Journal of New Zealand and Pacific Studies最新文献

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Reframing early Australasian cinema: Trans-Tasman exchanges during the silent film period 重构早期澳大拉西亚电影:默片时期的跨塔斯曼交流
Journal of New Zealand and Pacific Studies Pub Date : 2018-10-01 DOI: 10.1386/NZPS.6.2.107_1
T. O’Regan, Alfio Leotta
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引用次数: 1
Special issue: New Zealand and Pacific film 特刊:新西兰与太平洋电影
Journal of New Zealand and Pacific Studies Pub Date : 2018-10-01 DOI: 10.1386/NZPS.6.2.101_2
I. Conrich, L. Sedgwick
{"title":"Special issue: New Zealand and Pacific film","authors":"I. Conrich, L. Sedgwick","doi":"10.1386/NZPS.6.2.101_2","DOIUrl":"https://doi.org/10.1386/NZPS.6.2.101_2","url":null,"abstract":"","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48846623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The force awakens: Mana as causal agent in Pacific narrative cinemas 原力觉醒:玛娜在太平洋叙事电影中扮演因果角色
Journal of New Zealand and Pacific Studies Pub Date : 2018-10-01 DOI: 10.1386/NZPS.6.2.121_1
Yifen T. Beus
{"title":"The force awakens: Mana as causal agent in Pacific narrative cinemas","authors":"Yifen T. Beus","doi":"10.1386/NZPS.6.2.121_1","DOIUrl":"https://doi.org/10.1386/NZPS.6.2.121_1","url":null,"abstract":"","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48805996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Vampires don’t do dishes’: Old myths, the modern world, horror and the mundane in What We Do in the Shadows (2014) 《我们在阴影中做的事》(2014):“吸血鬼不洗碗”:古老的神话、现代世界、恐怖和平凡
Journal of New Zealand and Pacific Studies Pub Date : 2018-10-01 DOI: 10.1386/NZPS.6.2.137_1
A. Wright
{"title":"‘Vampires don’t do dishes’: Old myths, the modern world, horror and the mundane in What We Do in the Shadows (2014)","authors":"A. Wright","doi":"10.1386/NZPS.6.2.137_1","DOIUrl":"https://doi.org/10.1386/NZPS.6.2.137_1","url":null,"abstract":"The New Zealand horror-comedy What We Do in the Shadows (2014) emerged at a time when contemporary cinema had been showing a renewed and sustained interest in vampire fiction. Whilst it was not the first to offer a humorous reworking of vampire mythology, this parody comes from a strong tradition in New Zealand cinema of disrupting genres, an approach which can be observed, for instance, in Peter Jackson’s early work. What We Do in the Shadows is notable as it creatively utilises generic tropes and intertextual references whilst relocating supernatural creatures of the old world into a contemporary Wellington. As this article argues, the comic potential is opened up in the film by a particular convergence of the spectacular and the mundane. In this environment, blood-drinking and the practicing of the dark arts, sits alongside everyday domestic tasks and cleaning rotas in a household of vampires. The film, it will be established, not only challenges and disrupts established horror genre conventions and expectations by repositioning them in a sitcom format, it also playfully engages with representations of masculinity and the homosocial in a house share environment. Additionally, by positioning the narrative in a New Zealand context, the film is able to localize the myths and stories of the old world and thus further destabilize recognized generic traditions.","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44905484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Contested terrains of identity and home: Coming of age, belonging and Māori-Pākehā relations in Taika Waititi’s Hunt for the Wilderpeople (2016) 身份和家园的竞争地形:Taika Waititi的《荒野猎人》(2016)中的成年、归属和毛利关系
Journal of New Zealand and Pacific Studies Pub Date : 2018-10-01 DOI: 10.1386/NZPS.6.2.151_1
Eva Rueschmann
{"title":"Contested terrains of identity and home: Coming of age, belonging and Māori-Pākehā relations in Taika Waititi’s Hunt for the Wilderpeople (2016)","authors":"Eva Rueschmann","doi":"10.1386/NZPS.6.2.151_1","DOIUrl":"https://doi.org/10.1386/NZPS.6.2.151_1","url":null,"abstract":"","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41334291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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