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Maran na moście. Sekretne konwersje Gustawa Herlinga-Grudzińskiego 马兰在桥上。Gustav Herling Grudziński的秘密对话
Przestrzenie Teorii Pub Date : 2023-07-11 DOI: 10.14746/pt.2022.38.8
D. Kołodziej
{"title":"Maran na moście. Sekretne konwersje Gustawa Herlinga-Grudzińskiego","authors":"D. Kołodziej","doi":"10.14746/pt.2022.38.8","DOIUrl":"https://doi.org/10.14746/pt.2022.38.8","url":null,"abstract":"This article attempts to discuss conversion in Gustaw Herling-Grudziński’s stories. Characters in Grudziński’s pieces are neither Jews nor Catholics, they are – as Yirmiyahu Yovel writes in his book The other within – “hybrids, a composite entity in the middle”. The paper applies the figure of marranos from Yovel’s research to reinterpret conversion in Grudziński’s stories and biography and point out how this secret shapes inner conflict in his works.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44345090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
O poczuciu tajemnicy i dylematach gatunkowych w obrębie kategorii konfesyjności w prozie Swietłany Aleksijewicz Czarnobylska modlitwa. Kronika przyszłości 关于散文《斯维特拉娜·阿列克谢维奇切尔诺贝利祈祷》中忏悔范畴内的神秘感和类型困境。未来编年史
Przestrzenie Teorii Pub Date : 2023-07-11 DOI: 10.14746/pt.2022.38.17
Anna Stępniak
{"title":"O poczuciu tajemnicy i dylematach gatunkowych w obrębie kategorii konfesyjności w prozie Swietłany Aleksijewicz Czarnobylska modlitwa. Kronika przyszłości","authors":"Anna Stępniak","doi":"10.14746/pt.2022.38.17","DOIUrl":"https://doi.org/10.14746/pt.2022.38.17","url":null,"abstract":"The article refers to Chernobyl prayer, the documentary prose of Svietlana Alexievich. The aim of the article is to draw attention to the presence of the genres of confession and prayer in the reportage. They are used by the interlocutors, who entrusted the journalist with their accounts of the traumatic experiences in connection with the Chernobyl nuclear disaster in 1986. The author focuses on showing various features of both genres (intimacy, familiarity, discretion) and describes them with the perspective of an average person who unknowingly and instinctively searches in them for answers that medicine and science cannot give. Alexievich’s reportage describes the loneliness of an individual in the face of events that most ignore in silence, while their participants remain helpless and mutilated for life.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45277609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Przełożyć czy przetłumaczyć tekst literacki? 翻译还是翻译文学文本？
Przestrzenie Teorii Pub Date : 2023-07-11 DOI: 10.14746/pt.2022.38.19
B. Tokarz
{"title":"Przełożyć czy przetłumaczyć tekst literacki?","authors":"B. Tokarz","doi":"10.14746/pt.2022.38.19","DOIUrl":"https://doi.org/10.14746/pt.2022.38.19","url":null,"abstract":"Tone Pretnar, in the translation of Jan Nepomucen Kamiński’s sonnets, created the illusion of the original by using his own poetic talent and a foreign word. Just as Kamiński used the word of Mickiewicz, so he used the word of Prešeren. However, he changed the communication purpose of the original text. Apart from the pastiche aspect, he gave the original a high poetic value, while revealing the aporia of the original’s autonomy.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47166436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bezkresna przestrzeń na kartce papieru
Przestrzenie Teorii Pub Date : 2023-07-11 DOI: 10.14746/pt.2022.38.2
Elżbieta Muskat-Tabakowska
{"title":"Bezkresna przestrzeń na kartce papieru","authors":"Elżbieta Muskat-Tabakowska","doi":"10.14746/pt.2022.38.2","DOIUrl":"https://doi.org/10.14746/pt.2022.38.2","url":null,"abstract":"The paper attempts to introduce Polish readers to a theory presented by the American literary scholar Margaret Freeman in her recent book, The Poem as Icon (2020). In the monograph, Freeman analyzes ways in which the reader experiences reality – both visible and invisible – through poetry. Her fundamental assumption is that the relevant research question is not what literary art is, but how it comes to be what it is. The purpose of the present paper is to show that, although written by a literary scholar, the monograph corresponds to general tendencies that can be seen in contemporary humanities: in cognitive linguistics (in particular, Leonard Talmy’s theory of -ception and George Lakoff’s cognitive theory of metaphor), in the theory of linguistic picture of the world, or in discourse analysis. All these disciplines are based upon the assumption that the essence of the world is continuous change, and they investigate linguistic expressions in the process of becoming, which is relative to factors traditionally considered as non-linguistic. Freeman’s poetic cognition has a wide scope: it embraces cognitive processes of human mind, but also bodily and emotive cognition. Thus poetic cognition is embodied, and in Freemen’s theory a “poem-as-icon” ultimately becomes an illusion of the “here-and-now” direst experience.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42503959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Literatura jako wehikuł tajemnicy. O pisarstwie Jerzego Grotowskiego 文学是神秘的载体。论格罗托夫斯基的写作
Przestrzenie Teorii Pub Date : 2023-07-11 DOI: 10.14746/pt.2022.38.4
Dariusz Kosiński
{"title":"Literatura jako wehikuł tajemnicy. O pisarstwie Jerzego Grotowskiego","authors":"Dariusz Kosiński","doi":"10.14746/pt.2022.38.4","DOIUrl":"https://doi.org/10.14746/pt.2022.38.4","url":null,"abstract":"Jerzy Grotowski (1933–1999), considered to be one of the greatest theatre artists of the 20th century, frequently expressed his ambivalent relation to words, repeating that any true knowledge has to be obtained by practice. However, all his life he had been creating and publishing text. The volume collecting them all in print has 1131 pages. Researchers interpreting his art (e.g. Krzysztof Rutkowski, Zbigniew Osiński) and his close collaborators like Ludwik Flaszen many times underlined the importance of Grotowski’s writings, stressing a special function the literature played in the artist’s research. Following their recognitions, partly polemizing with them, one can formulate some basic assumptions concerning the character and functions of Grotowski’s writing and its relation to the main aspects of contemporary literature. This was the man of theatre appears to be also an aware creator of a literature paradoxically close related and working for a mystery beyond the words.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45792473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Serdeczne idiomy w listach Wisławy Szymborskiej i Kornela Filipowicza Wisława Szymborska和Kornel Filippowicz信件中的感人习语
Przestrzenie Teorii Pub Date : 2023-07-11 DOI: 10.14746/pt.2022.38.14
Dorota Wojda
{"title":"Serdeczne idiomy w listach Wisławy Szymborskiej i Kornela Filipowicza","authors":"Dorota Wojda","doi":"10.14746/pt.2022.38.14","DOIUrl":"https://doi.org/10.14746/pt.2022.38.14","url":null,"abstract":"The correspondence between Wisława Szymborska and Kornel Filipowicz, which has been published in the book Listy. Najlepiej w życiu ma Twój kot (2016), is interpreted in this paper as a love discourse with the use of private idioms. This creates a poetics of the cryptogram, enigmatic to others, yet clear to the correspondents who combine epistolography, applied arts, literature, and life into one whole. The main means of this poetics is the recontextualization in which the writers perform  different roles and move between them. This is related to creating of the text as theatre, which characterizes Szymborska’s poetry in particular as a modern lyric of the mask and role. The violation of the borders between various fields of art and life is done in these letters through collages, stickers, and ready mades that engage not only mind but also body, allowing to hide feelings behind a masquerade, at the same time conveying what is inexpressible.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45041704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
O teatr przyszłości. Zapomniane źródła włoskiego myślenia performatycznego 未来的剧院。被遗忘的意大利表演思维来源
Przestrzenie Teorii Pub Date : 2023-07-11 DOI: 10.14746/pt.2022.38.22
Katarzyna Woźniak-Shukur
{"title":"O teatr przyszłości. Zapomniane źródła włoskiego myślenia performatycznego","authors":"Katarzyna Woźniak-Shukur","doi":"10.14746/pt.2022.38.22","DOIUrl":"https://doi.org/10.14746/pt.2022.38.22","url":null,"abstract":"Italian theater studies in 20th century focused on the theater as the art of staging a dramatic text and it’s analysis. Over the past decade, theater anthropology and performance studies make their way among these relics of the past century slowly but effectively, and the sources of the Italian performance studies are indicated in the 1960s and 1970s. Meanwhile, the interest of Italian researchers in restored behavior is reflected in texts published in-between the two world wars. The subject of the analysis are two texts by Corrado Pavolini who we consider to be a precursor of Italian performance studies.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48987208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Klaudian i jego tajemnica 克劳迪安和他的秘密
Przestrzenie Teorii Pub Date : 2023-07-11 DOI: 10.14746/pt.2022.38.15
E. Wesołowska
{"title":"Klaudian i jego tajemnica","authors":"E. Wesołowska","doi":"10.14746/pt.2022.38.15","DOIUrl":"https://doi.org/10.14746/pt.2022.38.15","url":null,"abstract":"The aim of this chapter is to present the mythological poem by Claudianus about Proserpine’s kidnapping and marriage. The poem still encourage the scholars to discussion about its aim and the state of its preservation. I will also focus my attention to the intratextual as well intertextual connections joining the poem with itself and the wide ancient tradition. I will propose two very hypothetical lines of interpretation concerning the De raptu Proserpinae.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48914572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Autotematyzm out of the blue. Kilka uwag o poezji Julii Hartwig na marginesie wiersza Reprymenda 突如其来的自体血中毒。在Reprymend诗歌的边缘对Julia Hartwig诗歌的几点评论
Przestrzenie Teorii Pub Date : 2023-07-11 DOI: 10.14746/pt.2022.38.12
Joanna Grądziel-Wójcik
{"title":"Autotematyzm out of the blue. Kilka uwag o poezji Julii Hartwig na marginesie wiersza Reprymenda","authors":"Joanna Grądziel-Wójcik","doi":"10.14746/pt.2022.38.12","DOIUrl":"https://doi.org/10.14746/pt.2022.38.12","url":null,"abstract":"The article discusses different variants of metareflection in Julia Hartwig’s poetry, situating them against the background of a comprehensive concept of the poet’s work. The analysis of her poem Reprymenda [Reprimand] gives rise to a proposal of authotematism specific to Hartwig’s poetry, here called ‘out of the blue’ autothematism and contrasted with the concept of avant-garde poetry. This metapoetic formula is then extended to other texts in the volume Jasne niejasne [Bright Unclear], in which the mimetic aspect of literature in particular is problematised and the ethical dimension of Hartwig’s oeuvre is highlighted.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42366316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
New Polish Theatre on the Small Screen: the TV series Artyści (Artists, 2015) 小屏幕上的新波兰剧院：电视剧Artyści（艺术家，2015）
Przestrzenie Teorii Pub Date : 2023-07-11 DOI: 10.14746/pt.2022.38.20
W. Baluch
{"title":"New Polish Theatre on the Small Screen: the TV series Artyści (Artists, 2015)","authors":"W. Baluch","doi":"10.14746/pt.2022.38.20","DOIUrl":"https://doi.org/10.14746/pt.2022.38.20","url":null,"abstract":"The article describes the phenomenon of the Polish TV series Artists. Created by the theater creators Strzępka and Demirski were their TV debut. The series has become iconic among the theater community. Analyzing the series I show its sources, which are stuck in the extraordinary recent development of Polish theater dramaturgy . I also try to show how the series opens the directing to new dimensions of creativity. The changes that have taken place in the Polish theater allow to replace the dominant models of affirmation and subversion with an affective approach to art whose frame I become experience.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46866255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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