森达克和布莱克用罗伯特·n·埃西克教授的一篇文章阐释“纯真之歌”

Q3 Arts and Humanities
Mark Crosby
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引用次数: 0

摘要

莫里斯·森达克研究布莱克的艺术和诗歌,收集绘画、水彩画、彩绘书籍和印刷品。在采访中,他经常表达自己对布莱克的崇拜,2001年他说:“我爱布莱克;我拥有我的一生。”森达克的许多作品中,文字和视觉的实验性综合都是自觉的布莱克式的,这是一种刻意唤起对插图书的综合艺术的深思熟虑,也许在他的最后一部作品《我兄弟的书》中,这种综合艺术最有力地体现在森达克于2012年5月去世前完成,但在他死后出版。在一份更早的作品中,1967年由Bodley Head出版的圣诞纪念品中,我们发现桑达克直接与他在1970年的采访中描述为“我的老师”的人交往。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sendak and Blake Illustrating “Songs of Innocence” with an Essay by Prof. Robert N. Essick
Maurice Sendak studied Blake’s art and poetry, and collected drawings, watercolors, illuminated books, and prints. In interviews, he frequently professed his adoration of Blake, stating in 2001, “I love Blake; I have all my life.” The experimental synthesis of the verbal and visual in much of Sendak’s work is self-consciously Blakean, a deliberate evocation of the composite art of the illuminated books that is perhaps seen most forcefully in his final work, My Brother’s Book, completed before Sendak’s death in May 2012 but published posthumously. In a much earlier work, a 1967 Christmas keepsake published by Bodley Head, we find Sendak engaging directly with the man whom he described in a 1970 interview as “my teacher in all things.”
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来源期刊
Blake - An Illustrated Quarterly
Blake - An Illustrated Quarterly Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
0
期刊介绍: Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.
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