Critical African Studies最新文献

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‘Which journal is that?’ Politics of academic promotion in Uganda and the predicament of African publication outlets “那是哪本日记?”乌干达的学术推广政治与非洲出版渠道的困境
Critical African Studies Pub Date : 2020-09-01 DOI: 10.1080/21681392.2020.1788400
J. Ssentongo
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引用次数: 13
‘The data is gold, and we are the gold-diggers’: whiteness, race and contemporary academic research in eastern DRC “数据是金子,我们是掘金者”:刚果民主共和国东部的白人、种族和当代学术研究
Critical African Studies Pub Date : 2020-09-01 DOI: 10.1080/21681392.2020.1724806
G. Marchais, Paulin Bazuzi, Aimable Amani Lameke
{"title":"‘The data is gold, and we are the gold-diggers’: whiteness, race and contemporary academic research in eastern DRC","authors":"G. Marchais, Paulin Bazuzi, Aimable Amani Lameke","doi":"10.1080/21681392.2020.1724806","DOIUrl":"https://doi.org/10.1080/21681392.2020.1724806","url":null,"abstract":"The boom of the humanitarian and development industry in eastern Democratic Republic of the Congo (DRC) and the demand for qualitative and quantitative research that has accompanied it have created a novel political economy of academic research in the region. An array of research associations and private data collection firms have emerged to respond to the international demand by Western universities and research projects. Like many industries operating on the continent, academic research has a racial dimension, which is rarely reflected upon, in part because it is often invisible to white Western researchers. This paper reflects on the creation and evolution of a non-profit association specialized in the collection of data in conflict-affected areas of eastern DRC. The research association was conceived by its Congolese and European founders as an enclave against the racism that pervades professional relations in the region, an experiment upheld by a collective commitment to academic research and an egalitarian ethos. Written from the perspective of three of its founding members, this paper analyses how racialized discursive repertoires and cognitive biases (re)appeared within the organization. We argue that these repertoires and biases serve to activate a particular mode of production, based on racial and geographic inequalities in working conditions and prospects. We interrogate the relationship between race and the system of production underpinning contemporary research, and show that, far from solely being a remnant of the colonial era, race constitutes a resource that can be tapped into, particularly in a context where empirical data, competition for funding, and ‘value for money’ are increasingly becoming the norm.","PeriodicalId":37966,"journal":{"name":"Critical African Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86156351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 15
Rhodes Must Fall in Oxford: a critical testimony 罗德在牛津必须沦陷:一个关键的证词
Critical African Studies Pub Date : 2020-09-01 DOI: 10.1080/21681392.2020.1788401
Simukai Chigudu
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引用次数: 7
Transnational research capacity building: Whose standards count? 跨国研究能力建设:谁的标准更重要?
Critical African Studies Pub Date : 2020-07-02 DOI: 10.1080/21681392.2020.1724807
L. Madsen, H. Adriansen
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引用次数: 7
Urban archives and Walter Benjamin's The Arcades Project 城市档案和沃尔特·本雅明的拱廊计划
Critical African Studies Pub Date : 2020-05-03 DOI: 10.1080/21681392.2020.1753547
N. Murray, J. Weintroub
{"title":"Urban archives and Walter Benjamin's The Arcades Project","authors":"N. Murray, J. Weintroub","doi":"10.1080/21681392.2020.1753547","DOIUrl":"https://doi.org/10.1080/21681392.2020.1753547","url":null,"abstract":"This is a special issue of Critical African Studies, entitled ‘Urban archives and Walter Benjamin’s The Arcades Project’. It is followed by an individual article, authored by Julia Viebach. The special issue, guest edited by Noëleen Murray and Jill Weintroub, emerged through their involvement in the scholarly meeting Secret Affinities, a workshop in critical reading and an interrogation of the city in Africa via Walter Benjamin’s Das Passagen-Werk. The collection of essays presented in this volume is one of the outcomes of the workshop, which took place in Johannesburg in 2017. As Walter Benjamin turned his attention to the Paris of the nineteenth century, and to the space of Naples in the 1920s, to begin gathering lingering traces that would contribute to his ‘other’ history, so workshop participants sought to examine architectures, urbanisms and heritage spaces across the city and beyond. This special issue extends the concerns of the workshop, invoking creative modes of research and innovative and experimental forms of writing to construct alternative forms of archiving the urban and the social. Viebach’s article draws on a four-year study of Rwandan survivors’ meaning-making practices. In the paper, she argues that caretaking is critical to understanding genocide memorials. Every day, voluntary practices of care at the memorials, including the cleaning and preserving of human remains, work both to rebuild the self of the caretaker, and to maintain relationships with those who died. These ‘deathscapes’ are important spaces that fulfil multiple and diverse aims, both personal and political.","PeriodicalId":37966,"journal":{"name":"Critical African Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87359993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Going beyond Gandhi’s ‘inner circle’ of relationships: Satyagraha House, Hermann Kallenbach and Gandhi’s sons 走出甘地的“核心圈子”:Satyagraha House、赫尔曼·卡伦巴赫(Hermann Kallenbach)和甘地的儿子们
Critical African Studies Pub Date : 2020-05-01 DOI: 10.1080/21681392.2020.1751669
Uma Dhupelia-Mesthrie, J. Weintroub
{"title":"Going beyond Gandhi’s ‘inner circle’ of relationships: Satyagraha House, Hermann Kallenbach and Gandhi’s sons","authors":"Uma Dhupelia-Mesthrie, J. Weintroub","doi":"10.1080/21681392.2020.1751669","DOIUrl":"https://doi.org/10.1080/21681392.2020.1751669","url":null,"abstract":"The domestic dwelling known as The Kraal, inhabited briefly by Mohandas Karamchand Gandhi and his closest friend in South Africa, Hermann Kallenbach, in the early twentieth century, and remade a century later as a boutique guesthouse and museum named Satyagraha House, is the point of reference for a set of critical engagements with the work of heritage and historical narrative, questions of time and space, family legacies, photographs and letters. Two historians are invested in telling the smaller stories that are often hidden, and here they argue for a narrative of interaction that goes beyond Gandhi’s relationship with Kallenbach. Through reflections on the exhibits and rooms at Satyagraha House as well as the heritage site’s location within the surrounding space of Johannesburg, they argue for extending the Kallenbach story to his relationships to Gandhi’s sons. The conversation is interspersed with extracts of epistolary relationships that then establish a series of links across time, space and archives, radiating beyond Johannesburg, to the Inanda countryside, to ashrams in India, internment camps in wartime England, and to Israel.","PeriodicalId":37966,"journal":{"name":"Critical African Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74583380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Walking towards a camera obscura 走向暗箱
Critical African Studies Pub Date : 2020-04-23 DOI: 10.1080/21681392.2020.1750968
George Mahashe
{"title":"Walking towards a camera obscura","authors":"George Mahashe","doi":"10.1080/21681392.2020.1750968","DOIUrl":"https://doi.org/10.1080/21681392.2020.1750968","url":null,"abstract":"The paper is located within the wider field of decolonial practice where those of us who were previously marginalized from ‘mainstream’ knowledge production by colonialism and its structures address the question of how we navigate ways of knowing from our own point of view. The paper places the concept of ‘walking about’ in relation to the Khelobedu saying ‘go sepela ke go bona’, both of which have parallels with the methodologies that Walter Benjamin espoused through the figure of the flâneur. The paper tracks my walkabouts as I follow the travels of several Balobedu from north-eastern South Africa to Berlin in 1897, by travelling to Berlin and other contemporary art centres myself. The practice of travelling offered opportunities in the form of dream as a khelobedu text, introduced me to installation art and led me to experiment with the idea and practice of the camera obscura, allowing me to confront some of the limits of photographic documentation. Overall, the paper argues that ‘walking about’ as a methodology resolves some of the difficulties with ideas of visuality associated with khelobedu and with mediating a text that demands a critical awareness of the relationship between the senses. The camera obscura, as a space that houses a body, becomes this medium and the text.","PeriodicalId":37966,"journal":{"name":"Critical African Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76071326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Arcades’ affinities: excursions into the corners and crowds of Johannesburg’s pasts 拱廊的亲和力:走进约翰内斯堡过去的角落和人群
Critical African Studies Pub Date : 2020-04-21 DOI: 10.1080/21681392.2020.1750967
L. Witz
{"title":"The Arcades’ affinities: excursions into the corners and crowds of Johannesburg’s pasts","authors":"L. Witz","doi":"10.1080/21681392.2020.1750967","DOIUrl":"https://doi.org/10.1080/21681392.2020.1750967","url":null,"abstract":"This article joins the excursion in which the ‘Secret Affinities’ workshop organizers took participants on through the city of Johannesburg in March 2017 as the precursor to its deliberations. Given the intent of the workshop to follow the ‘endeavour’ of Walter Benjamin’s construction of a world of ‘secret affinities’ ‘in unpredictable, undisciplined ways’ this tour with its predetermined sites and routes seemed to be an anomaly. My intent on taking part in this excursion in the article is to offer the reader some notes, or what Susan Buck-Morss in referring to Benjamin’s Arcades project invokes as half a text; observations, images, reflections and guides to the city, traversing spaces of the excursion in a defined, regulated and incessantly punctuated temporal encounter, sometimes called an itinerary. On the imaginative journey in this article these fragments are at hand not so much as to guide the reader from the workshop venue – a themed guest house and museum, restored and renamed Satyagraha House in 2011, where the lawyer Mohandas Gandhi and the architect Hermann Kallenbach lived at the beginning of the twentieth century – through the city, but rather as a means to both orient and disorient the reader to their own historical and political associations of place. Accompanying the reader on this journey contained in this article is Mr. Benjamin – inserted as a creative, discursive character in my writing – who has written extensively on cities, their spatial configurations and social connotations. He sometimes intervenes and makes comments. But he is determined not to appear as the bearer of expertise. His intention is to establish a point of vision between being of the crowd and standing apart on the street corner, to become, as he wrote in an essay reflecting ‘On Some Motifs in Baudelaire’, ‘already out of place’.","PeriodicalId":37966,"journal":{"name":"Critical African Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80225870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Laughter, resistance and ambivalence in Trevor Noah’s stand-up comedy: returning mimicry as mockery 特雷弗·诺亚(Trevor Noah)的单口喜剧中的笑声、反抗和矛盾:将模仿回归为嘲弄
Critical African Studies Pub Date : 2020-03-30 DOI: 10.1080/21681392.2020.1743191
Amanda Källstig, C. Death
{"title":"Laughter, resistance and ambivalence in Trevor Noah’s stand-up comedy: returning mimicry as mockery","authors":"Amanda Källstig, C. Death","doi":"10.1080/21681392.2020.1743191","DOIUrl":"https://doi.org/10.1080/21681392.2020.1743191","url":null,"abstract":"This article explores how to understand stand-up comedy as a form of resistance in global politics, combining discussion of Homi Bhabha’s concepts of ambivalence and mimicry with an examination of Trevor Noah’s stand-up performances, in particular his material on race, disease and poverty. The article builds upon approaches which have interpreted comedy in terms of hidden transcripts, counter-discourses, and counter-conducts to argue that stand-up is serious politics. Notwithstanding his prominence and success, Noah’s performances are an alternative to dominant, white, western and Eurocentric discourses of global politics, and can be understood as a form of ‘ambivalent mockery’ which both inhabit and subvert dominant power relations and discourses from within. In his routines race is reified and deconstructed; disease is tragic and laughable; poverty is lamentable, valorized, and misunderstood. Noah invokes, inhabits and challenges racist and racialized assumptions, performing a racial ‘in-between-ness’ ranging across black, mixed, coloured and white identities which subverts assumptions about stable categories of race and identity. Taking this comedy seriously enables important contradictions in assumptions about race, disease and poverty to be seen more vividly, and demonstrates how global politics is performed and resisted in diverse ways.","PeriodicalId":37966,"journal":{"name":"Critical African Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79410632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
Insurgent aspirations? Weak middle-class utopias in Maputo, Mozambique 反叛的愿望吗?莫桑比克马普托脆弱的中产阶级乌托邦
Critical African Studies Pub Date : 2020-03-23 DOI: 10.1080/21681392.2020.1743190
M. Nielsen, Paul Jenkins
{"title":"Insurgent aspirations? Weak middle-class utopias in Maputo, Mozambique","authors":"M. Nielsen, Paul Jenkins","doi":"10.1080/21681392.2020.1743190","DOIUrl":"https://doi.org/10.1080/21681392.2020.1743190","url":null,"abstract":"Based on ethnographic data from Maputo, Mozambique, this article explores middle-classness as an often-utopic aspiration articulated through particular forms of divides, that assert themselves by continuously deferring the stabilization of a supposedly growing middle-class population. As we argue, however, it is precisely by way of this deferral that new forms of urban citizenship are produced – that are available to the assumed members of the ‘middle-class’, as well as potentially to other residents enacting middle-classness as an urban ideal. After a brief review of how middle-class areas can be identified, the paper discusses the above argument through a comparison between two of the largest state-sponsored urban planning initiatives to be implemented in Mozambique in recent years. The first is in the Intaka Community on the northern periphery of Maputo, where residents re-configure the material aesthetics of the area in order to separate themselves from a collective that is based on supposed state-sanctioned middle-class values – but to which they do not want to remain attached. The second is in the KaTembe peninsula, where squatters have invaded the building site for the ‘New City’ and commenced building reed huts and laying foundations for cement-block houses in order to be resettled elsewhere. Strikingly, in both instances, middle-classness seems to be actualized by groups of urbanites that do not desire typical spatially envisioned middle-class status. However, the surprising effect is that this still articulates a particular conceptualization of middle-classness with a dominant utopian ideology for urban living.","PeriodicalId":37966,"journal":{"name":"Critical African Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84028534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 11
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