{"title":"Sipping Espresso with Salmon","authors":"C. Bagdassarian","doi":"10.5900/SU_9781906897116_2011.17(1)_92","DOIUrl":"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_92","url":null,"abstract":"Complex systems require, for their full description, a language commensurate in complexity. The application of mathematical language to systems such as ecosystems or ritual systems demands a psychological distancing in order to apply the math in the irst place. The resulting sensorial disembodiment precipitates yet another lavor of the mind-body separation.","PeriodicalId":389750,"journal":{"name":"Leonardo electronic almanac","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123015899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Leonardo Electronic Almanac: Historical Perspective","authors":"Craig R. Harris","doi":"10.5900/SU_9781906897116_2011.17(1)_188","DOIUrl":"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_188","url":null,"abstract":"As Leonardo Electronic Almanac “rekindles” I can’t help but be both nostalgic about the past and hopeful about the future. In looking back to when Leonardo Electronic Almanac (LEA) was founded I think of the challenges that the ield faced in terms of communication, networking, and collaboration. So much was happening at the intersection of art, science and technology in the early 1990s, yet much of it was taking place in isolation, disconnected from other relevant and related activities. There was a clear need to raise the profile of work on a global scale, and to identify ways to improve interdisciplinary communication and collaboration. The leadership at Leonardo/the International Society for the Arts, Sciences and Technology (ISAST) set on a path to play an important role in addressing these issues for its community.","PeriodicalId":389750,"journal":{"name":"Leonardo electronic almanac","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128700152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hacking the Codes of Self-representation: An Interview with Lynn Hershman Leeson","authors":"T. Bazzichelli","doi":"10.5900/SU_9781906897116_2011.17(1)_28","DOIUrl":"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_28","url":null,"abstract":"This interview with Lynn Hershman Leeson reflects on the meaning and impact of her artistic activity since the Seventies, an important resource for understanding the socio-cultural transformation in the fields of art, technology and body-politics of our present. Today more then ever, we are experiencing the mixing and crossing of virtual and real worlds; dynamics of social networking and net-based participation are inluencing not only a small group of experts, but everyone with access to technology. Through the art of Lynn Hershman Leeson, it becomes possible to access a critical space-in-between, a liminal state of performativity, in which to redeine powers and hierarchies, to question the meaning of identity, and to hack the codes of self-representation. As a “cultural infiltrator”, Lynn Hershman Leeson opens up a critical interstice in the everyday life to a constant redeinition of ourselves.","PeriodicalId":389750,"journal":{"name":"Leonardo electronic almanac","volume":"146 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123736233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Inverse Embodiment: An Interview with Stelarc","authors":"Lanfranco Aceti","doi":"10.5900/SU_9781906897116_2011.17(1)_128","DOIUrl":"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_128","url":null,"abstract":"What is left of cyborgology today when we are actually looking at an artworld that is in total flux with bio-art, nano-art, data art and an infinite recombinatory matrix of disciplines in which art is the definition of human creativity?","PeriodicalId":389750,"journal":{"name":"Leonardo electronic almanac","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133873810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Contemporary Becomes Digital","authors":"Bruce Wands","doi":"10.5900/SU_9781906897116_2011.17(1)_184","DOIUrl":"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_184","url":null,"abstract":"In 2003, I wrote an essay that was published in the SIGGRAPH Art Gallery catalog titled “The Digital Becomes Contemporary.” A lot has happened in the digital art Field in the past eight years, and this essay will examine some of those changes as they relate to the relationship between digital and contemporary art.","PeriodicalId":389750,"journal":{"name":"Leonardo electronic almanac","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131941126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ars Electronica 2010: Sidetrack or Crossroads?","authors":"Erkki Huhtamo","doi":"10.5900/SU_9781906897116_2011.17(1)_196","DOIUrl":"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_196","url":null,"abstract":"After the Ars Electronica 2010 festival was over, the press office triumphantly touted in its communique: “90,227 visitors at the greatest Ars Electronica Festival since 1979.” For someone who has visited the festival every year since 1989 (with only two exceptions), it is easy to simply reverse the statement, and claim that this was the poorest – or to put it more nicely: the most mediocre – Ars Electronica of the past twenty years.","PeriodicalId":389750,"journal":{"name":"Leonardo electronic almanac","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133572240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Teaching Video Production in Virtual Reality","authors":"Joseph Farbrook","doi":"10.5900/SU_9781906897116_2011.17(1)_142","DOIUrl":"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_142","url":null,"abstract":"Teaching video production using video game technology and a method of live manipulation of digital puppets and props ofers new possibilities for narrative, without shifting focus away from storyline and dramatic content, due to technical hurdles. This production technique known as Machinima has been steadily gaining in popularity and prominence due to the relative ease and speed in which small production teams can learn to use video game software in this new way and quickly create professional quality animated movies.","PeriodicalId":389750,"journal":{"name":"Leonardo electronic almanac","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121535611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Language in the Other Software","authors":"Chandler B. McWilliams","doi":"10.5900/SU_9781906897161_2012.17(2)_110","DOIUrl":"https://doi.org/10.5900/SU_9781906897161_2012.17(2)_110","url":null,"abstract":"Friedrich Kittler’s analysis of software in his essay “There is no Software” evacuates the programmer from the realm of the computer by focusing too intently on the machine and its specific, material existence. As a result, he posits the material action of computers, in the form of voltages, as the essential site of the being of computers. This paper attempts to thread the needle between a reading of code-as-text that obfuscates the procedural nature of code, and an overly technical description of programming that reinstates the machine as the essential arbiter of authentic acts of programming. By reasserting the presence of the programmer and exploring the variety of types of coding, this essay offers an alternate description of the being of software, one which emphasizes not just the execution of code on the machine, but also the programmer’s role as reader and writer of code.","PeriodicalId":389750,"journal":{"name":"Leonardo electronic almanac","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116213502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Ammonite Order, Or, Objectiles for an (Un) Natural History","authors":"V. Dziekan","doi":"10.5900/SU_9781906897116_2011.17(1)_172","DOIUrl":"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_172","url":null,"abstract":"The demonstration exhibition, The Ammonite Order, Or, Objectiles for an (Un) Natural History (2008–09) explores a non-deterministic relation between digital mediation and spatial practice that supplants the primacy of real objects present in gallery space. The outcome of a research residency in London, the theme for this work evolved out of imaginatively projecting a ictive ”˜correspondence’ between two local personages: the architect George Dance (the Younger) and naturalist Charles Darwin. Drawing implicitly upon a creative curatorial impulse in order to pursue this narrative fabula, the exhibition space unfolds as a multidimensional installation that combines physical elements with an accompanying set of media content. The exhibition promotes a model for a diferent type of aesthetic experience through defamiliarising how the art object is modulated at the intersection of the exhibition.","PeriodicalId":389750,"journal":{"name":"Leonardo electronic almanac","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130801253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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