{"title":"威廉·卡尔顿,爱尔兰歌曲,以及哀悼的艺术","authors":"B. Earls","doi":"10.1093/oxfordhb/9780190859671.013.14","DOIUrl":null,"url":null,"abstract":"William Carleton was evidently familiar with wide traditions of Irish-language song, particularly through the singing in Irish of his mother. and this experience is evident throughout his writings. In addition to the explicit citation and celebrations of song in his work are less immediately recognised ways in which Carleton absorbed traditions of Irish singing into his fiction, particularly the form of caoineadh, or laments for the dead. Relatively few examples of early caointe (keens) have survived from the province of Ulster. However, this chapter argues that the practices of early nineteenth-century keening, as performed in Ulster, can be glimpsed in the novels and short stories of William Carleton. Close comparison of an extended fictional prose description in Valentine M’Clutchy (1845) with various accounts of caointe (Caoineadh Airt Uí Laoghaire by Eibhlín Dhubh and a declamation recorded in 1828 by the County Kilkenny schoolmaster Amhlaoibh Ó Súilleabháin) indicates Carleton’s evident knowledge of Irish traditions of lament. Irish song is shown to be typified by its lyric, non-narrative form and to be marked with particular emotional intensity, elements still visible within the prose recreations in English of Carleton’s fiction.","PeriodicalId":385379,"journal":{"name":"The Oxford Handbook of Irish Song, 1100-1850","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"William Carleton, Irish song, and the art of keening\",\"authors\":\"B. Earls\",\"doi\":\"10.1093/oxfordhb/9780190859671.013.14\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"William Carleton was evidently familiar with wide traditions of Irish-language song, particularly through the singing in Irish of his mother. and this experience is evident throughout his writings. In addition to the explicit citation and celebrations of song in his work are less immediately recognised ways in which Carleton absorbed traditions of Irish singing into his fiction, particularly the form of caoineadh, or laments for the dead. Relatively few examples of early caointe (keens) have survived from the province of Ulster. However, this chapter argues that the practices of early nineteenth-century keening, as performed in Ulster, can be glimpsed in the novels and short stories of William Carleton. Close comparison of an extended fictional prose description in Valentine M’Clutchy (1845) with various accounts of caointe (Caoineadh Airt Uí Laoghaire by Eibhlín Dhubh and a declamation recorded in 1828 by the County Kilkenny schoolmaster Amhlaoibh Ó Súilleabháin) indicates Carleton’s evident knowledge of Irish traditions of lament. Irish song is shown to be typified by its lyric, non-narrative form and to be marked with particular emotional intensity, elements still visible within the prose recreations in English of Carleton’s fiction.\",\"PeriodicalId\":385379,\"journal\":{\"name\":\"The Oxford Handbook of Irish Song, 1100-1850\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Oxford Handbook of Irish Song, 1100-1850\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oxfordhb/9780190859671.013.14\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Irish Song, 1100-1850","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxfordhb/9780190859671.013.14","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
威廉·卡尔顿显然熟悉爱尔兰语歌曲的广泛传统,特别是通过他母亲用爱尔兰语演唱。这种经历在他的作品中随处可见。除了在他的作品中明确引用和庆祝歌曲之外,卡尔顿在他的小说中吸收了爱尔兰歌唱传统的方式,特别是caoineadh的形式,或者为死者哀悼。从阿尔斯特省幸存下来的早期caointe (keens)的例子相对较少。然而,本章认为,19世纪早期在阿尔斯特的哀哭行为,可以在威廉·卡尔顿的小说和短篇故事中瞥见。将《Valentine M’clutchy》(1845)中的长篇虚构散文描述与各种关于哀歌的描述(Eibhlín Dhubh的Caoineadh Airt Uí Laoghaire和1828年基尔肯尼郡校长Amhlaoibh Ó Súilleabháin记录的一段宣言)进行仔细比较,可以看出卡尔顿对爱尔兰哀歌传统的明显了解。爱尔兰歌曲以其抒情,非叙事的形式为特征,并以特殊的情感强度为特征,这些元素在卡尔顿小说的英语散文娱乐中仍然可见。
William Carleton, Irish song, and the art of keening
William Carleton was evidently familiar with wide traditions of Irish-language song, particularly through the singing in Irish of his mother. and this experience is evident throughout his writings. In addition to the explicit citation and celebrations of song in his work are less immediately recognised ways in which Carleton absorbed traditions of Irish singing into his fiction, particularly the form of caoineadh, or laments for the dead. Relatively few examples of early caointe (keens) have survived from the province of Ulster. However, this chapter argues that the practices of early nineteenth-century keening, as performed in Ulster, can be glimpsed in the novels and short stories of William Carleton. Close comparison of an extended fictional prose description in Valentine M’Clutchy (1845) with various accounts of caointe (Caoineadh Airt Uí Laoghaire by Eibhlín Dhubh and a declamation recorded in 1828 by the County Kilkenny schoolmaster Amhlaoibh Ó Súilleabháin) indicates Carleton’s evident knowledge of Irish traditions of lament. Irish song is shown to be typified by its lyric, non-narrative form and to be marked with particular emotional intensity, elements still visible within the prose recreations in English of Carleton’s fiction.