ART: METAMORPHOSES AND DISCOURSES最新文献

SERGEY DOZHD. “COMMITMENT TO A NEW SPIRITUALITY.” ON THE RELATIONSHIP BETWEEN REAL AND MENTAL SPACES 谢尔盖DOZHD。“对一种新的灵性的承诺。”论现实空间与心理空间的关系

ART: METAMORPHOSES AND DISCOURSES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-065-0-1

Bazon Brock

引用次数: 0

DIALOGICS OF FOLK TRADITION AND AUTHOR’S INTERPRETATION IN MODERN WEDDING FASHION 民间传统的对话与作者对现代婚礼时尚的诠释

ART: METAMORPHOSES AND DISCOURSES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-065-0-9

T. Krotova, Kalyna Pashkevych

{"title":"DIALOGICS OF FOLK TRADITION AND AUTHOR’S INTERPRETATION IN MODERN WEDDING FASHION","authors":"T. Krotova, Kalyna Pashkevych","doi":"10.30525/978-9934-26-065-0-9","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-9","url":null,"abstract":"The purpose of the paper. To analyze artistic and compositional solutions in modern women’s wedding clothes, to present the development of models of wedding clothes by means of mixed techniques based on the interpretation of its established forms in combination with traditional ornamental motifs of Poltava region. The methodology of the study. The analysis of scientific sources is based on literary-analytical and comparative methods; for analysis of visual sources and materials methods of observation, visual-analytical, as well as formal, figurative and stylistic analysis were used. The authors also applied system-structural analysis, transformation, interpretation and image-associative methods when using ornamental motifs in the process of modeling women’s wedding clothes. The scientific novelty consists in defining the possibilities of applying the traditional art of embroidery and painting of fabrics in combination with the author’s interpretation of women’s wedding clothes. Practical significance consists in the application of the combination of embroidery and ornamentation elements of Poltava region and modern fashion trends in the process of formation and manufacture of modern wedding clothes. The conclusions. The art of embroidery and painting fabrics is an important means of decorating clothes, and young women are ready to experiment with the cut, placement of ornaments, and a combination of different decoration techniques in creating wedding clothes. Modern fashion trends, materials, a variety of textures give designers the opportunity to reinterpret the wedding","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132039139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

ART IN UKRAINE: QUESTIONS OF MEANINGS, TERMS AND FORMS 乌克兰的艺术:意义、术语和形式的问题

ART: METAMORPHOSES AND DISCOURSES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-065-0-13

Mykhailo Priymich

{"title":"ART IN UKRAINE: QUESTIONS OF MEANINGS, TERMS AND FORMS","authors":"Mykhailo Priymich","doi":"10.30525/978-9934-26-065-0-13","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-13","url":null,"abstract":"The article deals with some issues of development of modern art education and art history in Ukraine, considering the problem of losing the meaning of creative activity and poor development of its own artistic terminology. This is due not only to modern European processes of transformation of values in the view at man, but also the complex historical legacy of education in Soviet Ukraine, where the humanities were subjected to ideological dictate. The service role of the humanities gave it certain state guarantees, because it was here that the justifications of ideological paradigms were forged. It is obvious that such a state could not but affect the processes in the development of humanitarian knowledge of modern Ukraine, in particular, today we see a huge problem in terminology in various fields. Among these we can highlight the issues of terminology in modern Ukrainian art history. In our review of this problem, an attempt is made to analyze the concepts: fine arts, decorative and applied arts and design. Their different nature is substantiated, which allows us to talk about the need to differentiate approaches to teaching these areas in modern art education and creativity.","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"186 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123052952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

CIVIL LEGAL REGULATION OF MOVABLE CULTURAL VALUES CIRCULATION IN UKRAINE 乌克兰流动文化价值流通的民事法律规制

ART: METAMORPHOSES AND DISCOURSES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-065-0-10

B. Kryvolapov

引用次数: 0

VLADIMIR BUKIYA 弗拉基米尔•BUKIYA

ART: METAMORPHOSES AND DISCOURSES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-065-0-5

Robert Harris Rothschild

引用次数: 0

POP ART IMAGE AND DESIGN CHARACTERISTICS AND MODERN DESIGN TRENDS ASSIMILATION 波普艺术的形象和设计特点与现代设计潮流的同化

ART: METAMORPHOSES AND DISCOURSES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-065-0-7

N. Chuprina, O. Kolosnichenko

{"title":"POP ART IMAGE AND DESIGN CHARACTERISTICS AND MODERN DESIGN TRENDS ASSIMILATION","authors":"N. Chuprina, O. Kolosnichenko","doi":"10.30525/978-9934-26-065-0-7","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-7","url":null,"abstract":"The purpose of the paper is to study the artistic style of pop art, to identify the problems of research in the context of modern fashion design. The article considers the means of graphic expressiveness in the work of the main representatives of pop art, the evolution of compositional means and techniques, the features of the color scheme and original texture as a way to influence society through the design and implementation of fashionable clothing. The methodology of the study is based on the principles of a systematic approach to the formation of the clothing range, methods of historical and logical development, comparative, system-structural and morphological analysis, which made it possible to study the costume in the process of development and identify the characteristic features of the artistic style of Pop Art in the design concepts of designers at the beginning of the third millennium. The scientific novelty consists in generalizing and systematizing experience in the practice of fashion design in order to predict the development of forms of author’s collections based on artistic and compositional principles and methods of stylistic transformation.","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115183000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

VARIATIONS OF POSTMODERNISM IN THE PAINTING OF CHERNIVTSI ARTISTS 切尔诺夫斯艺术家绘画中的后现代主义变化

ART: METAMORPHOSES AND DISCOURSES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-065-0-11

I. Mishchenko

{"title":"VARIATIONS OF POSTMODERNISM IN THE PAINTING OF CHERNIVTSI ARTISTS","authors":"I. Mishchenko","doi":"10.30525/978-9934-26-065-0-11","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-11","url":null,"abstract":"The purpose of the paper. Is to analyze the development of tendencies of postmodernism in the painting of Chernivtsi in the second half of the 20th – beginning of the 21st century and to identify its features in the works of individual authors. The methodology of the study consist in the use of methods of comparison and generalization, biographical and historical approach, art analysis. The scientific novelty is to reveal the specifics of visual practices of postmodernism in the art of Chernivtsi in general and the variety of manifestations of the latter in the works of artists of different generations. The conclusions. Postmodernism in Chernivtsi painting at the turn of the 20th – beginning of the 21st centuries is represented by a fairly large number of authors and a variety of manifestations, some of which received names that are already used in publications (crypto-realism in the paintings of G. Gorbaty, firstoism in the works of S. Virsta). Perhaps the first of such variations of postmodern art was the painting of P. Hrytsyk in the 1970s and 1980s, which emerged as one of the incarnations of nonconformism. The beginning of the 1990s was a time of active development and liberation of the region's art from the conventions of socialist realism, the change in the socio-political situation in Ukraine in general contributed to that. During this period in Chernivtsi work authors with different artistic tastes, who formed individual approaches to the creation of the world of images in painting. Some of these artists relied on the classical heritage, transforming it and giving a different sound to traditional plots (V. Kovalyuk, A. Prysyazhnyuk), others sought to find mythopoetics in the renewed perception of ancient symbols, the activity of textures and the integrity of color (","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115573183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

ARTISTIC NONCONFORMISM OF TRANSCARPATHIA OF 1960–1980: INTELLECTUAL BACKGROUND AND PERSONALITIES 1960-1980年跨喀尔巴阡的艺术不墨守成规:知识背景与个性

ART: METAMORPHOSES AND DISCOURSES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-065-0-8

Oksana Havrosh, Nataliia Rebryk

{"title":"ARTISTIC NONCONFORMISM OF TRANSCARPATHIA OF 1960–1980: INTELLECTUAL BACKGROUND AND PERSONALITIES","authors":"Oksana Havrosh, Nataliia Rebryk","doi":"10.30525/978-9934-26-065-0-8","DOIUrl":"https://doi.org/10.30525/978-9934-26-065-0-8","url":null,"abstract":"The article attempts an artistic and aesthetic analysis of modern art of Transcarpathia in the 1960s – 1980s, defined as nonconformism and underground, arguing that artists really contradicted the established philosophical, ethical, aesthetic codes of society and directed their art to self-expression. Having analyzed art processes in Transcarpathia during the Khrushchev «Thaw» and the 1980s, the authors have outlined the preconditions of manifestation and dissemination of ideas of nonconformism in the artistic environment of Transcarpathia and in the works of P. Bedzir, E. Kremnytska and F. Seman. The article conveys the idea that the artistic underground environment of Transcarpathia is a definite and courageous response of creative personalities to the reactionary social phenomena of the 1960s – 1980s, and the general analysis of alternative painting genre of Transcarpathia in the 1970s – 1980s reveals a wide range of influences both of world art trends and features of ethno-culture of Transcarpathia. The works of F. Manailo, E. Kremnytska, P. Bedzir, F. Seman, Y. Cherni were distinguished by their individual technique of creating compositions, the search for new methods of shaping, which rather corresponded to the state of enlightenment. Unlike artistic manifestations in the spirit of socialist realism,","PeriodicalId":385306,"journal":{"name":"ART: METAMORPHOSES AND DISCOURSES","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114293194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

DIFFERENT PERSPECTIVES ON THE SAME ISSUE 对同一问题的不同观点

ART: METAMORPHOSES AND DISCOURSES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-065-0-14

Oleksiy Rohotchenko

引用次数: 0

KAZIMIERZ MALEWICZ (1913)

ART: METAMORPHOSES AND DISCOURSES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-065-0-3

Iwona Malewicz

引用次数: 0