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From the roof top into the mine 从屋顶进入矿井
New Cinemas Pub Date : 2013-09-01 DOI: 10.1386/NCIN.11.2-3.169_1
Ayisha Abraham
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引用次数: 0
Of national ‘Significance’: Politicizing the home movies of the US National Film Registry 具有国家“意义”:将美国国家电影登记的家庭电影政治化
New Cinemas Pub Date : 2013-09-01 DOI: 10.1386/NCIN.11.2-3.143_1
Daniel Mauro
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引用次数: 1
Close to home: Privatization and personalization of militarized death in Israeli home videos 离家近:以色列家庭录像中军事化死亡的私有化和个人化
New Cinemas Pub Date : 2013-09-01 DOI: 10.1386/NCIN.11.2-3.127_1
Laliv Melamed
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引用次数: 1
Being Spike Jonze: Intertextuality and convergence in film, music video and advertising 成为斯派克·琼斯:电影、mv和广告中的互文性和融合
New Cinemas Pub Date : 2013-03-01 DOI: 10.1386/NCIN.11.1.23_1
J. Annesley
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引用次数: 3
And then as farce: Globalization and ambivalence in Jo Nesbø and Morten Tyldum’s Headhunters (2011) 然后是闹剧:乔·奈斯博和莫顿·泰杜姆的《猎头》(2011)中的全球化和矛盾心理
New Cinemas Pub Date : 2013-03-01 DOI: 10.1386/NCIN.11.1.55_1
N. Archer
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引用次数: 0
Between colony and nation: Decolonial visions in Hong Kong independent cinema 在殖民地与国家之间:香港独立电影的去殖民视野
New Cinemas Pub Date : 2013-03-01 DOI: 10.1386/NCIN.11.1.3_1
V. Lee
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引用次数: 4
The tactical improvisation of space in the contemporary Hollywood action sequence 当代好莱坞动作场面中对空间的战术即兴发挥
New Cinemas Pub Date : 2013-03-01 DOI: 10.1386/NCIN.11.1.39_1
N. Jones
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引用次数: 2
Ayisha abraham's straight 8 Ayisha abraham直8
New Cinemas Pub Date : 2013-01-01 DOI: 10.1386/NCIN.11.2-3.159-1
L. Gopalan
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引用次数: 2
(S)Movies, New York City, 12–16 December 2011 (S)电影，纽约，2011年12月12日至16日
New Cinemas Pub Date : 2012-11-20 DOI: 10.1386/NCIN.9.2-3.183_7
P. Smith
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引用次数: 0
'A Past That Will Not Pass': Italian Cinema and the Return to the 1970s “不会过去的过去”:意大利电影与70年代的回归
New Cinemas Pub Date : 2012-11-20 DOI: 10.1386/NCIN.9.2-3.101_1
Catherine O’Rawe
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引用次数: 3
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