{"title":"菊石目，或(非)自然史的对象","authors":"V. Dziekan","doi":"10.5900/SU_9781906897116_2011.17(1)_172","DOIUrl":null,"url":null,"abstract":"The demonstration exhibition, The Ammonite Order, Or, Objectiles for an (Un) Natural History (2008–09) explores a non-deterministic relation between digital mediation and spatial practice that supplants the primacy of real objects present in gallery space. The outcome of a research residency in London, the theme for this work evolved out of imaginatively projecting a ictive ”˜correspondence’ between two local personages: the architect George Dance (the Younger) and naturalist Charles Darwin. Drawing implicitly upon a creative curatorial impulse in order to pursue this narrative fabula, the exhibition space unfolds as a multidimensional installation that combines physical elements with an accompanying set of media content. The exhibition promotes a model for a diferent type of aesthetic experience through defamiliarising how the art object is modulated at the intersection of the exhibition.","PeriodicalId":389750,"journal":{"name":"Leonardo electronic almanac","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Ammonite Order, Or, Objectiles for an (Un) Natural History\",\"authors\":\"V. Dziekan\",\"doi\":\"10.5900/SU_9781906897116_2011.17(1)_172\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The demonstration exhibition, The Ammonite Order, Or, Objectiles for an (Un) Natural History (2008–09) explores a non-deterministic relation between digital mediation and spatial practice that supplants the primacy of real objects present in gallery space. The outcome of a research residency in London, the theme for this work evolved out of imaginatively projecting a ictive ”˜correspondence’ between two local personages: the architect George Dance (the Younger) and naturalist Charles Darwin. Drawing implicitly upon a creative curatorial impulse in order to pursue this narrative fabula, the exhibition space unfolds as a multidimensional installation that combines physical elements with an accompanying set of media content. The exhibition promotes a model for a diferent type of aesthetic experience through defamiliarising how the art object is modulated at the intersection of the exhibition.\",\"PeriodicalId\":389750,\"journal\":{\"name\":\"Leonardo electronic almanac\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Leonardo electronic almanac\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_172\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Leonardo electronic almanac","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5900/SU_9781906897116_2011.17(1)_172","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Ammonite Order, Or, Objectiles for an (Un) Natural History
The demonstration exhibition, The Ammonite Order, Or, Objectiles for an (Un) Natural History (2008–09) explores a non-deterministic relation between digital mediation and spatial practice that supplants the primacy of real objects present in gallery space. The outcome of a research residency in London, the theme for this work evolved out of imaginatively projecting a ictive ”˜correspondence’ between two local personages: the architect George Dance (the Younger) and naturalist Charles Darwin. Drawing implicitly upon a creative curatorial impulse in order to pursue this narrative fabula, the exhibition space unfolds as a multidimensional installation that combines physical elements with an accompanying set of media content. The exhibition promotes a model for a diferent type of aesthetic experience through defamiliarising how the art object is modulated at the intersection of the exhibition.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
