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Reframing the Border 重新定义边界
Moving Images Pub Date : 2020-12-31 DOI: 10.14361/9783839448274-010
Lonnie van Brummelen, S. D. Haan
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引用次数: 0
Through the Black Country, or, The Sources of the Thames Around the Great Shires of Lower England and Down the Severn River to the Atlantic Ocean 穿过黑色的乡村,或者泰晤士河的源头,环绕下英格兰的大郡,沿着塞文河到达大西洋
Moving Images Pub Date : 2020-12-31 DOI: 10.14361/9783839448274-003
A. deSouza
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引用次数: 0
The Calais Crisis 加来危机
Moving Images Pub Date : 2020-12-31 DOI: 10.14361/9783839448274-017
F. Atoui
{"title":"The Calais Crisis","authors":"F. Atoui","doi":"10.14361/9783839448274-017","DOIUrl":"https://doi.org/10.14361/9783839448274-017","url":null,"abstract":"Thomas Nail opens The Figure of the Migrant with the affirmation that “the twenty-first century will be the century of the migrant.”2 In the context of this defining historical instance, I take the New","PeriodicalId":383676,"journal":{"name":"Moving Images","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125623856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Migrant Images 移民图片
Moving Images Pub Date : 2020-12-31 DOI: 10.14361/9783839448274-011
T. Nail
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引用次数: 0
Frontmatter 头版头条
Moving Images Pub Date : 2020-12-31 DOI: 10.1515/9783839448274-fm
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引用次数: 0
Either You Get it Or You Don’t 你要么懂,要么不懂
Moving Images Pub Date : 2020-12-31 DOI: 10.14361/9783839448274-020
Sophia Zachariadi, K. Lynes
{"title":"Either You Get it Or You Don’t","authors":"Sophia Zachariadi, K. Lynes","doi":"10.14361/9783839448274-020","DOIUrl":"https://doi.org/10.14361/9783839448274-020","url":null,"abstract":"","PeriodicalId":383676,"journal":{"name":"Moving Images","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115647860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Solidarity and the Aporia of “We” 团结与“我们”的悲哀
Moving Images Pub Date : 2020-12-31 DOI: 10.14361/9783839448274-019
Suzana Milevska
{"title":"Solidarity and the Aporia of “We”","authors":"Suzana Milevska","doi":"10.14361/9783839448274-019","DOIUrl":"https://doi.org/10.14361/9783839448274-019","url":null,"abstract":"In all iterations of Olafur Eliasson’s Green Light, asylum seekers and refugees were asked to participate by producing crystalline green light lamps, consisting of polyhedral units fitted with small, green-tinted light fixtures. The module was invented by Eliasson’s long-time friend and collaborator, Einar Thorsteinn, as part of the numerous geometric studies they undertook at the studio. The small modules were made predominantly from recycled and sustainable materials (European ash, recycled yogurt cups, used plastic bags, and recycled nylon) and green LED lights that could function either as single objects or be assembled into a variety of architectural configurations. The lamps were ultimately sold for €250 each. Participants in the workshop, for their part, could access free language classes, counselling education and other workshops. Eliasson is one of many artists who have attempted not only to depict or record refugees in the context of contemporary art, but also to invite them to participate directly in projects and events organized by art and cultural institutions.1 In this manner, refugees become represented not only by “proxy”— in images, objects or recorded videos that represent their plight — but through their very presence in real time when they are invited to become participants, collaborators and co-producers of art projects. When discussing his project, Eliasson stated:","PeriodicalId":383676,"journal":{"name":"Moving Images","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126747095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Adouaba Project 阿杜阿巴项目
Moving Images Pub Date : 2020-06-08 DOI: 10.14361/9783839448274-014
Abdessamad El Montassir
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引用次数: 0
3. Natural Magic and the Technologies of Reading: David Brewster and Sir Walter Scott 3.《自然魔法和阅读技术:大卫·布鲁斯特和沃尔特·斯科特爵士》
Moving Images Pub Date : 2013-08-23 DOI: 10.1515/9780748669493-007
{"title":"3. Natural Magic and the Technologies of Reading: David Brewster and Sir Walter Scott","authors":"","doi":"10.1515/9780748669493-007","DOIUrl":"https://doi.org/10.1515/9780748669493-007","url":null,"abstract":"","PeriodicalId":383676,"journal":{"name":"Moving Images","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129794859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
2. Byronic Networks: Circulating Images in Minds and Media 2. 拜伦网络:思想和媒体中的循环图像
Moving Images Pub Date : 2013-08-23 DOI: 10.1515/9780748669493-006
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引用次数: 0
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