Romanic ReviewPub Date : 2022-05-01DOI: 10.1215/00358118-9560708
K. Long
{"title":"Dining with the Hermaphrodites","authors":"K. Long","doi":"10.1215/00358118-9560708","DOIUrl":"https://doi.org/10.1215/00358118-9560708","url":null,"abstract":"\u0000 The régime de santé, already by the end of the medieval era a well-developed genre that offered advice on diet and other health practices, found new life in the sixteenth century as the Galenic works on food and hygiene that informed it were translated into Latin and even into vernacular languages. The precepts of this genre entered into the literary culture of early modern France primarily through the avenue of satire, in which characters were defined by the food they ate and by other aspects of the Galenic regimen. Because of its association with treatises on the education of princes, the régime de santé took a political turn, something that is also echoed in satirical literature. One clear example of the politics of the régime de santé is the banquet scene of L’Isle des hermaphrodites (The Island of Hermaphrodites), published in 1605 and circulated widely in Paris. This novel seems at first glance to be a fairly straightforward satire of the excesses of the court of Henri III of France (r. 1574–1589). Yet the banquet scene evokes the flexibility of diet and of other aspects of the Galenic regimen in the profusion and variety of food presented. In linking the practices of the hermaphrodites to contemporary works on the régime de santé, this novel suggests another possibility: a world where the needs of an individual living in a particular environment are met with a diet and way of life appropriate to those needs. In presenting this alternative view, the novel raises the question whether such individualized care is merely self-indulgent or whether it is very much needed in the aftermath of the massive trauma of the Wars of Religion.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"21 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74794695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Romanic ReviewPub Date : 2022-05-01DOI: 10.1215/00358118-9560716
Julie Singer
{"title":"Chronicle Conditions","authors":"Julie Singer","doi":"10.1215/00358118-9560716","DOIUrl":"https://doi.org/10.1215/00358118-9560716","url":null,"abstract":"\u0000 Sociological research on chronic illness, and especially on the autobiographical writings of modern patients, has yielded insights into how chronic conditions alter fundamental relationships between notions of self, body, and time. The chronic part of “chronic illness” can disrupt perceptions of the linearity of time, yielding alternate temporalities grounded in bodily experience. In contemporary self-fiction, to chronicle a chronic condition is to juggle different kinds of time. But what about genres, like premodern historiography, that impose a linear, chronological framework? What is at stake when the narrative temporality of a medieval chronicle is filtered through the disrupted temporalities of a chronically impaired subject? This article interrogates these questions through the works of Gilles li Muisis (1272–1353). A Tournaisian abbot, Gilles authored both a Latin chronicle and of a set of vernacular poems situating his writerly activity within a very specific corporeal context: he writes both poetry and chronicle after cataracts have so impaired his vision that he can no longer carry out his administrative duties at the abbey of Saint-Martin—and, remarkably, he abandons his writing after a successful surgery restores his eyesight. The ways in which Gilles talks about his own bodily condition, in both the chronicle and the poems, constitute an elaborate metadiscursive frame whose ultimate effect is to construct the project of the chronicler as a kind of self-writing avant la lettre. With readings of both the Latin and the vernacular works, this essay shows that the chronicle is achieved through a series of subtle chronological and sensory displacements: Gilles’s chronic condition has enabled him to create an anachronic subject-position, outside of both linear historiographical time and the “body-time” of his impairment.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"37 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91054749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Romanic ReviewPub Date : 2022-05-01DOI: 10.1215/00358118-9560700
Matteo Pace
{"title":"“Come vertute in petra prezïosa”","authors":"Matteo Pace","doi":"10.1215/00358118-9560700","DOIUrl":"https://doi.org/10.1215/00358118-9560700","url":null,"abstract":"\u0000 Although in the last few decades scholars have dedicated much attention to the juridical world and the academic environment of Bologna and its flourishing university in the second half of the thirteenth century, totally uncharted territory are the connections between Guido Guinizzelli di Magnano (1230s–1276), judge, prosecutor, and one of the main literary references of the upcoming Dolce Stilnovo, and the professional activity of Taddeo Alderotti (1206/1215–1295), the catalyst of the new scientific trends of the Bolognese medical school. Guido Guinizzelli’s canzone “Al cor gentil” offers a groundbreaking theory of nobility that philosophically conflates love with nobility. This article argues that the philosophical progress of the canzone presents an understanding of medical and scientific terminology that must be put in contact with Taddeo and his interest in Avicenna’s medical philosophy. Guinizzelli’s correspondence between love and nobility is nurtured by Avicenna’s increasingly popular doctrine of forma specifica, which structures the reasoning and the examples of the vernacular poem. Guinizzelli therefore frames the idea of nobility in the heart of the lover as the forma specifica of the noble man, and conceives the lady as the divine intelligence that reduces to act his potentiality.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"21 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75379613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Romanic ReviewPub Date : 2022-05-01DOI: 10.1215/00358118-9560684
C. Winn
{"title":"Béroalde de Verville, médecin conteur, et la seconde vie de la Querelle de l’Abstinente (1612)","authors":"C. Winn","doi":"10.1215/00358118-9560684","DOIUrl":"https://doi.org/10.1215/00358118-9560684","url":null,"abstract":"\u0000 La Querelle de l’abstinente, suite à la parution, en 1566, puis en 1597, du Huitiesme Paradoxe de Laurent Joubert, opposa dans un premier temps le médecin orléanais, Israël Harvet, au médecin poitevin, François Citoys, autour de la question de savoir combien de temps un être humain peut rester en vie sans boire ni manger. Le médecin tourangeau, Béroalde de Verville, s’était d’abord rangé du côté d’Harvet qui réfutait les arguments de Citoys en faveur de la thèse avancée par Joubert. En 1612, alors que la Querelle de l’Abstinente a pratiquement sombré dans l’oubli, le conteur Béroalde de Verville lui redonne une seconde vie. Dans Le Palais des Curieux (Object XVIII), il consacre à la question des abstinences extraordinaires trois brefs récits intitulés « D’une fille qui vivait sans manger », « De l’Epimenidium » et « D’un homme fort sobre ». Nous nous proposons de relire ces textes en nous interrogeant sur 1) les motivations qui ont pu conduire Béroalde de Verville à relancer un débat depuis longtemps classé ; 2) les choix auctoriaux – celui de traiter d’une question médicale sous la forme d’historiettes et celui d’insérer celles-ci dans un recueil de curiosités assemblé « pour le plaisir des Doctes et le bien de ceux qui desirent toujours savoir » ; et 3) la nouvelle dimension que prend alors l’ancienne querelle d’école.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"14 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78868082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Romanic ReviewPub Date : 2021-12-01DOI: 10.1215/00358118-9377342
Derval Conroy
{"title":"Marie de Gournay’s “Advis à quelques gens d’Église” and the Early Modern Rigorist Debate","authors":"Derval Conroy","doi":"10.1215/00358118-9377342","DOIUrl":"https://doi.org/10.1215/00358118-9377342","url":null,"abstract":"\u0000 This article examines one of Marie de Gournay’s forays into religious controversy in her short text “Advis à quelques gens d’Église.” First published in L’Ombre de la damoiselle de Gournay (1626), the text is an indictment of the abuse of the sacrament of confession by both penitents and confessors, and points to a rigorist stance on the part of the author nearly twenty years before it became the dominant position of the church once again. Tackling a range of thorny questions such as the aim of confession, deferred absolution, and the nature of sin, Gournay examines confession as a societal institution, outlining how it fails utterly to reduce the daily experience of petty injustices and wrongdoing. Placing that failure squarely at the feet of the clergy, Gournay includes advice for the confessors, making of the text a secular “manuel des confesseurs”—an extraordinary undertaking for a laywoman at the time.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"84 4 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79582629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Romanic ReviewPub Date : 2021-12-01DOI: 10.1215/00358118-9377382
C. Seth
{"title":"A Woman’s Words","authors":"C. Seth","doi":"10.1215/00358118-9377382","DOIUrl":"https://doi.org/10.1215/00358118-9377382","url":null,"abstract":"\u0000 Right at the end of the eighteenth century, a famous poet, Ponce-Denis Écouchard Le Brun, denounced women writers and a literary dispute ensued. While it mobilized a number of authors, one poem stands out in accounts of the quarrel: Constance Pipelet’s “Épître aux femmes.” A study of the timeline shows that this was not in fact part of the original exchanges and that its central role is due on the one hand to a retrospective delineation of the events by a woman poet with a vested interest and, on the other, to its ambition and quality. The case poses several questions around authorial identity, gender-based judgments, the role of periodicals, and the literary construction of quarrels both as they occur and after they are over.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"466 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79877092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Romanic ReviewPub Date : 2021-12-01DOI: 10.1215/00358118-9377358
Helena Taylor
{"title":"Antoinette Deshoulières’s Cat","authors":"Helena Taylor","doi":"10.1215/00358118-9377358","DOIUrl":"https://doi.org/10.1215/00358118-9377358","url":null,"abstract":"\u0000 This article examines the poet Antoinette Deshoulières’s (1638–94) interventions in a number of querelles. It focuses on a series of poems that appeared in 1678–79, early in her career, and written as if from her pet cat. Often dismissed for their frivolity, these poems instead reveal Deshoulières’s engagement with the Quarrel of the Ancients and Moderns and the debates about the animal machine. While such interventions constituted an important strategy for making a name for herself, they are characterized by elusiveness. Although that elusiveness has been read as a gendered strategy of modesty, this article shows instead that her equivocal and even parodic, burlesque way of intervening in the two quarrels is consistent with her skepticism and presents readers with a hermeneutical challenge that disrupts the rhetorical logic of a quarrel. Deshoulières’s interventions invite us to reflect on the roles of gender, genre, and interpretation in early modern quarrels and their study.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"25 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74260136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Romanic ReviewPub Date : 2021-12-01DOI: 10.1215/00358118-9377318
Myriam Dufour-Maître
{"title":"Femmes, querelles galantes du dix-septième siècle et histoire littéraire","authors":"Myriam Dufour-Maître","doi":"10.1215/00358118-9377318","DOIUrl":"https://doi.org/10.1215/00358118-9377318","url":null,"abstract":"\u0000 L’article propose une réflexion sur la construction des querelles galantes, en leur temps puis dans l’histoire littéraire, du point de vue de la place qu’y occupent les femmes et les autrices. Dans la plupart des cas, leur accès à l’autorité ne passe pas par la querelle, ce qui les rend invisibles dans une historiographie littéraire étroitement focalisée sur l’affrontement des corps constitués (XVIIIe siècle), ou animée par le paradigme épique (XIXe siècle et début du XXe siècle). La valorisation exclusive du rôle de protagoniste empêche de mesurer l’efficacité de postures féminines plus discrètes d’instigation, d’observation, d’arbitrage, d’esquive, de surélévation « au-dessus de la mêlée », voire d’ironie dissolvante. La vitalité sur trois siècles des violents repoussoirs que sont la harangère, la pédante et la précieuse éclaire ces stratégies « obliques », et permet d’apprécier le prix très élevé qu’ont dû payer celles qui osèrent entrer dans la lice.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"39 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90877096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Romanic ReviewPub Date : 2021-12-01DOI: 10.1215/00358118-9377374
Gemma Tidman
{"title":"This Quarrel That Is Not One","authors":"Gemma Tidman","doi":"10.1215/00358118-9377374","DOIUrl":"https://doi.org/10.1215/00358118-9377374","url":null,"abstract":"\u0000 This article explores the women’s interventions in an overlooked eighteenth-century quarrel about how to reform literary teaching in the boys’ collèges. It begins by introducing this quarrel, here called the querelle des collèges, that involved more than 120 actors, just 3 of whom are known to be women. After presenting the quarrel texts written by Adelaïde d’Espinassy; Joséphine de Monbart; and Anne d’Aubourg de La Bove, comtesse de Miremont; the article explores why and how these women engaged in such a highly publicized, male-dominated quarrel. They intervened, the article shows, to redirect public interest in reforming boys’ schools toward reforming girls’ education. And they employed creative strategies to minimize the risk they ran, as women, by quarreling. By embedding their texts in other, existing disputes concerning women, and by engaging creatively with agonistic discursive practices usually reserved for men, these women destabilized this masculine dispute. In so doing, they reclaimed some room in this quarrel (and others like it) for women.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79862015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Romanic ReviewPub Date : 2021-12-01DOI: 10.1215/00358118-9377326
Emma Herdman
{"title":"“Les Hommes ont toute l’autorité”","authors":"Emma Herdman","doi":"10.1215/00358118-9377326","DOIUrl":"https://doi.org/10.1215/00358118-9377326","url":null,"abstract":"\u0000 A Renaissance querelle was primarily litigious. As such, it was heavily gendered: women, who were culturally expected to be conciliatory, not argumentative, were excluded from the law courts. This article uses the example of Madeleine des Roches—a widow, and so legally “capable,” like her unmarried daughter, Catherine—to consider how women negotiated the challenges of legal quarreling. It analyzes the strategies des Roches employed, in her poetry and in her published correspondence, to avoid being perceived as quarrelsome, to bind her judicially influential addressees in obligation to her, and to object to women’s exclusion from the law. It thus shows how des Roches’s references to the court cases that plagued her widowhood actively engaged both with the individual quarrels of these specific cases and with a more general quarrel with the injustices of an exclusive and often obstructive process of law. Des Roches’s rejection of overtly agonistic writing in favor of discreetly powerful methods of persuasion reflects her objection to quarreling—as an unwelcome distraction from the literary self-expression that she maintains is a woman’s intellectual right—even as she engaged with both the law courts and the querelle des femmes.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"403 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77732502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}