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Shakespeare’s Mad Men: A Crisis of Authority. By Richard van Oort 莎士比亚的《广告狂人》:权威危机。理查德·范·奥尔特著
2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2023-05-31 DOI: 10.1093/sq/quad015
Amir Khan
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引用次数: 0
Shakespeare, Steevens, and the Fleeting Moon: Glossing and Reading in Antony and Cleopatra 莎士比亚、史蒂文斯和转瞬即逝的月亮:《安东尼与克利奥帕特拉》中的释义与解读
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2023-05-31 DOI: 10.1093/sq/quad010
A. Mattison
{"title":"Shakespeare, Steevens, and the Fleeting Moon: Glossing and Reading in Antony and Cleopatra","authors":"A. Mattison","doi":"10.1093/sq/quad010","DOIUrl":"https://doi.org/10.1093/sq/quad010","url":null,"abstract":"THE FINAL SPEECH OF ANTONY AND CLEOPATRA, in which Octavian Caesar notes the “pity” and “glory” (5.2.360) of the titular characters’ “story” (l. 359), is an acknowledgment of the play’s literary bent, its interest in the matter and means of narrative. That interest is not the full extent of the play’s literary self-consciousness: it is concerned throughout with reading, particularly if the term is defined to include not only the literal reception or recitation of texts but also the interpretation of personalities, events, and the arc of history. Reading’s importance and figurative potential are established early in the first act through the Soothsayer’s introduction to his craft: “In nature’s infinite book of secrecy / A little I can read” (1.2.10–11). Of course, what the Soothsayer is reading in nature’s book—the remaining lives of the play’s central characters—is also the plot of the play. There is thus an inevitable parallel between the Soothsayer’s reading of auguries and two other kinds of reading: Shakespeare’s, necessarily on display in a play about well-documented historical figures, and that of his audience. The latter occurs in many forms: literal reading is never entirely absent even in the theater (the promptbook is always there), playgoers may have read about the characters or the play itself previously, and the play acknowledges, particularly through the panoply of commentary on the meaning of Antony’s life and character, that the audience will be interpreting what they are seeing. In a printed edition of the play, particularly one with a scholarly function, all of these elements of reading, past and future, come together. This essay examines the interactions between various conceptions of reading in Antony and Cleopatra and some of the kinds of reading that emerge in the","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"74 1","pages":"113 - 90"},"PeriodicalIF":0.3,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45187730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zuan Bianco and Othello: The Afro-European Military Commander in Life and Art 朱安·比安科与奥赛罗:生活与艺术中的非裔欧洲军事指挥官
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2023-05-27 DOI: 10.1093/sq/quad011
Paul H. D. Kaplan
{"title":"Zuan Bianco and Othello: The Afro-European Military Commander in Life and Art","authors":"Paul H. D. Kaplan","doi":"10.1093/sq/quad011","DOIUrl":"https://doi.org/10.1093/sq/quad011","url":null,"abstract":"B URIED IN A FOOTNOTE IN THE 1869 SECOND EDITION of Jacob Burckhardt’s Civilization of the Renaissance in Italy lies one of most intriguing facets of the history of Black Africans in early modern Europe. A compulsive reader of (and compiler of notes from) Renaissance texts, Burckhardt had observed that a highranking Venetian military officer of Black African ancestry was briefly cited in one of the most important accounts of the battle between Charles VIII of France and his Italian enemies at Fornovo di Taro in July of 1495. What immediately jumped to Burckhardt’s mind, as it does to that of a modern reader, was a possible connection to Shakespeare’s Othello (1604). After the citation of his source, the only comment Burckhardt made was this: “ein Neger (Aethiops) als höherer venezianischer Offizier, wonach auch Othello als Neger gefasst werrden kann” (“a Negro [‘Ethiopian’] as a high Venetian officer, according to which Othello can be understood as a Negro”). This essay will outline what is known (and not known) of this commander, provide some context for understanding his appearance in the historical record, and evaluate whether his career might have played an indirect role in generating the Black African protagonist of Shakespeare’s tragedy. Burckhardt’s footnote has largely been left undisturbed by scholars since its publication, except (in another learned footnote) by the art historian Elfriede Knauer (1926–2010), who cited it in a 2003 essay in Apollo, which is how it came to my attention. Knauer referenced Burckhardt in conjunction with her discussion of the two Black African oarsmen in Vittore Carpaccio’s Hunting on the Lagoon (circa 1492–1494; figure 1), but did not offer any discussion of either Burckhardt’s brief speculation about Othello or the Renaissance source that had","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"74 1","pages":"69 - 89"},"PeriodicalIF":0.3,"publicationDate":"2023-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48217727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata. By Pamela Allen Brown  Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre. By Harry R. Mc Carthy 神女给莎士比亚舞台的礼物:代理、戏剧和内在。作者:帕梅拉·艾伦·布朗  近代早期英国的男演员:戏剧中的技巧和舞台艺术。作者:Harry R.Mc Carthy
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2023-05-26 DOI: 10.1093/sq/quad020
Scott A. Trudell
{"title":"The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata. By Pamela Allen Brown \u0000 Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre. By Harry R. Mc\u0000 Carthy","authors":"Scott A. Trudell","doi":"10.1093/sq/quad020","DOIUrl":"https://doi.org/10.1093/sq/quad020","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47086861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Shakespeare Multiverse: Fandom as Literary Praxis by Valerie M. Fazel and Louise Geddes (review) 《莎士比亚的多重宇宙:作为文学实践的狂热》作者:瓦莱丽·m·法泽尔、路易丝·格迪斯
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2023-05-26 DOI: 10.1093/sq/quad013
R. Jones
{"title":"The Shakespeare Multiverse: Fandom as Literary Praxis by Valerie M. Fazel and Louise Geddes (review)","authors":"R. Jones","doi":"10.1093/sq/quad013","DOIUrl":"https://doi.org/10.1093/sq/quad013","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"74 1","pages":"163 - 165"},"PeriodicalIF":0.3,"publicationDate":"2023-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44709789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ovid and the Liberty of Speech in Shakespeare’s England. By Heather James 奥维德与莎士比亚时代英国的言论自由。希瑟·詹姆斯
2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2023-05-26 DOI: 10.1093/sq/quad018
Angeline Chiu
{"title":"<i>Ovid and the Liberty of Speech in Shakespeare’s England</i>. By <scp>Heather James</scp>","authors":"Angeline Chiu","doi":"10.1093/sq/quad018","DOIUrl":"https://doi.org/10.1093/sq/quad018","url":null,"abstract":"Journal Article Ovid and the Liberty of Speech in Shakespeare’s England. By Heather James Get access Ovid and the Liberty of Speech in Shakespeare’s England. By Heather JamesCambridge: Cambridge University Press, 2021. Pp. x + 288. Angeline Chiu Angeline Chiu Email: chiu.ex.machina@gmail.com Search for other works by this author on: Oxford Academic Google Scholar Shakespeare Quarterly, Volume 74, Issue 2, Summer 2023, Pages 152–155, https://doi.org/10.1093/sq/quad018 Published: 26 May 2023","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"336 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134921360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Encomium Encomium
2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2023-03-01 DOI: 10.1093/sq/quad008
Michael Witmore
{"title":"Encomium","authors":"Michael Witmore","doi":"10.1093/sq/quad008","DOIUrl":"https://doi.org/10.1093/sq/quad008","url":null,"abstract":"Gail Kern Paster has done the work of several lifetimes in service to the field of Shakespeare studies. Whether in her groundbreaking scholarship on humoral theory, her leadership of the Folger Shakespeare Library, or her editorial roles at Shakespeare Quarterly, Gail’s unique ability to bring passion, leadership, and insight to her work have been an inspiration to her colleagues. I know this firsthand as her successor as Folger Director. Gail led the Folger through a period of change, challenge, and innovation—including a period of seismic shifts in the intellectual landscape as the generalizations of “high theory” were forced into conversation with the “archive.” Shakespeare Quarterly helped lead the conversation about how methodologies from many fields could be in dialogue with our teaching and scholarship around this writer and the early modern period. As the aperture widens ever more in terms of the disciplines we engage, and the history and uses of Shakespeare scholarship come into clearer focus, I am grateful for the intellectual intensity and focus that Gail has brought to the journal—an intensity that we know sits comfortably with her warmth as a colleague and human being. In its role as lead journal for one of the most widely read and performed writers in the world, Shakespeare Quarterly has found and advanced the most searching discussions about this writer and the humanities more generally. Some of the intensity of that conversation is a result of Shakespeare’s myriad identities—as an institution, a canonical writer, a bankable theatrical storyteller, and a pivot-point in historical formations such as colonialism. And our ability to think about Shakespeare in these ways is itself a legacy of the journal and the care that has guided and sustained its work.","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135185656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Shakespeare Ark of America 美国的莎士比亚方舟
2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2023-03-01 DOI: 10.1093/sq/quad007
Julian Yates
{"title":"The Shakespeare Ark of America","authors":"Julian Yates","doi":"10.1093/sq/quad007","DOIUrl":"https://doi.org/10.1093/sq/quad007","url":null,"abstract":"What value is there to invoking the name or words of William Shakespeare in a moment of environmental or political crisis? A naïve question? Perhaps. But then, to ask what, rhetorically, or ideologically, happens in such moments proves only slightly less naïve. The forensic or technical canniness we attribute to the speaker is belied still by an optimism that words might matter, an optimism that it might be best not to surrender, despite the prospect of critical and political embarrassment. What can the words of Shakespeare do?1 March 9, 2022: in a video address to the UK Parliament following the invasion of Ukraine by Russian forces under the autocratic leadership of Vladimir Putin, President Volodymyr Zelensky, speaking in Ukrainian, states that “the question for us now is to be or not to be.” “This is the Shakespearean question. For thirteen days,” he elaborates, “this question could have been asked. But now I can give you a definitive answer. It’s definitely yes, to be.”2","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135185653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contributors 贡献者
2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2023-03-01 DOI: 10.1093/sq/quad009
{"title":"Contributors","authors":"","doi":"10.1093/sq/quad009","DOIUrl":"https://doi.org/10.1093/sq/quad009","url":null,"abstract":"Journal Article Contributors Get access Shakespeare Quarterly, Volume 74, Issue 1, Spring 2023, Pages 65–66, https://doi.org/10.1093/sq/quad009 Published: 22 March 2023","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135185507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Encomium Encomium
2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2023-03-01 DOI: 10.1093/sq/quad003
Jennifer Linhart Wood
{"title":"Encomium","authors":"Jennifer Linhart Wood","doi":"10.1093/sq/quad003","DOIUrl":"https://doi.org/10.1093/sq/quad003","url":null,"abstract":"Conventional wisdom states that it is never a good idea to meet our heroes because doing so would leave us disappointed. When I was Jonathan Gil Harris’s graduate student, I heard Gil quip that he would never want to meet Shakespeare because he would probably be severely underwhelmed. While Shakespeare may not measure up to the fantasy versions we each conjure of him, this was not at all my experience of Gail Kern Paster. It would be an understatement to say that Gail’s reputation precedes her. Humoring the Body. Reading the Early Modern Passions. The Body Embarrassed. Not to mention her countless articles exploring the cosmology of Renaissance England. She has been Director of the Folger Shakespeare Library, Editor of Shakespeare Quarterly, President of the Shakespeare Association of America, and the recipient of numerous prestigious awards, including the Commander of the Most Excellent Order of the British Empire for her distinguished services to the arts. Knowing all of this about the woman who was about to be my new boss when I joined SQ’s editorial team, I was—as a newly minted Ph.D. with at least a moderate case of imposter syndrome at this point in my career—all nerves. What would I say to her? What would she think of me? Of my scholarship?","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135185657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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