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Beyond the pleasure principle: exploring the limits of a pervasive term 超越快乐原则:探索一个普遍术语的极限
New Cinemas Pub Date : 2016-09-01 DOI: 10.1386/ncin.14.2.123_1
L. Bayman
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引用次数: 0
Response: It has been a pleasure 答:我很荣幸
New Cinemas Pub Date : 2016-09-01 DOI: 10.1386/NCIN.14.2.165_1
M. Barker
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引用次数: 0
Queer effractions: Male to male porn and the pursuit of self-shattering 酷儿的外化:男性对男性的色情和对自我粉碎的追求
New Cinemas Pub Date : 2016-09-01 DOI: 10.1386/NCIN.14.2.135_1
J. Champagne
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引用次数: 0
Bollywood's soft power: Branding the nation, sustaining a meta-hegemony 宝莱坞的软实力:给国家打上烙印，维持超级霸权
New Cinemas Pub Date : 2016-03-01 DOI: 10.1386/NCIN.14.1.51_1
A. Devasundaram
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引用次数: 4
Soft Power and South African Film: Negotiating Mutually Incompatible Agendas? 软实力与南非电影:谈判互不相容的议程?
New Cinemas Pub Date : 2016-03-01 DOI: 10.1386/NCIN.14.1.93_1
P. Cooke
{"title":"Soft Power and South African Film: Negotiating Mutually Incompatible Agendas?","authors":"P. Cooke","doi":"10.1386/NCIN.14.1.93_1","DOIUrl":"https://doi.org/10.1386/NCIN.14.1.93_1","url":null,"abstract":"This article offers the first analysis of the role of film as a soft power asset In South Africa. It examines ways in which the policy priorities of the South African government have, until recently, seemed to work against the nation’s strategic aim to use film as a tool to leverage soft power in order to gain political influence across Africa, as well as to maximise the economic potential of globalisation. The South African film economy is booming. Cape Town, in particular, has become a key production centre globally. International productions are attracted to the country by the versatility of its locations, its weather and its low cost, high quality, facilities. This has provided great employment opportunities for local production staff. However, it has done very little to support the development of local creative talent. Thus, unlike, for example, Nollywood, which supports the entire ‘value chain’ of production and which is allowing creative and technical expertise to develop in tandem, the success of the South African production infrastructure is to the detriment of its South African filmmakers. In this article I investigate the extent to which the government’s economic imperative to develop the industry is working against its soft power aim to project South African stories both locally and internationally, and with it, the national ‘strategic narrative’, considered to be one of the country’s prime soft power assets. I then go on to suggest that the landscape would currently seem to be changing as a new generation of South African filmmakers are starting to gain ground.","PeriodicalId":38663,"journal":{"name":"New Cinemas","volume":"14 1","pages":"93-109"},"PeriodicalIF":0.0,"publicationDate":"2016-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66739384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Brazil, Soft Power and Film Culture 巴西，软实力与电影文化
New Cinemas Pub Date : 2016-03-01 DOI: 10.1386/NCIN.14.1.17_1
Stephanie Dennison, A. Meleiro
{"title":"Brazil, Soft Power and Film Culture","authors":"Stephanie Dennison, A. Meleiro","doi":"10.1386/NCIN.14.1.17_1","DOIUrl":"https://doi.org/10.1386/NCIN.14.1.17_1","url":null,"abstract":"This article takes as its starting point what we define as Brazil’s soft-power halcyon days (around 2009), as the nation seems set to maximize a range of opportunities (the upcoming World Cup and Olympics, for example) to take on a more significant role in global politics. It assesses the potential contribution of cinema to the Brazilian soft-power narrative, focusing on film policy, support for the dissemination of Brazilian films abroad and the place of film production within Brazil’s soft-power vision. It then discusses two films – Lula: Filho do Brasil (Lula: Son of Brazil, Barreto, 2009) and Aquarius (Mendonca Filho, 2016) – and the extent to which they trouble the very notion of film as a soft-power asset in Brazil. It concludes by commenting on more recent events in Brazil, and their likely effect on both the nation as a soft-power powerhouse and on film production in the country more broadly.","PeriodicalId":38663,"journal":{"name":"New Cinemas","volume":"14 1","pages":"17-30"},"PeriodicalIF":0.0,"publicationDate":"2016-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/NCIN.14.1.17_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66739724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Russian ‘Manipulative Smart Power’: Zviagintsev’s Oscar Nomination, (Non-)Government Agency, and Contradictions of the Globalised World 俄罗斯的“操纵型巧实力”:兹维亚金采夫的奥斯卡提名、(非)政府机构和全球化世界的矛盾
New Cinemas Pub Date : 2016-03-01 DOI: 10.1386/NCIN.14.1.31_1
Vlad Strukov
{"title":"Russian ‘Manipulative Smart Power’: Zviagintsev’s Oscar Nomination, (Non-)Government Agency, and Contradictions of the Globalised World","authors":"Vlad Strukov","doi":"10.1386/NCIN.14.1.31_1","DOIUrl":"https://doi.org/10.1386/NCIN.14.1.31_1","url":null,"abstract":"Through an analysis of government documents regulating the film industry, I examine the structure and reach of Russian soft power in relation to BRICS and the West. I introduce the concept of ‘manipulative soft power’ to account for Russia’s re-orientation politically and also cinematically. The article explores a number of theoretical concerns including soft power and agency in the era of social media, soft power and the ‘attention economy’ where ‘attention currency’ is valued more than the product to which it is attached, and soft power and controversy and notoriety. I focus on a particular event: the release of Zviagintsev’s Leviathan, its nomination for the 2015 Oscars, and the associated controversy that engulfed Russia and the Russian speaking world in 2014–15 and that bled into international media, especially Anglophone media, thus re-focusing global attention on Russia. I analyse the government and media discourse surrounding the release of Leviathan, and I conclude by reflecting on Russian soft power and the country’s role in the process of globalization.","PeriodicalId":38663,"journal":{"name":"New Cinemas","volume":"14 1","pages":"31-49"},"PeriodicalIF":0.0,"publicationDate":"2016-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/NCIN.14.1.31_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66739765","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Film Policy, the Chinese Government and Soft Power 电影政策、中国政府与软实力
New Cinemas Pub Date : 2016-03-01 DOI: 10.1386/NCIN.14.1.71_1
Yanling Yang
{"title":"Film Policy, the Chinese Government and Soft Power","authors":"Yanling Yang","doi":"10.1386/NCIN.14.1.71_1","DOIUrl":"https://doi.org/10.1386/NCIN.14.1.71_1","url":null,"abstract":"This article examines how the Chinese ruling party understands the role of film and how film policy has been used to promote China’s soft power. It first explores shifts in policy over a period of 60 years in order to identify the government’s overall approach to the film industry. Then it investigates ‘Zou Chu Qu’, the so-called ‘Going-Out Policy’, specifically aimed at promoting soft power. This article argues that, although the role of the film industry has been adjusted in response to developments in Chinese society, the principal function of film as a tool of propaganda, along with the broader censorship system, has not fundamentally changed. Such policy arrangements have resulted in a tension between the ‘attraction’ of soft power and the state’s attraction to censorship. Consequently, there currently seems little room for Chinese films to contribute to China’s soft power in any meaningful way.","PeriodicalId":38663,"journal":{"name":"New Cinemas","volume":"14 1","pages":"71-91"},"PeriodicalIF":0.0,"publicationDate":"2016-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/NCIN.14.1.71_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66739833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 8
New modes of cinematic production in contemporary Spanish cinema: Private televisions and the film franchise 当代西班牙电影制作的新模式:私人电视和电影特许经营
New Cinemas Pub Date : 2015-09-01 DOI: 10.1386/ncin.13.2.139_1
Jara Fernández Meneses
{"title":"New modes of cinematic production in contemporary Spanish cinema: Private televisions and the film franchise","authors":"Jara Fernández Meneses","doi":"10.1386/ncin.13.2.139_1","DOIUrl":"https://doi.org/10.1386/ncin.13.2.139_1","url":null,"abstract":"","PeriodicalId":38663,"journal":{"name":"New Cinemas","volume":"2017 1","pages":"139-152"},"PeriodicalIF":0.0,"publicationDate":"2015-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66739595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Inglourious Basterds: Satirizing the spectator and revealing the ‘Nazi’ within 无耻的混蛋:讽刺观众，揭露“纳粹”的内在
New Cinemas Pub Date : 2015-09-01 DOI: 10.1386/NCIN.13.2.153_1
Andrew B. Chrystall
{"title":"Inglourious Basterds: Satirizing the spectator and revealing the ‘Nazi’ within","authors":"Andrew B. Chrystall","doi":"10.1386/NCIN.13.2.153_1","DOIUrl":"https://doi.org/10.1386/NCIN.13.2.153_1","url":null,"abstract":"","PeriodicalId":38663,"journal":{"name":"New Cinemas","volume":"13 1","pages":"153-168"},"PeriodicalIF":0.0,"publicationDate":"2015-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66739640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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