{"title":"森达克和布莱克用罗伯特·n·埃西克教授的一篇文章阐释“纯真之歌”","authors":"Mark Crosby","doi":"10.47761/biq.266","DOIUrl":null,"url":null,"abstract":"Maurice Sendak studied Blake’s art and poetry, and collected drawings, watercolors, illuminated books, and prints. In interviews, he frequently professed his adoration of Blake, stating in 2001, “I love Blake; I have all my life.” The experimental synthesis of the verbal and visual in much of Sendak’s work is self-consciously Blakean, a deliberate evocation of the composite art of the illuminated books that is perhaps seen most forcefully in his final work, My Brother’s Book, completed before Sendak’s death in May 2012 but published posthumously. In a much earlier work, a 1967 Christmas keepsake published by Bodley Head, we find Sendak engaging directly with the man whom he described in a 1970 interview as “my teacher in all things.”","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sendak and Blake Illustrating “Songs of Innocence” with an Essay by Prof. Robert N. Essick\",\"authors\":\"Mark Crosby\",\"doi\":\"10.47761/biq.266\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Maurice Sendak studied Blake’s art and poetry, and collected drawings, watercolors, illuminated books, and prints. In interviews, he frequently professed his adoration of Blake, stating in 2001, “I love Blake; I have all my life.” The experimental synthesis of the verbal and visual in much of Sendak’s work is self-consciously Blakean, a deliberate evocation of the composite art of the illuminated books that is perhaps seen most forcefully in his final work, My Brother’s Book, completed before Sendak’s death in May 2012 but published posthumously. In a much earlier work, a 1967 Christmas keepsake published by Bodley Head, we find Sendak engaging directly with the man whom he described in a 1970 interview as “my teacher in all things.”\",\"PeriodicalId\":39620,\"journal\":{\"name\":\"Blake - An Illustrated Quarterly\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-10-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Blake - An Illustrated Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47761/biq.266\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.266","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Sendak and Blake Illustrating “Songs of Innocence” with an Essay by Prof. Robert N. Essick
Maurice Sendak studied Blake’s art and poetry, and collected drawings, watercolors, illuminated books, and prints. In interviews, he frequently professed his adoration of Blake, stating in 2001, “I love Blake; I have all my life.” The experimental synthesis of the verbal and visual in much of Sendak’s work is self-consciously Blakean, a deliberate evocation of the composite art of the illuminated books that is perhaps seen most forcefully in his final work, My Brother’s Book, completed before Sendak’s death in May 2012 but published posthumously. In a much earlier work, a 1967 Christmas keepsake published by Bodley Head, we find Sendak engaging directly with the man whom he described in a 1970 interview as “my teacher in all things.”
期刊介绍:
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.