影批评。案例分析：MAX-SIEDENTOPF，如何在致命的全球病毒中生存，2020

Photographies Pub Date : 2023-08-09 DOI: 10.1080/17540763.2023.2185661

Jacob Bañuelos Capistrán

{"title":"HERMENEUTICAL AND INTERDISCIPLINARY SOCIO-SEMIOTIC MODEL FOR A PHOTOGRAPHIC CRITIQUE. CASE ANALYSIS: MAX SIEDENTOPF, HOW TO SURVIVE A DEADLY GLOBAL VIRUS, 2020","authors":"Jacob Bañuelos Capistrán","doi":"10.1080/17540763.2023.2185661","DOIUrl":"https://doi.org/10.1080/17540763.2023.2185661","url":null,"abstract":"The objective of this essay is to propose a hermeneutic socio-semiotic model that helps build an interdisciplinary photographic critique based on theoretical foundations. How to carry out a photographic review? How to use and map theoretical-methodological perspectives about photography? The contemporary socio-technical context of images has placed photography in a complex sociocultural, technological and discursive scenario, which requires an epistemological map to help guide the construction of a critical-theoretical discourse for it to be understood. In this way, a model with two purposes is suggested, to serve as a chart for navigating the ocean of perspectives and theoretical references of the critical discourses of photography; and to serve as a starting point to build a hermeneutic and interdisciplinary socio-semiotic critique. The application of the model is exemplified by the analysis of Max Siedentopf’s production, How to Survive a Deadly Global Virus, 2020. The proposed experimental model has a hermeneutic, flexible, open, non-exclusive or limiting character, which contributes to the construction of a theoretically grounded critique of photographic images.","PeriodicalId":39970,"journal":{"name":"Photographies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41880560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“WORDS NOT SPENT TODAY BUY SMALLER IMAGES TOMORROW”: READING PHOTOGRAPHS AND THE EMERGENCE OF POSTWAR PHOTOGRAPHIC CRITICISM IN THE USA “今天不花的话，明天买更小的图像”:阅读照片和美国战后摄影批评的出现

Photographies Pub Date : 2023-08-09 DOI: 10.1080/17540763.2023.2233524

Josh Ellenbogen

{"title":"“WORDS NOT SPENT TODAY BUY SMALLER IMAGES TOMORROW”: READING PHOTOGRAPHS AND THE EMERGENCE OF POSTWAR PHOTOGRAPHIC CRITICISM IN THE USA","authors":"Josh Ellenbogen","doi":"10.1080/17540763.2023.2233524","DOIUrl":"https://doi.org/10.1080/17540763.2023.2233524","url":null,"abstract":"This article examines the idea of ‘reading photographs’ as it circulated in postwar American criticism. It looks principally to the work of Henry Holmes Smith and Minor White and the way in which they deployed the idea, as well as the institutional framework of photographic journals in which their writing circulated. The essay examines the role that the concept played in helping establish photo-criticism as an established genre of writing, and explores particular emphases in that writing that proceeded from the claim audiences ‘read photographs’; of these emphases, the most important and germinative ones centered around photographic traditions and their capacity to establish the parameters of the photographic medium itself. From the vantage delineated above, the essay also situates photo-criticism in a larger universe of postwar concern, one that centered on the mutual convertibility of pictorial and linguistic forms: the development of ‘visual literacy’ discourse, protocols for training photographers as these emerged in the 1960s, and broader agendas in the postwar American university system, with all their interest in visual pedagogy.","PeriodicalId":39970,"journal":{"name":"Photographies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47842221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0