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Listening to Unheard Voices in Urban Public Space. The Cases of Ruskin Square and Plaça d'en Baró 在城市公共空间聆听未被倾听的声音。Ruskin广场和Plaça d'en Baró的案例
ZARCH Pub Date : 2022-09-02 DOI: 10.26754/ojs_zarch/zarch.2022186203
Dorotea Ottaviani, C. De Marinis
{"title":"Listening to Unheard Voices in Urban Public Space. The Cases of Ruskin Square and Plaça d'en Baró","authors":"Dorotea Ottaviani, C. De Marinis","doi":"10.26754/ojs_zarch/zarch.2022186203","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186203","url":null,"abstract":"The paper explores the concept of ‘listening to unheard voices’ in the urban environment as a design intention and strategy that contributes to an inclusive and alternative approach to urban public space, considering and promoting the imperatives of caring that such space should deliver to the city and its inhabitants. The ideas discussed in the paper find their background in the research on the concept of care in feminist urbanism and feminist studies in general, and specifically in relation to the model of the Caring City, promoting a city that places care at its centre, and aims to include a wider selection of citizens in the construction of the public good.\u0000Through the analysis of two case studies of public spaces designed by solo-women architecture practices, this paper identifies an alternative relational paradigm which gives space to unheard voices in the urban environment through processes of inclusion and participation. The two cases, Plaça d'en Baró in Santa Coloma de Gramenet (Barcelona, Spain), designed by Catalan architectural collective Equal Saree, and Ruskin Square in the London Borough of Croydon (London, UK) designed by British architectural practice muf architecture/art, have implemented the concept of listening to ‘unheard voices’ offering insights into the contribution of women to the urban environment and how it is transformed, shaped, and used.","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45455253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mujeres, prácticas feministas y profesionales alternativos en la arquitectura 建筑中的女性、女权主义实践和另类专业人士
ZARCH Pub Date : 2022-09-02 DOI: 10.26754/ojs_zarch/zarch.2022186966
Lucía C. Pérez Moreno, Ann E. Komara
{"title":"Mujeres, prácticas feministas y profesionales alternativos en la arquitectura","authors":"Lucía C. Pérez Moreno, Ann E. Komara","doi":"10.26754/ojs_zarch/zarch.2022186966","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186966","url":null,"abstract":"“The absence of women from the profession of architecture remains, despite various theories, very difficult to explain and very slow to change. It demarcates a failure the profession has become adept at turning a blind eye to, despite the fact that it places architecture far behind the other professions with which architects frequently seek to align themselves. If we consider architecture as a cultural construct, both vessel and residue, we can but wonder what this symptomatic absence suggests about our culture and the orders that govern the production of its architecture. One thing is clear however: just as the absence of either sex from a large constituency must indicate some internal crisis in which gender plays a crucial role, the absence of women from the profession of architecture points to a profound gender-related crisis at the base of architecture”. 1","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41684393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MARÍA NOVAS - Arquitectura y género. Una introducción posible 玛丽亚·诺瓦斯-建筑与流派。可能的介绍
ZARCH Pub Date : 2022-09-02 DOI: 10.26754/ojs_zarch/zarch.2022186956
S. Amoroso
{"title":"MARÍA NOVAS - Arquitectura y género. Una introducción posible","authors":"S. Amoroso","doi":"10.26754/ojs_zarch/zarch.2022186956","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186956","url":null,"abstract":"María NovasArquitectura y género. Una introducción posibleSanta Cruz de Tenerife: Melusina, 2021. 192 pp. Tapa blanda. Idioma: español. 16,90 €ISBN 978-84-18403-37-8","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43781440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
RAIMUNDO BAMBÓ NAYA - El dictado de los tiempos. Razón y oficio en la arquitectura de Lorenzo Monclús Ramírez 雷蒙多·班博纳亚-时代的独裁者。洛伦佐·蒙克鲁斯·拉米雷斯建筑中的理性与手艺
ZARCH Pub Date : 2022-09-02 DOI: 10.26754/ojs_zarch/zarch.2022186960
Víctor Pérez Escolano
{"title":"RAIMUNDO BAMBÓ NAYA - El dictado de los tiempos. Razón y oficio en la arquitectura de Lorenzo Monclús Ramírez","authors":"Víctor Pérez Escolano","doi":"10.26754/ojs_zarch/zarch.2022186960","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186960","url":null,"abstract":"Raimundo Bambó NayaEl dictado de los tiempos. Razón y oficio en la arquitectura de Lorenzo Monclús RamírezZaragoza: Institución Fernando el Católico, 2020. 416 pp. Tapa blanda. Idioma: español. 48 €ISBN-10: 8499115993ISBN-13: 978-8499115993","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43837106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La arquitecta pionera estadounidense Lois Langhorst. Exposición de acuarela abstracta en la Galería Biosca de Madrid (1955) 美国建筑师露易丝·朗霍斯特。马德里比斯卡画廊抽象水彩画展览(1955年)
ZARCH Pub Date : 2022-09-02 DOI: 10.26754/ojs_zarch/zarch.2022186192
María del Pilar Salazar Lozano
{"title":"La arquitecta pionera estadounidense Lois Langhorst. Exposición de acuarela abstracta en la Galería Biosca de Madrid (1955)","authors":"María del Pilar Salazar Lozano","doi":"10.26754/ojs_zarch/zarch.2022186192","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186192","url":null,"abstract":"En junio de 1955 se publican en Madrid varias críticas en revistas y periódicos sobre una exposición de acuarelas en la galería Biosca. La autora tiene un nombre desconocido: Lois Langhorst; y las acuarelas muestran un marcado e innovador carácter abstracto. Entre los nombres de los artistas que exponían en esta galería apenas aparecen extranjeros. La historia detrás de esta exposición nos lleva a la construcción de las bases estadounidenses en España y de ahí a la trayectoria de una de las arquitectas americanas pioneras en la profesión. Este artículo pretende esclarecer las incógnitas que presenta esta exposición, adentrándonos en la complejidad que tuvo en ese momento el ser arquitecta. Busca sacar a la luz la estancia de Lois Langhorst en España y los contactos que tuvieron tanto ella como su marido, Frederick Langhorst, con la sociedad española del Madrid de mediados de siglo.","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41349304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Karola Bloch in East Germany (GDR, 1950-55). Standardisation of Childcare Facilities as a Women’s Emancipatory Tool 东德的卡洛拉·布洛赫（民主德国，1950-55）。将儿童保育设施标准化作为妇女解放的工具
ZARCH Pub Date : 2022-09-02 DOI: 10.26754/ojs_zarch/zarch.2022186188
Bettina Siegele
{"title":"Karola Bloch in East Germany (GDR, 1950-55). Standardisation of Childcare Facilities as a Women’s Emancipatory Tool","authors":"Bettina Siegele","doi":"10.26754/ojs_zarch/zarch.2022186188","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186188","url":null,"abstract":"The architect Karola Bloch, who was working for the Deutsche Bauakademie in the GDR after World War II, aimed to meet the goal of gender equality according to socialist principles by realising numerous crèches and kindergartens through the development of schematic plans and guidelines for building construction. For the newly founded socialist state of the GDR, this was a way to free women from domestic unpaid care work in order to integrate them into wage-earning labour, which was considered crucial for women to become equal members of society. The implementation of a nationwide network of childcare centres via typification and standardisation promised to realise these ambitious goals quickly and cost-effectively. ","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45007364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Transcultural Dwelling. Japan’s Pioneer Architect Miho Hamaguchi and her last Project in Spain 跨文化的住所。日本先锋建筑师滨口美穗和她在西班牙的最后一个项目
ZARCH Pub Date : 2022-09-02 DOI: 10.26754/ojs_zarch/zarch.2022186198
Noemí Gómez Lobo, Kana Ueda, Diego Martín Sánchez
{"title":"Transcultural Dwelling. Japan’s Pioneer Architect Miho Hamaguchi and her last Project in Spain","authors":"Noemí Gómez Lobo, Kana Ueda, Diego Martín Sánchez","doi":"10.26754/ojs_zarch/zarch.2022186198","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186198","url":null,"abstract":"Miho Hamaguchi (1915-1988) was the first woman to be a licensed architect in Japan. A pioneer in domestic design during the postwar period, she built and consulted on thousands of houses throughout her prolific career. However, she is a little-known figure both in Japan and in the international debate. Her representation in architectural historiography is limited to her influence on kitchen design, but her writings and work go far beyond. Hamaguchi's legacy is one of bold residential architecture that embodied democratic ideas in spatial configurations. She promoted the house as a fundamental tool for gender equality, leaving behind a feudal and patriarchal system. At the end of her career, she found in Costa del Sol the perfect place to carry out a residential project as a cultural exchange. \"Kaiyo Club\" became a set of three houses since the first design in 1974 until the subsequent extensions were completed in 1987. Throughout its different stages, the project shows a striking Spanish-Japanese transfer where different architectural languages coexist. The white-walled exterior dialogues with the vernacular, while its interior unfolds Japanese patterns with tatami-floored rooms or ofuro-style bathrooms. These dwellings present a unique hybrid materialization, displaying Hamaguchi's design from a humanistic stance, blending of locally rooted modernist spatial principles and reinterpreted traditions.","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42210113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ZAIDA MUXÍ MARTÍNEZ - Mujeres, casas y ciudades. Más allá del umbral ZAIDA muxi martinez -女人，房子和城市。超越门槛
ZARCH Pub Date : 2022-09-02 DOI: 10.26754/ojs_zarch/zarch.2022186955
Joan Moreno Sanz
{"title":"ZAIDA MUXÍ MARTÍNEZ - Mujeres, casas y ciudades. Más allá del umbral","authors":"Joan Moreno Sanz","doi":"10.26754/ojs_zarch/zarch.2022186955","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186955","url":null,"abstract":"Zaida Muxí MartínezMujeres, casas y ciudades. Más allá del umbral Barcelona: DPR-Barcelona, 2018. 345 pp. Tapa blanda. Idioma: español. 20 €ISBN 978-84-947523-6-0","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41402334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ZAIDA MUXÍ MARTÍNEZ (coord.) - Antología de pensamientos feministas para arquitectura Zaida Muxi Martínez（协调）-建筑女权主义思想选集
ZARCH Pub Date : 2022-09-02 DOI: 10.26754/ojs_zarch/zarch.2022186958
V. Benedet
{"title":"ZAIDA MUXÍ MARTÍNEZ (coord.) - Antología de pensamientos feministas para arquitectura","authors":"V. Benedet","doi":"10.26754/ojs_zarch/zarch.2022186958","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186958","url":null,"abstract":"Zaida Muxí Martínez (coord.)Antología de pensamientos feministas para arquitecturaBarcelona: Universitat Politècnica de Catalunya, 2022. 475 pp. Digital acceso abierto. Idioma: españolISBN 978-84-9880-966-4","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49006988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La fotografía de Eileen Gray. Un paseo arquitectónico por E.1027 艾琳·格雷的照片。E.1027上的建筑散步
ZARCH Pub Date : 2022-09-02 DOI: 10.26754/ojs_zarch/zarch.2022186170
Beatriz S. González Jiménez, Alberto Ruiz Colmenar
{"title":"La fotografía de Eileen Gray. Un paseo arquitectónico por E.1027","authors":"Beatriz S. González Jiménez, Alberto Ruiz Colmenar","doi":"10.26754/ojs_zarch/zarch.2022186170","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186170","url":null,"abstract":"Este texto propone un análisis del dossier de fotografías que Eileen Gray elaboró sobre E.1027, su más conocido proyecto. Lejos de suponer una simple recopilación de imágenes inconexas, el reportaje se planteó desde su origen como un paseo arquitectónico compuesto por fotografías cuidadosamente tomadas por la propia arquitecta en las que el espacio y los objetos formaban parte de una escenografía pensada para generar un recorrido visual por el ambiente retratado. El objetivo de este artículo es recuperar este dossier publicado en 1929 por la revista l’Architecture Vivante mostrando así la personal visión que de su propia casa desarrolló Eileen Gray. Asimismo, se quiere analizar destacadas facetas de Gray como arquitecta, diseñadora y fotógrafa.","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42927987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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