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The Oxford Handbook of Irish Song, 1100-1850最新文献

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‘Master-pieces of their kind’ “同类杰作”
The Oxford Handbook of Irish Song, 1100-1850 Pub Date : 2021-11-10 DOI: 10.1093/oxfordhb/9780190859671.013.5
Lesa Ní Mhunghaile
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引用次数: 0
Aspects of Irish-language song transmission in Munster, 1700–1850 明斯特爱尔兰语歌曲传播的各个方面，1700-1850
The Oxford Handbook of Irish Song, 1100-1850 Pub Date : 2021-11-10 DOI: 10.1093/oxfordhb/9780190859671.013.29
Ciarán Ó Gealbháin
{"title":"Aspects of Irish-language song transmission in Munster, 1700–1850","authors":"Ciarán Ó Gealbháin","doi":"10.1093/oxfordhb/9780190859671.013.29","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190859671.013.29","url":null,"abstract":"This chapter looks at aspects of Irish-language song transmission in Munster in the eighteenth and the first half of the nineteenth century. As musical airs were ascribed to written poetry with greater and greater frequency in manuscript sources throughout the eighteenth century, the suggested airs to which this sung poetry circulated will be discussed, and reference made to the oeuvre of the most prominent of the eighteenth-century Munster poets, who often set their poetry to the popular tunes of their day. Aspects of oral and literary transmission of song will be given consideration, before focusing on two important collections of Irish song, taken from the field in the mid-nineteenth century.","PeriodicalId":385379,"journal":{"name":"The Oxford Handbook of Irish Song, 1100-1850","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134292376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
George Petrie (1790–1866) as a collector of Irish song 乔治·皮特里(1790-1866)是爱尔兰歌曲的收藏家
The Oxford Handbook of Irish Song, 1100-1850 Pub Date : 2021-11-10 DOI: 10.1093/oxfordhb/9780190859671.013.26
David Cooper
{"title":"George Petrie (1790–1866) as a collector of Irish song","authors":"David Cooper","doi":"10.1093/oxfordhb/9780190859671.013.26","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190859671.013.26","url":null,"abstract":"This chapter considers the contribution of George Petrie as a collector and publisher of Irish song. His upbringing, his professional career first as an artist and subsequently as an archaeologist, and his role as a leading figure in the Royal Irish Academy, all provided important contexts for his collection of traditional song. As the head of the orthographical and etymological section for the Memoir of the Ordnance Survey of Ireland he worked closely with two of the most important Irish scholars of the time, Eugene O’Curry and John O’Donovan, and their influence proved invaluable when he was made president of the Society for the Preservation and Publication of the Music of Ireland in 1851. The various sources of the songs he collected and his approach to their notation are considered, as are the characteristics of the contents of the only completed publication of the Society for the Preservation and Publication of the Music of Ireland, The Petrie Collection of the Ancient Music of Ireland in 1855.","PeriodicalId":385379,"journal":{"name":"The Oxford Handbook of Irish Song, 1100-1850","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131589868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘The best English-Irish poetry before Yeats’ “叶芝之前最好的英国-爱尔兰诗歌”
The Oxford Handbook of Irish Song, 1100-1850 Pub Date : 2021-11-10 DOI: 10.1093/oxfordhb/9780190859671.013.13
J. Moulden
{"title":"‘The best English-Irish poetry before Yeats’","authors":"J. Moulden","doi":"10.1093/oxfordhb/9780190859671.013.13","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190859671.013.13","url":null,"abstract":"‘[T]he best Irish-English poetry before Yeats’: thus, in The Listener in 1970, John Holloway described a genre of exuberantly worded songs that employed complex patterns of rhyme deriving from Irish language poetry, many of which were among the nineteenth-century ballad sheet collections of Sir Frederic Madden, held in Cambridge University library. Items in this form seem to have surfaced in the mid-eighteenth century, soon after the appearance of the earliest eight-page songbook to be printed in Ireland, and probably the first anywhere in the ‘British Isles’. This essay traces the development of this genre towards, perhaps its finest manifestation, the luxuriously florid bawdry of ‘The Cuckoo’s Nest’, probably composed by the northern-born but Drogheda-based weaver poet John Sheil (c.1784–1872). Many commonly known and apparently innocuous traditional songs are found as bawdry in early collections and employ a range of sexual metaphors, well understood at that time among men but not (openly) among women or more recently. The combination of verbal flourish and double entendre together with a consummate control over the complexity of rhyme and rhythm forced John Holloway to recognize vernacular verse as, not a debased version of ‘educated’ poetry, but as a genre with its own standards, a parallel form that bears comparison at a high level.","PeriodicalId":385379,"journal":{"name":"The Oxford Handbook of Irish Song, 1100-1850","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133647110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Swift and song 斯威夫特和歌
The Oxford Handbook of Irish Song, 1100-1850 Pub Date : 2021-11-10 DOI: 10.1093/oxfordhb/9780190859671.013.7
Andrew Carpenter
{"title":"Swift and song","authors":"Andrew Carpenter","doi":"10.1093/oxfordhb/9780190859671.013.7","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190859671.013.7","url":null,"abstract":"Jonathan Swift was surrounded by songs and singing. From his days as a student in Dublin in the 1680s to his death in the deanery in the Dublin liberties in 1745, street singing sounded in his ears. He was certainly aware of the power of song and wrote several poems, particularly political ones, that seem designed for singing. Yet he also wrote parodies of songs and was, famously, uninterested in music or secular singing—having a particular aversion to opera. This chapter looks at the text of some of Swift’s song-like poems and asks what their performance as songs might have meant to his contemporaries—and, indeed, to him.","PeriodicalId":385379,"journal":{"name":"The Oxford Handbook of Irish Song, 1100-1850","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133041128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Irish song and the idea of tradition 爱尔兰歌曲和传统观念
The Oxford Handbook of Irish Song, 1100-1850 Pub Date : 2021-11-10 DOI: 10.1093/oxfordhb/9780190859671.013.32
V. Blankenhorn
{"title":"Irish song and the idea of tradition","authors":"V. Blankenhorn","doi":"10.1093/oxfordhb/9780190859671.013.32","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190859671.013.32","url":null,"abstract":"Defining ‘tradition’ as something passed on within a community that provides a matrix for its understanding of past events and present choices, this essay discusses the evolution of Irish poetry and song since 1200. It explores the connections between vernacular poetry and various learned (literary) traditions, including bardic poetry (syllabic verse) and the later ‘poetic courts’ and ‘schools of poetry’, in terms of themes, verse structure, social context, and sung performance. It demonstrates that while some practices were bound to specific social contexts, the strand that most people today identify as ‘the Irish song tradition’ still employs centuries-old themes including panegyric and the Anglo-Norman ‘courtly love’ rhetoric, and displays prosodic features evidenced in Middle Irish bardic sources. Finally, we consider the emergence of ‘tradition’ as a concept, the impact since 1850 of song collecting and technology on repertoire and performance, and the implications of ‘authenticity’ for today’s definition of ‘tradition’.","PeriodicalId":385379,"journal":{"name":"The Oxford Handbook of Irish Song, 1100-1850","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130480843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Out of a reverie, and as if giving unconscious expression to a deep internal feeling’ “出自遐想，仿佛无意识地表达了内心深处的感受”
The Oxford Handbook of Irish Song, 1100-1850 Pub Date : 2021-11-10 DOI: 10.1093/oxfordhb/9780190859671.013.3
Sorcha Nic Lochlainn
{"title":"‘Out of a reverie, and as if giving unconscious expression to a deep internal feeling’","authors":"Sorcha Nic Lochlainn","doi":"10.1093/oxfordhb/9780190859671.013.3","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190859671.013.3","url":null,"abstract":"This chapter discusses the songs which were performed to accompany the labour of clothmaking in Gaelic-speaking areas of Ireland and Scotland. Clothmaking was predominantly women’s work, and these songs provide us with an insight into the preoccupations of song-poets whose compositions are unlikely to have been preserved elsewhere in the tradition. There are deep underlying similarities between the Irish and Scottish clothmaking corpora which have not been discussed in any detail to date; there are also indications that the liminal context of clothmaking songs demonstrates a degree of overlap with other elements of Gaelic tradition, particularly in the contexts of matchmaking and fertility and in the reassertion of physical boundaries seen, for example, in traditional May Day celebrations.","PeriodicalId":385379,"journal":{"name":"The Oxford Handbook of Irish Song, 1100-1850","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134376576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fearless song 无所畏惧的歌
The Oxford Handbook of Irish Song, 1100-1850 Pub Date : 2021-11-10 DOI: 10.1093/oxfordhb/9780190859671.013.27
Tríona Ní Shíocháin
{"title":"Fearless song","authors":"Tríona Ní Shíocháin","doi":"10.1093/oxfordhb/9780190859671.013.27","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190859671.013.27","url":null,"abstract":"Máire Bhuí Ní Laeire, a farmer’s wife who could neither read nor write, gained great acclaim in the oral tradition from the late eighteenth century due to her exceptional abilities at song making and the uncompromising disdain for the colonial establishment expressed therein. Her compositions are most closely associated with the period from the 1820s onward when the Rockite agrarian movement was at its strongest, and when millenarian belief was widespread among members of that agrarian secret society. Her songs represent an alternative tradition of thought that lived in the elusive moment of performance itself, fostered by a rich oral culture that existed parallel to official written accounts. In this unofficial, though highly influential, sphere of idea-making, the illiterate female song poet would engage with the most pressing political concerns of her community and society, demonstrating the sheer power of song for political engagement and thought formation. Three key elements of Ní Laeire’s work and legacy will be considered herein: oral aesthetics, oral composition, and training; representations of prophecy and parrhesia in the songs themselves; and a re-appraisal of the role of the illiterate Irish-speaking female song poet in the history of anti-colonial thought and activism.","PeriodicalId":385379,"journal":{"name":"The Oxford Handbook of Irish Song, 1100-1850","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126890170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
William Carleton, Irish song, and the art of keening 威廉·卡尔顿，爱尔兰歌曲，以及哀悼的艺术
The Oxford Handbook of Irish Song, 1100-1850 Pub Date : 2021-11-10 DOI: 10.1093/oxfordhb/9780190859671.013.14
B. Earls
{"title":"William Carleton, Irish song, and the art of keening","authors":"B. Earls","doi":"10.1093/oxfordhb/9780190859671.013.14","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190859671.013.14","url":null,"abstract":"William Carleton was evidently familiar with wide traditions of Irish-language song, particularly through the singing in Irish of his mother. and this experience is evident throughout his writings. In addition to the explicit citation and celebrations of song in his work are less immediately recognised ways in which Carleton absorbed traditions of Irish singing into his fiction, particularly the form of caoineadh, or laments for the dead. Relatively few examples of early caointe (keens) have survived from the province of Ulster. However, this chapter argues that the practices of early nineteenth-century keening, as performed in Ulster, can be glimpsed in the novels and short stories of William Carleton. Close comparison of an extended fictional prose description in Valentine M’Clutchy (1845) with various accounts of caointe (Caoineadh Airt Uí Laoghaire by Eibhlín Dhubh and a declamation recorded in 1828 by the County Kilkenny schoolmaster Amhlaoibh Ó Súilleabháin) indicates Carleton’s evident knowledge of Irish traditions of lament. Irish song is shown to be typified by its lyric, non-narrative form and to be marked with particular emotional intensity, elements still visible within the prose recreations in English of Carleton’s fiction.","PeriodicalId":385379,"journal":{"name":"The Oxford Handbook of Irish Song, 1100-1850","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123318496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ceremonial song in eighteenth-century Dublin 18世纪都柏林的仪式歌曲
The Oxford Handbook of Irish Song, 1100-1850 Pub Date : 2021-11-10 DOI: 10.1093/oxfordhb/9780190859671.013.8
Estelle Murphy
{"title":"Ceremonial song in eighteenth-century Dublin","authors":"Estelle Murphy","doi":"10.1093/oxfordhb/9780190859671.013.8","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190859671.013.8","url":null,"abstract":"The tradition of composing welcome, birthday, and New Year’s Day odes for the monarch in London is one that dates to as early as 1617. It was not until almost a century later that an equivalent tradition in Dublin is evident. The Dublin ode tradition has often been viewed as an imitation of that established at the London court, and, while it doubtless took the London odes as its model initially, its poets and composers developed a series of works that stand apart as unique in their rationale, style, and even musical genre. This chapter shall demonstrate that the Dublin works were distinctive in their political and social intent and function, their poetry housing the intentions of a loyal polity on the margins of the empire that had a unique and complex identity and relationship with Britain. It will discuss the music and word-setting of the works composed by Masters of the State Music Johann Sigismund Cousser and Matthew Dubourg, showing that this ceremonial music for Dublin constitutes a body of works invaluable to our understanding of the cultural and political climate in the city in the eighteenth century.","PeriodicalId":385379,"journal":{"name":"The Oxford Handbook of Irish Song, 1100-1850","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116855043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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