Revista Transilvania最新文献_第8页

Întoarcere la bătălia pentru roman. Teorii despre roman în spațiul cultural românesc interbelic 重返小说之战。罗马尼亚文化空间中的小说理论

Revista Transilvania Pub Date : 2022-01-01 DOI: 10.51391/trva.2022.08.04

Ioan Fărmuș

{"title":"Întoarcere la bătălia pentru roman. Teorii despre roman în spațiul cultural românesc interbelic","authors":"Ioan Fărmuș","doi":"10.51391/trva.2022.08.04","DOIUrl":"https://doi.org/10.51391/trva.2022.08.04","url":null,"abstract":"Even though we might live with the impression that the debates about the (Romanian) novel belong exclusively to the interwar period, in reality they started earlier, somewhere around the second half of the 19th c. Novel theoreticians such as: Radu Ionescu, that, in the preface of the novel Donjuanii din București, inaugurates this type of debates, Titu Maiorescu, the promoter of the „people novel”, or Nicolae Iorga, the critic that started the so-called „battle for the novel”, show us that there was an interest towards this genre in the Romanian cultural space also, a genre that at that moment claimed a hegemonic position. Yet, the First World War will put an abrupt end to these debates related to the Romanian novel, debates that would be reiterated in the interwar period, in another cultural context, of course at another level. Thus, the second part of the article is an attempt to recuperate the atmosphere towards the literary phenomenon after the First world War by focusing on the critical attitudes of the most important cultural voices of the new era, attitudes that vary from hope – generated by the belief that the first major global conflagration regenerated the creative forces of Romanian writers – to doubt – through which, by resorting to a lamentativ tone, critics denounce the absence of real (i.e. artistic) novels from national cultural space.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70873900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Memorie, istorie şi politic(i) în „Europele Europei” înainte şi după 1989 1989年前后“欧洲”的记忆、历史与政治

Revista Transilvania Pub Date : 2022-01-01 DOI: 10.51391/trva.2022.09.09

Alina Iorga

引用次数: 0

Inter-imperiality: A Political Economy Reading 帝国间:政治经济学解读

Revista Transilvania Pub Date : 2022-01-01 DOI: 10.51391/trva.2022.10.02

Cornel Ban

引用次数: 0

Despre code-switching în literaturile scrise în limbi periferice. Multilingvism și strategii discursive în romanul românesc din secolul al XIX-lea 关于用外围语言编写的文献中的代码转换。19世纪罗马尼亚小说中的多语性与话语策略

Revista Transilvania Pub Date : 2022-01-01 DOI: 10.51391/trva.2022.11-12.03

David Morariu

{"title":"Despre code-switching în literaturile scrise în limbi periferice. Multilingvism și strategii discursive în romanul românesc din secolul al XIX-lea","authors":"David Morariu","doi":"10.51391/trva.2022.11-12.03","DOIUrl":"https://doi.org/10.51391/trva.2022.11-12.03","url":null,"abstract":"My study aims to address the phenomenon of literary multilingualism in the nineteenth-century Romanian novel. Based on Johan Heilbron’s approach on “translations as a cultural world-system” and his classification into hyper-central, central, semi-peripheral and peripheral languages, my analysis discusses the nineteenth-century Romanian language at an early stage of its consolidation and thus in self-colonial and anti-colonial relations to the “hegemony” of the French language. Taking advantage of this framework, I consider that the majority of literary code-switching examples faithfully render these linguistic relations, so my study proposes a classification of literary multilingualism into the following possible categories: a livresque multilingualism, which satisfies the self-colonial tendencies of the nineteenth-century language, a latent multilingualism, which can also be associated with an attempt at linguistic bovarisation, but also with the search for authenticity in novels through suggestion and “explicit attribution” (Meir Sternberg), a thesistic multilingualism, in such cases where the novel didactically presents foreign language insertions, and a functional multilingualism. Finally, my paper also launches a discussion of another type of multilingualism, that as a source for “defamiliarization”, which I expect to find in the Romanian novel of the twentieth century, when the Romanian language is no longer in danger of self-colonization and passes by the incipient stage, the phenomenon of code-switching serving Viktor Shklovsky’s technique of “defamiliarization”.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70874882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Între nostalgia restauratoare şi muzeul fantomelor utopiei. Practici nostalgice în spaţiul cultural (post)sovietic 介于恢复性的怀旧和乌托邦幽灵博物馆之间。后苏联文化空间中的怀旧实践

Revista Transilvania Pub Date : 2022-01-01 DOI: 10.51391/trva.2022.11-12.17

Alina Iorga

{"title":"Între nostalgia restauratoare şi muzeul fantomelor utopiei. Practici nostalgice în spaţiul cultural (post)sovietic","authors":"Alina Iorga","doi":"10.51391/trva.2022.11-12.17","DOIUrl":"https://doi.org/10.51391/trva.2022.11-12.17","url":null,"abstract":"After the collapse of the Soviet Union, particularly during the hard transition of the 90s, the highly polarized Russian society revealed two main forms of remembering and coping with recent past. This past was either idealized as a time of imperial glory, national pride, and relative welfare, even if it also included periods of anomie (the late Stalin era) or stagnation (the Brejnev era), either treated as a period of significant traumas that necessitated persistent recognition and working through. As for the official memory regimes, if the first post-Soviet decade was dominated by the totalitarian anticommunist (and antinostalgic) paradigm, the 2000s brought a radical turn, with the rise of victimhood nationalism and “redemptive” authoritarianism of the Putin era. The new mnemonic regime is shaped by an official, “patriotic” restorative nostalgia that is also placed in the centre of the presidential cultural programe designed to legitimize the authoritarian system and to support the restoration of a great, mythical Russia. Against this background, new forms of counter-memory and counter-nostalgia began to manifest within both the social and cultural field. One of the most remarkable exemples is offered within the “new realities” created by the young photographer Danila Tkachenko, who’s compositions marked by a “second-hand nostalgia” challenge both the Soviet utopia and its official nostalgic-populist recostructions. By means of a special nostalgic technique based on reframing the remnants and the “trukhliashechkas” of the Soviet past – (re)interpreted as the symbols of “the perfect technocratic future that never came” –, the young artist also deconstruct the imagined “sovietness” embedded in the cultural-political products shaped by the statist patriotic nostalgia. His representations of the post-Soviet landscape are those of “a ghost of utopia”, a land of ruins, of abandoned cities, of ecological disasters, and of millions unburied deads of the GULAG.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70876189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

REVIEW: Maritta Koch-Weser, Scott Guggenheim, eds. Social Development in the World Bank. Essays in Honor of Michael M. Cernea 评论:Maritta Koch-Weser, Scott Guggenheim编。世界银行的社会发展。《纪念迈克尔·m·塞内亚随笔

Revista Transilvania Pub Date : 2022-01-01 DOI: 10.51391/trva.2022.01-02.17

Marian Zulean, Andrada Nedelcu

引用次数: 0

The New Romanian Cinema and Beyond: The Films of Radu Jude 新罗马尼亚电影及以后:拉杜·裘德的电影

Revista Transilvania Pub Date : 2022-01-01 DOI: 10.51391/trva.2022.03.01

Andrei Gorzo, Veronica Lazăr

引用次数: 5

The Museum as a Space of Historical Memory: Famalicão as an Educating City 博物馆作为历史记忆的空间:famalico作为教育城市

Revista Transilvania Pub Date : 2022-01-01 DOI: 10.51391/trva.2022.03.10

María-Pilar Molina-Torres

{"title":"The Museum as a Space of Historical Memory: Famalicão as an Educating City","authors":"María-Pilar Molina-Torres","doi":"10.51391/trva.2022.03.10","DOIUrl":"https://doi.org/10.51391/trva.2022.03.10","url":null,"abstract":"This article describes how the project “De Famalicão para o Mundo: Contributos da História Local” was developed and implemented, as well as its local, national, and international projection through different community activities that promote citizen learning. The study focuses on the heritage and local history of Vila Nova de Famalicão, a municipality in the north of Portugal. It presents a museum network that brings together multidisciplinary work teams consisting of teachers, researchers, students, and cultural technicians who participate and are involved in tasks related to the memory, identity, and history of the territory. My work shows both the use of these museological practices and the cultural impact they have on different audiences. Alongside these experiences, the historical and literary narratives of the temporary exhibitions—such as the one dedicated to the Portuguese forced labourers in the Nazi concentration system (1939-1945)—expose the reflections on how the citizens of Famalicão participated and were caught up in this conflict. In this way, museums allow us to interpret not only the painful past, but also the identity awareness of past and present history","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70871774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Grafting” Hope: The Ethics of Rewriting In Colm Tóibín’s House of Names “嫁接”希望:科尔姆Tóibín《名字屋》中改写的伦理

Revista Transilvania Pub Date : 2022-01-01 DOI: 10.51391/trva.2022.06-07.07

Ada Beleuță

引用次数: 0

Sharing vs. quoting: știrile false și responsabilitatea morală 分享与引用：虚假新闻与道德责任

Revista Transilvania Pub Date : 2022-01-01 DOI: 10.51391/trva.2022.06-07.14

Simina-Maria Terian

引用次数: 0