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TRANSCENDING THE LIMITATIONS OF NINETEENTH-CENTURY WOMEN’S DOMESTIC SPHERE AND FICTION: ELIZABETH STUART PHELPS’S CONTRIBUTION 超越19世纪女性家庭领域和小说的局限：伊丽莎白·斯图尔特·菲尔普斯的贡献
Revista de Estudios Norteamericanos Pub Date : 2024-01-01 DOI: 10.12795/ren.2024.i28.3
María Dolores Narbona Carrión
{"title":"TRANSCENDING THE LIMITATIONS OF NINETEENTH-CENTURY WOMEN’S DOMESTIC SPHERE AND FICTION: ELIZABETH STUART PHELPS’S CONTRIBUTION","authors":"María Dolores Narbona Carrión","doi":"10.12795/ren.2024.i28.3","DOIUrl":"https://doi.org/10.12795/ren.2024.i28.3","url":null,"abstract":"Nineteenth-century literature written by women has traditionally been associated exclusively with the domestic space. Most upper middle-class white women of that period were similarly confined within the limits of their home environments. However, this article critically examines and questions the sometimes too hermetic interpretations of the role that the domestic realm played in the lives and literary works of nineteenth-century women writers. Specifically, it portrays how Elizabeth Stuart Phelps (1844-1911), instead of assuming submissively those domestic restrictions, strove to transcend them and shared her innovative initiatives with her contemporary women through her writings. To achieve this objective, this work analyses new female attitudes and the actual houses and domestic environments inhabited by Phelps and some of her female characters. It focuses on how they endeavoured to escape from these settings or to transform them into contexts that might favour their professional lives, instead of passively accepting them as inevitable obstacles to their true vocations.","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 28","pages":"21-51"},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://doi.org/10.12795/ren.2024.i28.3","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147895689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
EARLY 20TH-CENTURY AMERICAN TRAVELERS AND ART DEALERS OF THE SPANISH ARTISTIC AND HISTORICAL HERITAGE: ARTHUR AND MILDRED STAPLEY BYNE AND THEIR DOUBLE LIVES AS PLUNDERERS AND TRAVEL WRITERS. 20世纪早期的美国旅行者和西班牙艺术和历史遗产的艺术商人:亚瑟和米尔德里德斯台普利拜恩以及他们作为掠夺者和旅行作家的双重生活。
Revista de Estudios Norteamericanos Pub Date : 2023-01-01 DOI: 10.12795/ren.2023.i27.1
José Ruiz Mas
{"title":"EARLY 20TH-CENTURY AMERICAN TRAVELERS AND ART DEALERS OF THE SPANISH ARTISTIC AND HISTORICAL HERITAGE: ARTHUR AND MILDRED STAPLEY BYNE AND THEIR DOUBLE LIVES AS PLUNDERERS AND TRAVEL WRITERS.","authors":"José Ruiz Mas","doi":"10.12795/ren.2023.i27.1","DOIUrl":"https://doi.org/10.12795/ren.2023.i27.1","url":null,"abstract":"En este artículo analizo las actividades poco ortodoxas llevadas a cabo por los viajeros y marchantes estadounidenses Arthur Byne y su esposa Mildred Stanley Byne en su búsqueda de tesoros artísticos en España durante el primer tercio del siglo XX. Simultáneamente a su saqueo artístico, los Byne publicaron una serie de valiosas obras sobre arte español, todas ellas profusamente ilustradas con fotografías y mapas. Pongo aquí en contraste su escritura de viajes con su actividad depredadora en España. Los Byne se aprovecharon del atraso y la debilidad política de España, de su corrupción institucional y eclesiástica y de la pobreza del pueblo llano para llevar a cabo sus actividades de saqueo. Su producción literaria entre 1914 y 1924, que comenzó siendo un análisis puramente descriptivo del patrimonio artístico español, fue gradualmente evolucionando hacia el relato de viajes más personal por el país (1925- 26). Sin embargo, tras la estrategia de sus intentos de promover el turismo cultural extranjero en España y de fomentar las visitas in situ de los turistas a los lugares descritos en sus obras, los Byne estaban despojando sigilosamente el tesoro artístico español para venderlo en los EE. UU., práctica que consiguieron disimular durante la redacción de sus narraciones de viajes.","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66095816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
REVIEW OF ROSAS EN LA ARENA. LOS RELATOS DE SUSAN GLASPELL. NOELIA HERNANDO-REAL. València: Universitat de València, 2022, pp. 248. ISBN: 978-84-9134-048-1. 审查该地区的玫瑰。苏珊·格拉斯佩尔的关系。NOELIA HERNANDO-REAL。巴伦西亚：巴伦西亚大学，2022年，第248页。ISBN:978-84-9134-048-1。
Revista de Estudios Norteamericanos Pub Date : 2023-01-01 DOI: 10.12795/ren.2023.i27.3
Marta Fernández-Morales
{"title":"REVIEW OF ROSAS EN LA ARENA. LOS RELATOS DE SUSAN GLASPELL. NOELIA HERNANDO-REAL. València: Universitat de València, 2022, pp. 248. ISBN: 978-84-9134-048-1.","authors":"Marta Fernández-Morales","doi":"10.12795/ren.2023.i27.3","DOIUrl":"https://doi.org/10.12795/ren.2023.i27.3","url":null,"abstract":"","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66096000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘FOR EVERMORE’: AN EXAMINATION OF MUSICAL EKPHRASES OF EDGAR ALLAN POE’S “THE RAVEN” “永远”:埃德加·爱伦·坡《乌鸦》的音乐短语考察
Revista de Estudios Norteamericanos Pub Date : 2023-01-01 DOI: 10.12795/ren.2023.i27.4
ESTER DÍAZ MORILLO
{"title":"‘FOR EVERMORE’: AN EXAMINATION OF MUSICAL EKPHRASES OF EDGAR ALLAN POE’S “THE RAVEN”","authors":"ESTER DÍAZ MORILLO","doi":"10.12795/ren.2023.i27.4","DOIUrl":"https://doi.org/10.12795/ren.2023.i27.4","url":null,"abstract":"This article analyses the transfer of poetic language into music, focusing on Edgar Allan Poe’s celebrated poem “The Raven” (1845). After a theoretical study on poetic language and theoretical questions regarding transmediation, I look into different pieces of instrumental music directly inspired by Poe’s lines. To this end, I draw on ground-breaking research regarding media transformation by authors such as Lars Elleström, whose work provides the theoretical framework, and, most especially, Siglind Bruhn, who has written about the relation between poetry and music, and who coined the term “musical ekphrasis”. Finally, I argue that these composers transmediate Poe’s “The Raven” by using musical devices similar to those employed by Poe in his poem. Particularly important for this analysis will be compulsive repetition and variation as strategies of the musical ekphrasis, and the re-presentation of the uncanny in music.","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136005301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“ONE NIGHTMARE REPLACES ANOTHER”: TRAUMA AND MOURNING IN THE AGE OF TERROR THROUGH PAUL AUSTER’S TRAVELS IN THE SCRIPTORIUM AND MAN IN THE DARK. “一个噩梦取代另一个噩梦”:通过保罗·奥斯特在写字间和黑暗中的人的旅行，在恐怖时代的创伤和哀悼。
Revista de Estudios Norteamericanos Pub Date : 2023-01-01 DOI: 10.12795/ren.2023.i27.2
Laura Rodríguez Arnáiz
{"title":"“ONE NIGHTMARE REPLACES ANOTHER”: TRAUMA AND MOURNING IN THE AGE OF TERROR THROUGH PAUL AUSTER’S TRAVELS IN THE SCRIPTORIUM AND MAN IN THE DARK.","authors":"Laura Rodríguez Arnáiz","doi":"10.12795/ren.2023.i27.2","DOIUrl":"https://doi.org/10.12795/ren.2023.i27.2","url":null,"abstract":"Los ataques terroristas del 11 de septiembre de 2001 ocasionaron una espiral de miedo e ira en la sociedad americana que tuvo como respuesta alguna de las medidas legislativas más controvertidas de su historia. El sentimiento de invencibilidad que había dominado el imaginario americano se evaporó ante el caos y el miedo de aquel día que posteriormente dieron forma a textos escritos por algunos de los escritores norteamericanos de mayor renombre. Entre ellos, Paul Auster con sus novelas sobre el 11-S, Travels in the Scriptorium (2007) y Man in the Dark (2008) que intentan responder a la inconmensurabilidad del 11-S a través de la angustia producida por el trauma físico y psicológico de dos ancianos encerrados en una habitación, donde la ficción se postula como la única salida a su confinamiento y donde la memoria individual e histórica se entrelazan con la crítica de Auster a la ‘Guerra contra el terror’.","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66095917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
SARAH E. FARRO’S TRUE LOVE (1891): PLAGIARIST RECONFIGURATIONS OF ELLEN WOOD’S THE SHADOW OF ASHLYDYAT (1863) 萨拉·e·法罗的真爱(1891):抄袭艾伦·伍德的《阿什利迪亚的影子》(1863)
Revista de Estudios Norteamericanos Pub Date : 2022-01-01 DOI: 10.12795/ren.2022.i26.01
Carme MANUEL CUENCA
{"title":"SARAH E. FARRO’S TRUE LOVE (1891): PLAGIARIST RECONFIGURATIONS OF ELLEN WOOD’S THE SHADOW OF ASHLYDYAT (1863)","authors":"Carme MANUEL CUENCA","doi":"10.12795/ren.2022.i26.01","DOIUrl":"https://doi.org/10.12795/ren.2022.i26.01","url":null,"abstract":"In 1891 Sarah E. Farro was hailed as “the first negro novelist” with the publication of her novel True Love, a story featuring white English characters set in England. Scholars have believed that Farro’s text was ignored because it features no black characters and does not deal with racial issues. In contrast to these opinions, I contend that True Love is an unacknowledged but meticulous reworking of The Shadow of Ashlydyat (1863), the celebrated Victorian sensation novel by Ellen Wood. Farro’s plagiarism together with her deployment of a raceless plot far from being an aberration is an act freighted with a titanic self-affirmation and literary ambition that may have ultimately condemned her to literary ostracism.","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66094640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TRANSHUMANISM AND THE ANTHROPOCENE IN BECKY CHAMBERS’ A CLOSED AND COMMON ORBIT 超人类主义和人类世在贝基钱伯斯的一个封闭和共同的轨道
Revista de Estudios Norteamericanos Pub Date : 2022-01-01 DOI: 10.12795/ren.2022.i26.04
Vanesa Roldán Romero
{"title":"TRANSHUMANISM AND THE ANTHROPOCENE IN BECKY CHAMBERS’ A CLOSED AND COMMON ORBIT","authors":"Vanesa Roldán Romero","doi":"10.12795/ren.2022.i26.04","DOIUrl":"https://doi.org/10.12795/ren.2022.i26.04","url":null,"abstract":"Transhumanism has been rising in both popularity and influence on western societies and philosophical thought. Dreams of mind transfer, immortality, or cloning as well as the fear of sentient and intelligent artificial intelligence (AI) can be traced in some of Netflix’s most popular series such as Altered Carbon (2018), from the novel by Richard K. Morgan, or Orphan Black (2013), to mention just a few. Similarly, transhumanism may be spotted in Becky Chambers’ fiction. The novel analysed in this paper, A Closed and Common Orbit (2016), a sequel in the author’s Wayfarers series, explores the possibility of cloning human bodies, the production of sentient AI, and the subsequent ethical implications of both science fiction tropes. Far from showing transhumanism as a miracle solution to limitations in human bodies and capacity to avoid climate change, the text presents the suspicions and fears transhumanism may raise in the USA. This article provides evidence of how the Anthropocene and transhumanism operate in Becky Chambers’ novel, the ethical effects concerning intrinsic and extrinsic values and their possible subversion through a posthumanist alliance under the Anthropocene.","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66094765","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
JOY HARJO'S ETHICAL MODES OF BEHAVIOR TOWARD THE LAND. 乔伊哈乔对土地的道德行为模式。
Revista de Estudios Norteamericanos Pub Date : 2022-01-01 DOI: 10.12795/ren.2022.i26.09
Carmen García Navarro
{"title":"JOY HARJO'S ETHICAL MODES OF BEHAVIOR TOWARD THE LAND.","authors":"Carmen García Navarro","doi":"10.12795/ren.2022.i26.09","DOIUrl":"https://doi.org/10.12795/ren.2022.i26.09","url":null,"abstract":"Joy Harjo’s poetry may be used to reflect on how various cultural traditions experience the concept of “We” with regards to other species and the environment, for which creative forms of responsibility should be articulated. Today, humans and non-humans alike face numerous and significant challenges and threats that are becoming increasingly apparent in the specific context of climate change and environmental degradation. Harjo’s work raises concerns about the impact that current global crises are having on the environment and our relationship to places, and consequently, our sense of belonging. This article discusses the relevance of some of Harjo’s poetry for increasing consciousness about the earth’s vulnerability and the need for environmental justice, which may be found in small but fundamental acts of caring","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66094949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
WILLIAM L. ANDREWS. SLAVERY AND CLASS IN THE AMERICAN SOUTH: A GENERATION OF SLAVE NARRATIVE TESTIMONY 18401865. Oxford University Press, 2019, pp. xiv, 389. 威廉·L·安德鲁斯。美国南部的奴隶制与阶级：一代奴隶叙事证词18401865。牛津大学出版社，2019年，第xiv、389页。
Revista de Estudios Norteamericanos Pub Date : 2022-01-01 DOI: 10.12795/ren.2022.i26.05
A. Rice
{"title":"WILLIAM L. ANDREWS. SLAVERY AND CLASS IN THE AMERICAN SOUTH: A GENERATION OF SLAVE NARRATIVE TESTIMONY 18401865. Oxford University Press, 2019, pp. xiv, 389.","authors":"A. Rice","doi":"10.12795/ren.2022.i26.05","DOIUrl":"https://doi.org/10.12795/ren.2022.i26.05","url":null,"abstract":"","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66094827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
POETRY IN PANDEMIC TIMES: MOURNING COLLECTIVE VULNERABILITY IN SUE GOYETTE’S SOLSTICE 2020. AN ARCHIVE. 大流行时期的诗歌:哀悼苏·戈耶特2020年至日的集体脆弱性。存档。
Revista de Estudios Norteamericanos Pub Date : 2022-01-01 DOI: 10.12795/ren.2022.i26.15
Leonor María Martínez Serrano
{"title":"POETRY IN PANDEMIC TIMES: MOURNING COLLECTIVE VULNERABILITY IN SUE GOYETTE’S SOLSTICE 2020. AN ARCHIVE.","authors":"Leonor María Martínez Serrano","doi":"10.12795/ren.2022.i26.15","DOIUrl":"https://doi.org/10.12795/ren.2022.i26.15","url":null,"abstract":"Focusing on Canadian poet Sue Goyette’s collection Solstice 2020. An Archive (2021), this article examines how dealing with the effects of a global pandemic through the medium of poetry can act as a powerful catalyst in raising awareness about collective vulnerability and mourning. During the locked-down days of 2020, Goyette felt it was her responsibility as a poet to find words to convey the sense of shared vulnerability people experienced in the face of a momentous event that confined them to their homes for days on end. Drawing on vulnerability theory, ecophilosopher David Abram’s thinking on the more-than-human world, Stacy Alaimo’s concept of trans - corporeality, as well as on recent theorizations on the COVID-19 pandemic, this article argues that Goyette’s Solstice 2020 is a most interesting sociological document that represents collective vulnerability, testifies to the conundrums posed by the still ongoing pandemic, and makes visible the deep affinities between humankind and the more-than-human world.","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66095675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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