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Music Criticism in France, 1918–1939最新文献

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Music Criticism and Aesthetics During the Interwar Period: Fewer Crimes and More Punishments 两次世界大战期间的音乐批评与美学:少罪多罚
Music Criticism in France, 1918–1939 Pub Date : 2018-06-15 DOI: 10.1017/9781787442573.002
Michelle Duchesneau
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引用次数: 0
Arthur Honegger: Music Critic for Musique et Théâtre (1925–1926) 阿瑟·奥涅格:《音乐与社会》的音乐评论家(1925-1926)
Music Criticism in France, 1918–1939 Pub Date : 2018-06-15 DOI: 10.1017/9781787442573.007
Pascal Lécroart
{"title":"Arthur Honegger: Music Critic for Musique et Théâtre (1925–1926)","authors":"Pascal Lécroart","doi":"10.1017/9781787442573.007","DOIUrl":"https://doi.org/10.1017/9781787442573.007","url":null,"abstract":"","PeriodicalId":398268,"journal":{"name":"Music Criticism in France, 1918–1939","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128893350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France 共同的经典，冲突的意识形态:两次世界大战期间法国表演中的音乐批评
Music Criticism in France, 1918–1939 Pub Date : 2018-06-15 DOI: 10.1017/9781787442573.006
Barbara L. Kelly
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引用次数: 0
Creating a Canon: émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity 创造经典:维耶尔莫兹的音乐与法国音乐的现代性
Music Criticism in France, 1918–1939 Pub Date : 2018-06-15 DOI: 10.1017/9781787442573.013
Danick Trottier
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引用次数: 2
From a Foreign Correspondent: The Parisian Chronicles of Alejo Carpentier 来自一位外国记者:阿莱霍·卡彭蒂埃的巴黎编年史
Music Criticism in France, 1918–1939 Pub Date : 2018-06-15 DOI: 10.1017/9781787442573.009
Caroline Rae
{"title":"From a Foreign Correspondent: The Parisian Chronicles of Alejo Carpentier","authors":"Caroline Rae","doi":"10.1017/9781787442573.009","DOIUrl":"https://doi.org/10.1017/9781787442573.009","url":null,"abstract":"The Cuban writer Alejo Carpentier (1904-1980) was of French-Russian parentage and resided in Paris both during his formative years and after being forced to flee Havana in 1928 due to his leftist political activities. Remaining in self-imposed exile for a period of eleven years until 1939, Carpentier became closely involved with musical as well as literary and artistic circles of the contemporary Parisian avant-garde, and survived writing music and arts criticism. Before his enforced departure from Havana, Carpentier had established himself as a leading critic for the Cuban intellectual journals Social and Carteles; his monthly columns reveal his committed advocacy of European modernism at a time when musical and artistic life in Havana was as conservative as the political regime of Cuba’s president Machado was repressive. When he arrived in Paris, Carpentier continued to write for Social and Carteles, serving as a foreign correspondent reporting on musical and artistic life in the French capital to feed the ever-growing Cuban appetite for cultural news from the city that had long been the cultural promised land for Latin American musicians, artists and intellectuals. Although Carpentier’s Parisian articles were intended for a Cuban readership, his criticism provides a personal assessment of contemporary trends while shedding valuable light on the activities and interactions of the Parisian avant-garde. This paper discusses Carpentier’s Parisian music criticism of the interwar years, preserved in the multi-volume collections entitled Cronicas and Ese musico que llevo dentro, to reveal not only his commitment to new music of the age, but also his engagement with current issues in France.","PeriodicalId":398268,"journal":{"name":"Music Criticism in France, 1918–1939","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131453370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Satie, Relâche and the Critics: Controversies and Legacy 萨蒂:《雷切尔和批评家:争议和遗产》
Music Criticism in France, 1918–1939 Pub Date : 2018-06-15 DOI: 10.1017/9781787442573.012
J. Harbec
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引用次数: 0
Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935) 蓝色地平线政治和广播听众的音乐:启蒙音乐(1935)
Music Criticism in France, 1918–1939 Pub Date : 2018-06-15 DOI: 10.1017/9781787442573.005
Jann Pasler
{"title":"Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935)","authors":"Jann Pasler","doi":"10.1017/9781787442573.005","DOIUrl":"https://doi.org/10.1017/9781787442573.005","url":null,"abstract":"","PeriodicalId":398268,"journal":{"name":"Music Criticism in France, 1918–1939","volume":"147 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131637936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Charles Koechlin: The Figure of the Expert Charles Koechlin:专家的形象
Music Criticism in France, 1918–1939 Pub Date : 2018-06-15 DOI: 10.1017/9781787442573.004
Philippe Cathé
{"title":"Charles Koechlin: The Figure of the Expert","authors":"Philippe Cathé","doi":"10.1017/9781787442573.004","DOIUrl":"https://doi.org/10.1017/9781787442573.004","url":null,"abstract":"","PeriodicalId":398268,"journal":{"name":"Music Criticism in France, 1918–1939","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129698827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Introduction: The Role of Criticism in Interwar Musical Culture 导言:批评在两次世界大战之间音乐文化中的作用
Music Criticism in France, 1918–1939 Pub Date : 2018-06-15 DOI: 10.1017/9781787442573.001
Barbara L. Kelly, C. Moore
{"title":"Introduction: The Role of Criticism in Interwar Musical Culture","authors":"Barbara L. Kelly, C. Moore","doi":"10.1017/9781787442573.001","DOIUrl":"https://doi.org/10.1017/9781787442573.001","url":null,"abstract":"","PeriodicalId":398268,"journal":{"name":"Music Criticism in France, 1918–1939","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114833634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919–1923 一个女人批判的声音:娜迪亚·布朗热和《世界报》音乐剧，1919-1923
Music Criticism in France, 1918–1939 Pub Date : 2018-06-15 DOI: 10.1017/9781787442573.008
Kimberly Francis
{"title":"A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919–1923","authors":"Kimberly Francis","doi":"10.1017/9781787442573.008","DOIUrl":"https://doi.org/10.1017/9781787442573.008","url":null,"abstract":"","PeriodicalId":398268,"journal":{"name":"Music Criticism in France, 1918–1939","volume":"203 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115636803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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