{"title":"JESÚS PÉREZ MAGALLÓN. Soñando caminos: Moratín y la nación imaginada. Valencia: Calambur, 2019. 379 pp.","authors":"Thomas C. Neal","doi":"10.18192/rceh.v44i3.6391","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6391","url":null,"abstract":"Reseña de Soñando caminos: Moratín y la nación imaginada de Jesús Pérez Magallón.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41879648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ROCÍO RØDTJER. Women and Nationhood in Restoration Spain 1874-1931. The State as Family. Cambridge: Legenda, 2019. xiii + 174 pp.","authors":"Susana Liso","doi":"10.18192/rceh.v44i3.6392","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6392","url":null,"abstract":"Reseña de Women and Nationhood in Restoration Spain 1874-1931. The State as Family de Rocío Rødtjer.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67544848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MABEL MORAÑA. Pensar el cuerpo: Historia, materialidad y símbolo. Barcelona: Herder, 2020. 364 pp.","authors":"Elizabeth Montes Garcés","doi":"10.18192/rceh.v44i3.6389","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6389","url":null,"abstract":"Reseña de Pensar el cuerpo: Historia, materialidad y símbolo de Mabel Moraña. ","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49084712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rebeldía existencialista en “Las mariposas” de María Luisa Puga","authors":"C. Tovar","doi":"10.18192/rceh.v44i3.6366","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6366","url":null,"abstract":"“Las mariposas”, cuento magistral de María Luisa Puga, nos presenta a un revolucionario inconforme con la historia de su vida. Preso en un hospital militar y creyéndose a punto de morir torturado para sacarle información de su organización clandestina, el protagonista escribe para explicarse sus decisiones, entender el vacío que siente y rescatar lo salvable de su pasado para darle sentido a su muerte. En este ensayo, siguiendo las pautas de El hombre rebelde de Albert Camus, nos preguntamos si el buen revolucionario, que comienza luchando contra la injusticia social, puede terminar siendo un asesino con sed de venganza.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47399153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ROSA PERELMUTER, ED. La recepción literaria de Sor Juana Inés de la Cruz: un siglo de apreciaciones críticas (1910-2010). Recopilación bibliográfica Luis M. Villar. Nueva York: IDEA, 2021. 634 pp.","authors":"Alberto Pérez-Amador Adam","doi":"10.18192/rceh.v44i3.6390","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6390","url":null,"abstract":"Reseña de La recepción literaria de Sor Juana Inés de la Cruz: un siglo de apreciaciones críticas (1910-2010) de Rosa Perelmuter (ed).","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41856671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"JOSÉ MIGUEL MARTÍNEZ TORREJÓN, ED. Los pre-textos de La Florida del Inca. By Inca Garcilaso de la Vega. North Carolina: U of North Carolina P, 2021. 172 pp.","authors":"A. V. López","doi":"10.18192/rceh.v44i3.6386","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6386","url":null,"abstract":"Reseña de Los pre-textos de La Florida del Inca. Por Inca Garcilaso de la Vega de José Miguel Martínez Torrejón (ed).","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44950232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ROSALÍA CORNEJO-PARRIEGO, ED. Black USA and Spain: Shared Memories in the 20th Century. New York and London: Routledge, 2020. 291 pp.","authors":"Nicholas R. Jones","doi":"10.18192/rceh.v44i2.6139","DOIUrl":"https://doi.org/10.18192/rceh.v44i2.6139","url":null,"abstract":"Reseña de Black USA and Spain: Shared Memories in the 20th Century de Rosalía Cornejo-Parriego, ed. ","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44009524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Un católico en Nueva York: Lorca’s Tragic Vision of the United States","authors":"Max F. Jensen","doi":"10.18192/rceh.v44i2.6130","DOIUrl":"https://doi.org/10.18192/rceh.v44i2.6130","url":null,"abstract":"This article discusses the role of Spanish Catholic tradition in the poetry of Federico García Lorca, especially in Poeta en Nueva York. Beginning with key concepts from Miguel de Unamuno’s Tragic Sense of Life to elucidate this tradition of irrationality, suffering, and spiritual vitality, we see that Lorca uses similar ideas as resistance to a “Protestant” modernity that, according to Lorca, favored materialist progress while eschewing human suffering. This article also demonstrates how the use of Spanish religious tradition complicates long-standing stereotypes of Spain’s supposed lack of modernization.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48258346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Roberto Arlt and the Readers of Romance","authors":"Casey Drosehn Gough","doi":"10.18192/rceh.v44i2.6129","DOIUrl":"https://doi.org/10.18192/rceh.v44i2.6129","url":null,"abstract":"This essay examines the role of female readership in the work of the Argentine writer Roberto Arlt. I argue that the conflicted and embodied status of the reading public in Arlt’s work is crystallized in the female (or feminized) reader of romances. Through this figure, the Arltian text reveals the pervasiveness of normative sentimental discourse, and narrates how this discourse circulates, impacts, and is absorbed by the bodies of its readers. These critiques emerge quite clearly in Arlt’s novels, where the author enjoys greater freedom of expression. However, his periodical publications and theater necessarily employ a more oblique critical strategy. Focusing on his aguafuertes, the short story “Eugenio Delmonte y los 1300 novios” and the play Trescientos millones, I show how Arlt interpolates his readers as readers of romance while also enacting a rupture in the boundary between the work and the medium in which it appears, encouraging the reader’s awareness of the influence of those media in her daily life. \u0000 ","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47511795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Jugamos a la guerra”: Boys, Toys, and Military Masculinity in Galdós’s La desheredada","authors":"C. Mckinney","doi":"10.18192/rceh.v44i2.6131","DOIUrl":"https://doi.org/10.18192/rceh.v44i2.6131","url":null,"abstract":"In the sixth chapter of Benito Pérez Galdós’s La desheredada, we find children at play in an impoverished neighborhood of Madrid. But what at first glance appears to be a simple representation of boys playing war is, upon closer inspection, a problematization of Spanish masculinity. This article suggests that the concepts of militarism and masculinity were synonymous throughout the second half of the nineteenth century. Galdós, however, critiques this conflation by converting the children’s game into a tragedy.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44625647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}