Journal of Japanese and Korean Cinema最新文献_第5页

Landscape and the crisis of representation in Nakae Yūji’s Panari nite (1986) Nakae Yúji的《Panari nite》（1986）中的景观与表现危机

Journal of Japanese and Korean Cinema Pub Date : 2021-01-02 DOI: 10.1080/17564905.2021.1920815

Kosuke Fujiki

引用次数: 0

Continuing as an ‘open incompleteness’: Motoshinkakarannū and uncanny Okinawa 继续作为一个“开放的不完整”:元新卡兰和不可思议的冲绳

Journal of Japanese and Korean Cinema Pub Date : 2021-01-02 DOI: 10.1080/17564905.2021.1914886

Nakazato Isao, Kosuke Fujiki

引用次数: 1

Reminiscences of a journey to Okinawa: landscape film as essay, and Takamine Gō’s Okinawan Dream Show (1974) 冲绳之旅的回忆:作为散文的风景电影，与高岭根的《冲绳梦展》(1974)

Journal of Japanese and Korean Cinema Pub Date : 2021-01-02 DOI: 10.1080/17564905.2021.1914887

R. Ma

引用次数: 0

In/visibility in post-war Okinawan images 1 战后冲绳照片中的能见度

Journal of Japanese and Korean Cinema Pub Date : 2021-01-02 DOI: 10.1080/17564905.2021.1930474

R. Ma, Kosuke Fujiki

引用次数: 0

The melodrama of Ozu: Tokyo Story and its time 情节剧《小津:东京物语》及其时代

Journal of Japanese and Korean Cinema Pub Date : 2021-01-02 DOI: 10.1080/17564905.2021.1906501

D. Miyao

{"title":"The melodrama of Ozu: Tokyo Story and its time","authors":"D. Miyao","doi":"10.1080/17564905.2021.1906501","DOIUrl":"https://doi.org/10.1080/17564905.2021.1906501","url":null,"abstract":"ABSTRACT The Japanese filmmaker Ozu Yasujirō openly expressed his disgust for melodrama in a December 1952 interview. And yet, curiously, he said Tokyo Story (Tokyo monogatari), which was released only a year later, had ‘the strongest melodramatic tendency’ among his films. Ozu never said he disliked his acclaimed 1953 film. How should we interpret this contradiction? In this essay, I take Ozu’s conflicting claims as indicative of the complexity of the discourse of melodrama in Japan. I locate Tokyo Story in two contexts: the context of Euro-American studies of film melodrama and that of the discourse on melodrama in Japanese film criticism. The first context reveals that Tokyo Story cannot be comfortably categorized as a melodrama, though the film shares elements of the melodramatic imagination. The second context demonstrates that Tokyo Story is not a simple melodrama. Ozu’s contradiction stemmed from an ambivalent definition of melodrama in Japan in the first half of the twentieth century. By closely analyzing Ozu’s Tokyo Story, and how melodrama was imagined and constructed between the 1930s and the 1950s, we can gain a stronger understanding of the film’s relation to the mode.","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":"13 1","pages":"58 - 79"},"PeriodicalIF":0.0,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17564905.2021.1906501","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42562684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

South Korean Cine-Feminism on the Move 运动中的韩国电影女性主义

Journal of Japanese and Korean Cinema Pub Date : 2020-11-30 DOI: 10.1080/17564905.2020.1847759

H. Park

引用次数: 0

Giving death: the hero as sovereign utility in Bong Joon-ho’s Snowpiercer (2013) 给予死亡:奉俊昊导演的《雪国列车》(2013)中英雄至高无上的效用

Journal of Japanese and Korean Cinema Pub Date : 2020-11-23 DOI: 10.1080/17564905.2020.1848878

S. Asokan

引用次数: 0

Acting ‘like a woman’: South Korean female action heroines 表现得“像个女人”:韩国女动作英雄

Journal of Japanese and Korean Cinema Pub Date : 2020-07-02 DOI: 10.1080/17564905.2020.1840032

Hye-Kyong Sim

{"title":"Acting ‘like a woman’: South Korean female action heroines","authors":"Hye-Kyong Sim","doi":"10.1080/17564905.2020.1840032","DOIUrl":"https://doi.org/10.1080/17564905.2020.1840032","url":null,"abstract":"ABSTRACT Since the early 2000s, South Korean cinema has been dominated by action-noir and blockbuster ‘bromance’ films. However, after the intervention of feminist organizations into mainstream discourse since 2015, one could detect more demands for films featuring female protagonists with adequate gender representations. Beginning with The Villainess (Aknyeo, dir. Jeong Byeong-gil, 2017), women protagonists began to appear in high-budget South Korean action films and are no longer relegated to exclusively passive roles as supporting characters. However, although these new female action films feature spectacular action sequences, they revolve around a narrative structure that falls back on heteronormative and patriarchal conceptions of femininity and represent female characters as erotic spectacles. This paper analyses recent South Korean female action films The Villainess, A Special Lady (Miok, dir. Lee An-gyu, 2017), No Mercy (Eonni, dir. Im Gyeong-taek, 2019), and The Witch: Part 1. The Subversion (Manyeo, dir. Park Hun-jeong, 2018) to diagnose the current state of female action films in South Korea and interrogate what it means to perform ‘like a woman’ in South Korean action films.","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":"12 1","pages":"110 - 123"},"PeriodicalIF":0.0,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17564905.2020.1840032","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48172838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Im Hwa: colonial film criticism in Korea 任华:韩国殖民时期的影评

Journal of Japanese and Korean Cinema Pub Date : 2020-07-02 DOI: 10.1080/17564905.2020.1816915

Moonim Baek

引用次数: 0

Construction of the female self in South Korean feminist documentaries Family Project: House of a Father (2001) and The Two Lines (2011) 韩国女权主义纪录片《家庭计划：父亲之家》（2001）和《两条线》（2011）中的女性自我建构

Journal of Japanese and Korean Cinema Pub Date : 2020-07-02 DOI: 10.1080/17564905.2020.1838149

I. Nam, Nam Lee

{"title":"Construction of the female self in South Korean feminist documentaries Family Project: House of a Father (2001) and The Two Lines (2011)","authors":"I. Nam, Nam Lee","doi":"10.1080/17564905.2020.1838149","DOIUrl":"https://doi.org/10.1080/17564905.2020.1838149","url":null,"abstract":"ABSTRACT This essay pays particular attention to the strong presence of women filmmakers in the history of South Korean documentary filmmaking, analyzing two feminist autoethnographic documentaries, Family Project: House of a Father (Paemilli peurojekteu: abeojiui jip, Jo Yun-gyeong, 2001) and The Two Lines (Du gaeui seon, Jimin, 2011), to highlight how these personal documentaries create new discursive spaces for feminist issues. These films exemplify the two most prominent features of Korean feminist documentaries produced in the 2000s: autobiographical or autoethnographic approach and the critical reexamination of the family institution in the context of the twenty-first Century. The analysis of these films focuses on the role of the female narrator/the filmmaker and performativity in documentary filmmaking in order to illustrate how personal documentaries can be a useful strategy for women filmmakers to interrogate the most pressing feminist/gender issues of the time as well as to construct a new female self/subjectivity in the process of production. The act of making personal documentaries itself could be considered a process of self-exploration, and the performativity unique to making personal documentaries establishes such an act as a performative utterance.","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":"12 1","pages":"124 - 137"},"PeriodicalIF":0.0,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17564905.2020.1838149","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47364120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0