Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m.最新文献

Musikkfilosofiske tankekonstellasjoner om musikalsk mottakelighet og språk

Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m. Pub Date : 1900-01-01 DOI: 10.23865/noasp.115.ch6

Henrik Holm

引用次数: 0

Kunstverkets nødvendighet

Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m. Pub Date : 1900-01-01 DOI: 10.23865/noasp.115.ch2

Øivind Varkøy

引用次数: 1

Nuets responsivitet – når det fremmede og det uperfekte setter premissen! Et filosofisk essay om musikalsk improvisasjon

Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m. Pub Date : 1900-01-01 DOI: 10.23865/noasp.115.ch15

Karette Stensæth, Bjørn Kruse

{"title":"Nuets responsivitet – når det fremmede og det uperfekte setter premissen! Et filosofisk essay om musikalsk improvisasjon","authors":"Karette Stensæth, Bjørn Kruse","doi":"10.23865/noasp.115.ch15","DOIUrl":"https://doi.org/10.23865/noasp.115.ch15","url":null,"abstract":"As we improvise in music and become increasingly engrossed in the activity, we are intuitively engaged in a playful negotiation of various aesthetic possibilities in the Now. We are in a state where random impulses and irrational, unintentional actions become key premise providers along with everything we have learned through knowledge and experience. This essay reflects on the responsiveness of the Now in musical improvisation. We ask: What does the experience of the Now offer? Does it come with any kind of ethics and accountability and, if so, what kind and to whom does it apply? In our elaborations we are influenced by our own experiences of, and reflections on, compositional and music therapeutic practice. We refer to the theory of musical improvisation and early interaction, and also philosophical texts, especially those by Mikhail Bakhtin. We suggest that the responsiveness of the Now in musical improvisation is a mindset that challenges us both ethically and aesthetically. It does so by seeking creative satisfaction, joy and insight, taking shape through sensory perception that is close to intuition, mimesis and imagination. Its meaning remains unfinalised and foreign to us. It is also risky and is situated on the boundary between music and performer, between performer and other performers, and between the past and future of our actions. The ideal is to strive for a Now that can be experienced as the right now but also as a Now that suits the responses we try to find room for when we improvise.","PeriodicalId":390651,"journal":{"name":"Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m.","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131110821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Den glatte musikken og muligheten for en erfaring

Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m. Pub Date : 1900-01-01 DOI: 10.23865/noasp.115.ch5

Bendik Fredriksen

{"title":"Den glatte musikken og muligheten for en erfaring","authors":"Bendik Fredriksen","doi":"10.23865/noasp.115.ch5","DOIUrl":"https://doi.org/10.23865/noasp.115.ch5","url":null,"abstract":"A word often used to describe music is “smooth”. It is mostly meant as a negative term, used to label music as commercial, light, superficial and easily forgotten. However, smooth music is also well-made, with a high level of professionality. In this chapter I take as a starting point the criticism of beauty as smoothness found in Byung-Chul Han’s book Die Errettung des Schönen [Saving beauty], and investigate how this criticism applies to music. Furthermore, I try to define what makes music smooth. While smoothness can easily be defined when speaking about physical objects, music is evasive. Hence, smoothness is defined metaphorically, and according to what it is not, e.g. a work of art, or something that can lead to an experience, a concept I discuss in light of Gadamer, Heidegger, Adorno and Vetlesen. I claim that due to the elusive character of music almost any music can lead to an experience, but it is not a product of the subject’s efforts alone. Moreover, smoothness as a characteristic of music seems to have a liminal quality to it, as it cannot be defined in light of its opposite, but is trapped in its own perfection.","PeriodicalId":390651,"journal":{"name":"Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m.","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126319866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Om den psykologiske realiteten av langstrakt musikalsk form: Et musikkfilosofisk forsøk

Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m. Pub Date : 1900-01-01 DOI: 10.23865/noasp.115.ch11

Erling E. Guldbrandsen

{"title":"Om den psykologiske realiteten av langstrakt musikalsk form: Et musikkfilosofisk forsøk","authors":"Erling E. Guldbrandsen","doi":"10.23865/noasp.115.ch11","DOIUrl":"https://doi.org/10.23865/noasp.115.ch11","url":null,"abstract":"What is time? What is the relationship between music and time? Does time flow towards us from the future to the past, or do we move through time from the past to the future? Is there even such a thing as the “passage of time”, or is that a just another metaphorical construction? “The now” in human short-term memory lasts for approximately 3–5 seconds. In this article, the topic is how the consciousness can construct, experience and maintain coherence in longer-term occurrences, for example, a musical composition lasting 20–30 minutes. The article suggests that the form of these musical compositions is perhaps structured analogously with the long-term memory’s own hierarchical divisions and mode of operation in the human mind. The article discusses the connection between overview (hors-temps, meaning outside time) and process (durée, meaning duration) in the listening experience. To be able to follow a long-lasting musical form, be it in performance or in musical listening, one needs to be both “in” the time-flow and outside of it at the same time. Hence, since “presence” and “distance” are clearly different perspectives, they form a paradoxical relation of being both contradictory and mutually interdependent. The interplay between musical detail, overview and direction is relevant to the concept of Fernhören, coined by Heinrich Schenker and Wilhelm Furtwängler. Since music needs to unfold during time, a large-scale musical work cannot be seen merely as an object (Sein, or being) but is also a process of constant re-shaping and change (Werden, or becoming) in the workings of perception, memory and expectation in the listening experience.","PeriodicalId":390651,"journal":{"name":"Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m.","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125199273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Innledning

Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m. Pub Date : 1900-01-01 DOI: 10.23865/noasp.115.ch0

Øivind Varkøy, Henrik Holm

引用次数: 0

Musikkfilosofiske tekster. Tanker om musikk  og språk, tolkning, erfaring, tid, klang, stillhet m.m.最新文献

Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m.最新文献