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African Music : Journal of the International Library of African Music最新文献

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Street language in Dùndún Drum Language 街头语言在Dùndún鼓语言
African Music : Journal of the International Library of African Music Pub Date : 2022-02-28 DOI: 10.21504/amj.v12i1.2429
Olupemi E. Oludare
{"title":"Street language in Dùndún Drum Language","authors":"Olupemi E. Oludare","doi":"10.21504/amj.v12i1.2429","DOIUrl":"https://doi.org/10.21504/amj.v12i1.2429","url":null,"abstract":"Dùndún drum language is a practice of speech surrogacy employed by dùndún drummers in Yoruba culture. The dùndún drummers play sequences of melo-rhythmic patterns; a form of communication that employs musical and linguistic elements, comprehensible to listeners knowledgeable in the Yoruba language. Although these sequenced patterns are sourced from Yoruba everyday sentences and oral genres (proverbs, poetry, praise-chants, and idiomatic phrases), the drummers also embrace other social narratives. These include the popular linguistic expressions in public spaces referred to as “street language.” This is because the streets serve as spaces for social life, musical and cultural imaginaries, musical and language expressions, and identity. This street language, referred to as “ohùn ìgboro” in Yoruba, include slang (saje), slurs (òtè), neologies (ènà), satire (èfè), dance-drum patterns (àlùjó), and socio-political slogans (àtúnlò-èdè). This article explores the influence of street language on dùndún music. This article follows an ethnographic model, with an analysis of the content of the dùndún music and its associated texts. The article’s findings include the extent to which the two cultures have overlapped, and the various socio-cultural benefits of adopting the language of each other’s cultural practices. In the process, the article contributes to the debate on authenticity and social structure in Yoruba culture. The article emphasises the need for an integrated research approach of music and language and their interrelationship to street cultures in Nigeria.","PeriodicalId":378430,"journal":{"name":"African Music : Journal of the International Library of African Music","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127536573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Lagos Soundscapes. Emeka Ogboh, 2019. Berlin, Germany: Kerber. 164 colour and 85 b/w illustrations, bibliography, index, list of works, 216 pp. 拉各斯音景。Emeka Ogboh, 2019。柏林，德国:Kerber. 164彩色和85黑白插图，参考书目，索引，作品列表，216页。
African Music : Journal of the International Library of African Music Pub Date : 2022-02-28 DOI: 10.21504/amj.v12i1.2436
Kathleen W. King
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引用次数: 0
Investigating gender stereotypes and musicality in Esan, Edo State, Nigeria 调查尼日利亚埃多州埃桑的性别刻板印象和音乐性
African Music : Journal of the International Library of African Music Pub Date : 2022-02-28 DOI: 10.21504/amj.v12i1.2431
Esther Omone Aluede, Charles Onomudo Aluede
{"title":"Investigating gender stereotypes and musicality in Esan, Edo State, Nigeria","authors":"Esther Omone Aluede, Charles Onomudo Aluede","doi":"10.21504/amj.v12i1.2431","DOIUrl":"https://doi.org/10.21504/amj.v12i1.2431","url":null,"abstract":"This article examines the Ijieleghe and Igbabonelimin acrobatic dances for female and male ensembles. The data was obtained through ethnographic research techniques which include research in the library, interviews, focus group discussions, the use of interlocutors and participant observation. We found that both genres stem from the same source and are similar in dance patterns, repertory and musical instruments. While Ijieleghe performers wear light costumes, those of Igbabonelimin are heavy and sometimes accompanied by male and female masquerades. In Igbabonelimin, however, women are not admitted into any of its departments; while in Ijieleghe, male participants are confined to drumming and singing. Only the female participants perform the dance. This paper asks: Why is it that women cannot be admitted into the membership of the sonic space of men in the Igbabonelimin? What will happen if these ensembles admit members of the opposite sexes into gender restricted areas? These questions are what this paper intends to answer. However, while we are aware that there are gender-based restrictions that are not conducive to integration in this day and age, it is our view that in the light of present-day realities in Nigeria, gender restrictions should be challenged to lengthen and enhance the longevity of these ensembles.","PeriodicalId":378430,"journal":{"name":"African Music : Journal of the International Library of African Music","volume":"143 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121983563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Kwaito Bodies: Remastering Space and Subjectivity in Post-Apartheid South Africa. Xavier Livorman, 2020. Durham: Duke University Press. 35 illustrations b&w, glossary, bibliography, index, 288pp. 科怀托人的身体:后种族隔离时代南非的空间与主体性重塑。泽维尔·利沃曼，2020年。达勒姆:杜克大学出版社。35插图b&w，词汇表，参考书目，索引，288pp。
African Music : Journal of the International Library of African Music Pub Date : 2022-02-28 DOI: 10.21504/amj.v12i1.2434
Lee-Ann De Vries
{"title":"Kwaito Bodies: Remastering Space and Subjectivity in Post-Apartheid South Africa. Xavier Livorman, 2020. Durham: Duke University Press. 35 illustrations b&w, glossary, bibliography, index, 288pp.","authors":"Lee-Ann De Vries","doi":"10.21504/amj.v12i1.2434","DOIUrl":"https://doi.org/10.21504/amj.v12i1.2434","url":null,"abstract":"","PeriodicalId":378430,"journal":{"name":"African Music : Journal of the International Library of African Music","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129460519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Jonathan Glasser, The Lost Paradise: Andalusi Music in Urban North Africa 乔纳森·格拉瑟，《失落的天堂:北非城市的安达卢西音乐》
African Music : Journal of the International Library of African Music Pub Date : 2018-12-10 DOI: 10.21504/amj.v10i4.2246
L. Gimenez
{"title":"Jonathan Glasser, The Lost Paradise: Andalusi Music in Urban North Africa","authors":"L. Gimenez","doi":"10.21504/amj.v10i4.2246","DOIUrl":"https://doi.org/10.21504/amj.v10i4.2246","url":null,"abstract":"","PeriodicalId":378430,"journal":{"name":"African Music : Journal of the International Library of African Music","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123970890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
David F. Garcia, Listening for Africa: Freedom, Modernity and the Logic of Black Music’s African Origins 大卫·加西亚:《倾听非洲:黑人音乐的自由、现代性与逻辑》，《非洲起源》
African Music : Journal of the International Library of African Music Pub Date : 2018-12-10 DOI: 10.21504/amj.v10i4.2249
M. Stolp
{"title":"David F. Garcia, Listening for Africa: Freedom, Modernity and the Logic of Black Music’s African Origins","authors":"M. Stolp","doi":"10.21504/amj.v10i4.2249","DOIUrl":"https://doi.org/10.21504/amj.v10i4.2249","url":null,"abstract":"","PeriodicalId":378430,"journal":{"name":"African Music : Journal of the International Library of African Music","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127453671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frontmatter
African Music : Journal of the International Library of African Music Pub Date : 2018-12-10 DOI: 10.21504/amj.v10i4.2245
L. Watkins
{"title":"Frontmatter","authors":"L. Watkins","doi":"10.21504/amj.v10i4.2245","DOIUrl":"https://doi.org/10.21504/amj.v10i4.2245","url":null,"abstract":"","PeriodicalId":378430,"journal":{"name":"African Music : Journal of the International Library of African Music","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122542228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sylvia Bruinders, Parading Respectability: The Cultural and Moral Aesthetics of the Christmas Bands Movement in the Western Cape, South Africa 西尔维娅·布鲁德斯:《体面的游行:西开普省圣诞乐队运动的文化和道德美学》，南非
African Music : Journal of the International Library of African Music Pub Date : 2018-12-10 DOI: 10.21504/amj.v10i4.2247
Boudina McConnachie
{"title":"Sylvia Bruinders, Parading Respectability: The Cultural and Moral Aesthetics of the Christmas Bands Movement in the Western Cape, South Africa","authors":"Boudina McConnachie","doi":"10.21504/amj.v10i4.2247","DOIUrl":"https://doi.org/10.21504/amj.v10i4.2247","url":null,"abstract":"","PeriodicalId":378430,"journal":{"name":"African Music : Journal of the International Library of African Music","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116226395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pim Higginson, Scoring Race: Jazz, Fiction, and Francophone Africa 皮姆·希金森:《得分竞赛:爵士乐、小说和非洲法语区》
African Music : Journal of the International Library of African Music Pub Date : 2018-12-10 DOI: 10.21504/amj.v10i4.2248
L. Giménez
{"title":"Pim Higginson, Scoring Race: Jazz, Fiction, and Francophone Africa","authors":"L. Giménez","doi":"10.21504/amj.v10i4.2248","DOIUrl":"https://doi.org/10.21504/amj.v10i4.2248","url":null,"abstract":"","PeriodicalId":378430,"journal":{"name":"African Music : Journal of the International Library of African Music","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124598641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Annual Subscription Rates 年订阅费
African Music : Journal of the International Library of African Music Pub Date : 2018-12-10 DOI: 10.21504/amj.v10i4.2251
L. Watkins
{"title":"Annual Subscription Rates","authors":"L. Watkins","doi":"10.21504/amj.v10i4.2251","DOIUrl":"https://doi.org/10.21504/amj.v10i4.2251","url":null,"abstract":"","PeriodicalId":378430,"journal":{"name":"African Music : Journal of the International Library of African Music","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124058982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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