Ars Aeterna最新文献_第6页

Emotional schemas and cognitive strategies in fiction: Milkman 小说中的情感图式与认知策略:送奶工

Ars Aeterna Pub Date : 2020-06-01 DOI: 10.2478/aa-2020-0002

Roghayeh Farsi

引用次数: 1

Narrating the extremes: The language of suffering and survival in Laila Lalami’s The Moor's Account 叙述极端:莱拉·拉拉米的《摩尔人的故事》中关于痛苦和生存的语言

Ars Aeterna Pub Date : 2019-12-01 DOI: 10.2478/aa-2019-0008

Insaf Sensri, Fella Benabed

{"title":"Narrating the extremes: The language of suffering and survival in Laila Lalami’s The Moor's Account","authors":"Insaf Sensri, Fella Benabed","doi":"10.2478/aa-2019-0008","DOIUrl":"https://doi.org/10.2478/aa-2019-0008","url":null,"abstract":"Abstract In the 16th century, the tragic Narvaez expedition to the New World ended with only four survivors: three Spaniard masters and a Moor slave who had never been given a chance to give his testimony as his companions had. In the fictional memoir The Moor’s Account (2014), Laila Lalami gives voice to Mustafa/Estebanico to narrate the hardships they went through from his perspective, which reflects his Arabic and Islamic identity. His story depicts several forms of human suffering: deprivation and poverty in his home country Morocco under the Portuguese occupation, slavery and torment while in Spain, and eight years of privation and wandering in the wilderness of North America. The paper will employ postcolonial poetics to reveal the literary devices used to recount these forms of human suffering as they are represented through the ethnicity of the narrator. This in-text analysis will link linguistic and aesthetic signs in the text to their interpretative functions in cultural reconciliation. Therefore, it will highlight the ideological and aesthetic aspects which classify the novel as postcolonial writing. Then, it will focus on the suffering-survival dichotomy and its representation in the narrative discourse.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"11 1","pages":"24 - 40"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44989836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A voyage from Apollonian Munich to Dionysian Venice in Thomas Mann’s Death in Venice 托马斯·曼的《威尼斯之死》中从阿波罗时代的慕尼黑到酒神时代的威尼斯的航行

Ars Aeterna Pub Date : 2019-12-01 DOI: 10.2478/aa-2019-0011

Nilay Erdem Ayyıldız

引用次数: 0

The typology of backstory inter-character conflicts as a core action in the plot 作为情节核心动作的背景故事人物冲突类型

Ars Aeterna Pub Date : 2019-12-01 DOI: 10.2478/aa-2019-0012

M. Čechová

引用次数: 0

Doctor Who meets Loving Vincent Van Gogh (A case study of the “tortured artist” stock character in popular culture) 《神秘博士》与文森特·梵高相遇（以流行文化中“饱受折磨的艺术家”为例）

Ars Aeterna Pub Date : 2019-12-01 DOI: 10.2478/aa-2019-0010

Martin Boszorád

{"title":"Doctor Who meets Loving Vincent Van Gogh (A case study of the “tortured artist” stock character in popular culture)","authors":"Martin Boszorád","doi":"10.2478/aa-2019-0010","DOIUrl":"https://doi.org/10.2478/aa-2019-0010","url":null,"abstract":"Abstract Methodologically connecting at its core the experience-based and interpretation-based aesthetic approach to popular culture/popular art(s) on one hand and the basis-building views of what is called arch-textual thematology on the other, the paper seeks to examine, following its particular embodiment, one of the most stable, recurring and probably therefore one of the most iconic stock characters - the “tortured artist” stock character. This example of a “stereotyped character easily recognized by readers or audiences from recurrent appearances in literary or folk tradition” (Baldick, 2008, p. 317) can be - besides other principal and distinctive examples such as the “mad scientist”, the “lady/damsel in distress” or, let’s say, the “everyman” - witnessed all across culture, including the sub-sphere of popular culture, and the arts. The implied cultural significance and “omnipresence” of the “tortured artist” stock character can be aptly illustrated by Vincent Van Gogh and not only as a real-life tortured artist prototype or even archetype but also as a popular model for numerous and various cultural depictions - from poems by Charles Bukowski through the “moving pictures” of Loving Vincent to an episode of the well-recognized British TV show Doctor Who.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"11 1","pages":"55 - 67"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45181893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The verbalization of grief in David Grossman’s Falling Out of Time 大卫·格罗斯曼《脱离时间》中悲伤的语言表达

Ars Aeterna Pub Date : 2019-12-01 DOI: 10.2478/aa-2019-0009

Mária Hricková, Simona Klimková

引用次数: 0

The devil inside that won’t be caged or fixed by words: Fluidity and ethics in Ian McGuire’s The North Water 内心的恶魔不会被禁锢或被语言所禁锢:伊恩·麦奎尔的《北水》中的流动性和道德

Ars Aeterna Pub Date : 2019-12-01 DOI: 10.2478/aa-2019-0007

P. Chalupský

{"title":"The devil inside that won’t be caged or fixed by words: Fluidity and ethics in Ian McGuire’s The North Water","authors":"P. Chalupský","doi":"10.2478/aa-2019-0007","DOIUrl":"https://doi.org/10.2478/aa-2019-0007","url":null,"abstract":"Abstract In Ian McGuire’s novel The North Water (2016), Patrick Sumner, a young medical doctor recently dismissedfrom the British Army with his reputation and professional prospects in ruins, accepts a poorly paid position as a surgeon on a whaling ship in his attempt to flee from his past and his troubled conscience. However, contrary to his expectations, in the Arctic Circle he faces an ordeal far more demanding than anything he has hitherto endured in the form of the harpooner Henry Drax, a dangerous psychopath who is ready to abuse and murder anyone who is an obstacle to the satisfaction of his brutish physical needs. Confronted with violence and cruelty beyond understanding, within the fluid framework of the distorted ethical norms and values of the heterogeneous crew, the embittered Sumner is gradually forced to abandon his protective shell of resigned indifference and reassess the moral stances and responsibilities of a civilized person when faced with human wickedness. Though McGuire acknowledges primarily the inspiration of Herman Melville and Cormac McCarthy, this paper argues that in ethical terms the novel responds to Joseph Conrad’s Lord Jim and Heart of Darkness, pushing the protagonist’s relationship to the other to an extreme by making the other an embodiment of pure evil.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"11 1","pages":"1 - 23"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45310508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The concept of happiness in Night Zoo 《夜动物园》中的幸福观

Ars Aeterna Pub Date : 2019-06-01 DOI: 10.2478/aa-2019-0006

Viktória Gergelyová

{"title":"The concept of happiness in Night Zoo","authors":"Viktória Gergelyová","doi":"10.2478/aa-2019-0006","DOIUrl":"https://doi.org/10.2478/aa-2019-0006","url":null,"abstract":"Abstract This paper deals with a psychoanalytic interpretation of the titular story. It is part of the first volume in the Hungarian anthology series entitled Night Zoo – An Anthology of Women’s Sexuality (‘Éjszakai Állatkert – Antológia a női szexualitásról’). The analysis focuses on the story Night Zoo (‘Éjszakai Állatkert’) written by Zsófia Bán according to Freud’s personality theory. The theory regards our psyche as divided into three parts. The id is the instinctual part of our mind that represents our sexual and hidden desires, the superego contains the moral conscience and the norms, and the ego mediates between the wishes of the id and the rules of the superego. The chosen short story seems to revolve around unfulfilled love between two people. But after critical reading, it is obvious that this is not a love story of two people, but the relationship lies between the narrator and her unfulfilled desires. There is an immense conflict between instincts and social expectations. The narrator’s id has a desire; she just wants to be happy and have harmony in her life. But the superego does not allow her to fulfill the desire. The ego is therefore instrumental in deciding what the correct decision is.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"11 1","pages":"67 - 74"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45447815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Literary space in Ismail Kadare’s novel The Palace of Dreams (A semiotic approach) 伊斯梅尔·卡达雷小说《梦之宫》中的文学空间（符号学方法）

Ars Aeterna Pub Date : 2019-06-01 DOI: 10.2478/AA-2019-0003

M. Brahaj

引用次数: 0

The motifs of happiness, distress, anger and misery in the tales of Magda Szécsi 玛格达·塞西故事中快乐、痛苦、愤怒和痛苦的主题

Ars Aeterna Pub Date : 2019-06-01 DOI: 10.2478/aa-2019-0001

Gizela Tóthová

引用次数: 1