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Blake - An Illustrated Quarterly最新文献

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“If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as Contrary Version of The [First] Book of Urizen “如果你想知道秘密，闭上你的眼睛”:布鲁斯·狄金森的《乌里岑之门》，作为《乌里岑之书》的反面版本
Blake - An Illustrated Quarterly Pub Date : 2021-01-17 DOI: 10.47761/biq.277
Katharina Hagen
{"title":"“If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as Contrary Version of The [First] Book of Urizen","authors":"Katharina Hagen","doi":"10.47761/biq.277","DOIUrl":"https://doi.org/10.47761/biq.277","url":null,"abstract":"Urizen, the protagonist of William Blake’s The [First] Book of Urizen (1794), is a dark character who represents tyranny, suppression, and reason. While Urizen retells events in the form of a book, depicting an unchangeable past, Bruce Dickinson’s song “Gates of Urizen” (The Chemical Wedding, 1998) concentrates on enlightenment and the escape from Urizenic restrictions. Both focus on contrasts—​imagination and reason, open space and enclosure, mind and body, mobility and fixture, success and failure. Whereas the separation of contraries Los and Urizen leads to misery and chaos in Urizen, it produces positive results in “Gates”: Dickinson’s adaptation changes the outcome of Urizen and turns the plot into practical advice on how to pass the gates of Urizen. By comparing metaphors of imprisonment and freedom in both texts, such as impaired vision and prophetic sight or the contrast between being earthbound and airborne, I shed light on how “Gates” turns a dystopic mythology into a philosophy of life.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74506907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
John E. Grant, 1925–2020 约翰·e·格兰特1925-2020
Blake - An Illustrated Quarterly Pub Date : 2021-01-16 DOI: 10.47761/biq.275
Alexander S. Gourlay
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引用次数: 0
Violence, Death, and Autoeroticism: The Alternative Self-Annihilation in Visions of the Daughters of Albion 暴力、死亡和自体性:《阿尔比恩的女儿们》中的另一种自我毁灭
Blake - An Illustrated Quarterly Pub Date : 2021-01-16 DOI: 10.47761/biq.276
Kang-po Chen
{"title":"Violence, Death, and Autoeroticism: The Alternative Self-Annihilation in Visions of the Daughters of Albion","authors":"Kang-po Chen","doi":"10.47761/biq.276","DOIUrl":"https://doi.org/10.47761/biq.276","url":null,"abstract":"I argue … that aside from being a central factor in Blake’s revisionist Christian system of the “human form divine,” self-annihilation is a major source of eroticism in his portrayal of unconventional sexual experiences. Self-annihilation as an erotic phenomenon is empowered by the violent alteration of human subjectivity and the dissolution of social and biological preexisting identity. Blake’s designs of Oothoon and Theotormon in Visions exemplify this alternative aspect, as this essay attempts to demonstrate.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79147304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Translating Blake’s Prophetic Poetry: The Case of Milton 布莱克的预言诗翻译:以弥尔顿为例
Blake - An Illustrated Quarterly Pub Date : 2020-10-18 DOI: 10.47761/biq.272
Juliana Steil, Lawrence Flores Pereira
{"title":"Translating Blake’s Prophetic Poetry: The Case of Milton","authors":"Juliana Steil, Lawrence Flores Pereira","doi":"10.47761/biq.272","DOIUrl":"https://doi.org/10.47761/biq.272","url":null,"abstract":"This paper uses a revised version of the 2011 annotated translation into Brazilian Portuguese by Steil as its base, and discusses the translation of Blake’s prophetic verse and the poem’s processes of phonic harmonization. It starts by analyzing these elements in Milton, then goes on to investigate strategies for a poetic translation into Portuguese.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81098614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
James Blake of Rotherhithe, Timber Merchant 罗瑟希特的詹姆斯·布莱克，木材商人
Blake - An Illustrated Quarterly Pub Date : 2020-10-05 DOI: 10.47761/biq.268
Wayne C. Ripley
{"title":"James Blake of Rotherhithe, Timber Merchant","authors":"Wayne C. Ripley","doi":"10.47761/biq.268","DOIUrl":"https://doi.org/10.47761/biq.268","url":null,"abstract":"I have now uncovered what I believe to be the admission paper of Blake’s father for the Freedom of the City of London. It includes new information that seems to validate Bentley’s suspicion that Blake’s grandfather could be identified with James Blake, a timber merchant who died in Ratcliff, Middlesex, in 1754.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89254350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An Overannotated “Auguries of Innocence” 注释过多的《纯真的预兆》
Blake - An Illustrated Quarterly Pub Date : 2020-10-05 DOI: 10.47761/biq.267
Alexander S. Gourlay
{"title":"An Overannotated “Auguries of Innocence”","authors":"Alexander S. Gourlay","doi":"10.47761/biq.267","DOIUrl":"https://doi.org/10.47761/biq.267","url":null,"abstract":"Recently, in reviewing two new editions of Blake, I used “Auguries of Innocence” as a test case to assess the explanatory notes provided by the editors. I chose the poem because it seems to me particularly susceptible to—​and in need of—​intervention of the kind provided by editorial annotation. Each individual augury poses an intellectual problem of some kind. Many are apparently designed to exercise and strengthen the visionary capabilities of the reader, usually depending on a critical unstated fact or idea, but the supplementary information provided in existing editions of this work is sparse and more often occludes than illuminates. I thought it might be useful to some future editors as well as readers to create an “edition” of this poem with explicit versions of every note I could think of, not as a paradigmatic textbook text of the poem (it’s too thorough, though far from exhaustive) but as a resource from which editors could select the information that would be most helpful to their readers.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"08 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86409818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interpreting Blake’s The Magdalene at the Sepulchre 解读布莱克的《坟墓里的抹大拉
Blake - An Illustrated Quarterly Pub Date : 2020-10-05 DOI: 10.47761/biq.269
G. Rosso
{"title":"Interpreting Blake’s The Magdalene at the Sepulchre","authors":"G. Rosso","doi":"10.47761/biq.269","DOIUrl":"https://doi.org/10.47761/biq.269","url":null,"abstract":"In 1805, Blake painted the beautiful, solemn watercolor The Magdalene at the Sepulchre for his friend and patron Thomas Butts. It illustrates a scene from the resurrection narrative in the gospel of John, capturing the moment before Mary recognizes that the figure who appears to her, outside the tomb, is the risen Jesus. The Magdalene at the Sepulchre is a consummate example of Blake’s incarnational aesthetic and a striking visualization of his interpretive approach to scripture. By choosing to illustrate this specific episode from John’s gospel, he invokes the illustrious Noli me tangere tradition while departing from it, or, more accurately, by refusing to enter it at all.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"79 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77792117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sendak and Blake Illustrating “Songs of Innocence” with an Essay by Prof. Robert N. Essick 森达克和布莱克用罗伯特·n·埃西克教授的一篇文章阐释“纯真之歌”
Blake - An Illustrated Quarterly Pub Date : 2020-10-05 DOI: 10.47761/biq.266
Mark Crosby
{"title":"Sendak and Blake Illustrating “Songs of Innocence” with an Essay by Prof. Robert N. Essick","authors":"Mark Crosby","doi":"10.47761/biq.266","DOIUrl":"https://doi.org/10.47761/biq.266","url":null,"abstract":"Maurice Sendak studied Blake’s art and poetry, and collected drawings, watercolors, illuminated books, and prints. In interviews, he frequently professed his adoration of Blake, stating in 2001, “I love Blake; I have all my life.” The experimental synthesis of the verbal and visual in much of Sendak’s work is self-consciously Blakean, a deliberate evocation of the composite art of the illuminated books that is perhaps seen most forcefully in his final work, My Brother’s Book, completed before Sendak’s death in May 2012 but published posthumously. In a much earlier work, a 1967 Christmas keepsake published by Bodley Head, we find Sendak engaging directly with the man whom he described in a 1970 interview as “my teacher in all things.”","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79962116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dmitri Smirnov, 1948–2020 德米特里·斯米尔诺夫(1948-2020
Blake - An Illustrated Quarterly Pub Date : 2020-07-20 DOI: 10.47761/biq.260
Vera Serdechnaia
{"title":"Dmitri Smirnov, 1948–2020","authors":"Vera Serdechnaia","doi":"10.47761/biq.260","DOIUrl":"https://doi.org/10.47761/biq.260","url":null,"abstract":"","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85025338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
William Blake and His Circle: A Checklist of Scholarship in 2019 威廉·布莱克和他的圈子:2019年奖学金清单
Blake - An Illustrated Quarterly Pub Date : 2020-07-20 DOI: 10.47761/biq.261
Wayne C. Ripley
{"title":"William Blake and His Circle: A Checklist of Scholarship in 2019","authors":"Wayne C. Ripley","doi":"10.47761/biq.261","DOIUrl":"https://doi.org/10.47761/biq.261","url":null,"abstract":"2019 was a very active year in Blake studies. In popular discussions, at least, it was dominated by the Tate Britain exhibition, William Blake, curated by Martin Myrone and Amy Concannon. The retrospective boasted over 300 works, making it by far the largest Blake exhibition of the twenty-first century. Its catalogue, which was named one of the twenty-six most beautiful art books of 2019 by the New York Times, articulates the exhibition’s “determinedly historicist and materialist” approach and includes an afterword by Alan Moore, reflecting on Blakean places and his graphic novel From Hell.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"58 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85458814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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