解释学和跨学科的社会-犹太模式的摄影批评。案例分析：MAX-SIEDENTOPF，如何在致命的全球病毒中生存，2020

Photographies Pub Date : 2023-08-09 DOI:10.1080/17540763.2023.2185661

Jacob Bañuelos Capistrán

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引用次数: 0

摘要

本文的目的是提出一个解释学的社会符号学模型，以帮助建立一个基于理论基础的跨学科摄影批评。如何进行照片审查？如何使用和绘制关于摄影的理论方法论视角？图像的当代社会技术背景将摄影置于一个复杂的社会文化、技术和话语场景中，这需要一个认识论地图来帮助指导批判性理论话语的构建，以便理解它。通过这种方式，我们提出了一个有两个目的的模型，作为一张图表，在摄影批评话语的视角和理论参考的海洋中导航；并以此为出发点构建解释学和跨学科的社会符号学批判。Max Siedentopf的作品《如何在致命的全球病毒中生存》（How to Survive a Deadly Global Virus，2020）的分析举例说明了该模型的应用。所提出的实验模型具有解释学、灵活性、开放性、非排他性或限制性，有助于构建一种基于理论的摄影图像批判。

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HERMENEUTICAL AND INTERDISCIPLINARY SOCIO-SEMIOTIC MODEL FOR A PHOTOGRAPHIC CRITIQUE. CASE ANALYSIS: MAX SIEDENTOPF, HOW TO SURVIVE A DEADLY GLOBAL VIRUS, 2020

The objective of this essay is to propose a hermeneutic socio-semiotic model that helps build an interdisciplinary photographic critique based on theoretical foundations. How to carry out a photographic review? How to use and map theoretical-methodological perspectives about photography? The contemporary socio-technical context of images has placed photography in a complex sociocultural, technological and discursive scenario, which requires an epistemological map to help guide the construction of a critical-theoretical discourse for it to be understood. In this way, a model with two purposes is suggested, to serve as a chart for navigating the ocean of perspectives and theoretical references of the critical discourses of photography; and to serve as a starting point to build a hermeneutic and interdisciplinary socio-semiotic critique. The application of the model is exemplified by the analysis of Max Siedentopf’s production, How to Survive a Deadly Global Virus, 2020. The proposed experimental model has a hermeneutic, flexible, open, non-exclusive or limiting character, which contributes to the construction of a theoretically grounded critique of photographic images.

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来源期刊

Photographies Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.30

自引率

0.00%

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