eTropic最新文献_第10页

Plastic Marine Waste and its Potential for Indonesian Indigenous Communities 海洋塑料废物及其对印度尼西亚土著社区的潜力

eTropic Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3697

Jacob Wood, Swathi Paturi, Prerna Puri, Emil Senf Jakobsen, S. Shankar, Pawel Zejden, Simona Azzali

引用次数: 3

Indigenous Art and Sovereignty Inspiring Change against Environmental Degradation 本土艺术和主权激发改变环境退化

eTropic Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3737

Estelle Castro-Koshy, Géraldine Le Roux

{"title":"Indigenous Art and Sovereignty Inspiring Change against Environmental Degradation","authors":"Estelle Castro-Koshy, Géraldine Le Roux","doi":"10.25120/etropic.19.1.2020.3737","DOIUrl":"https://doi.org/10.25120/etropic.19.1.2020.3737","url":null,"abstract":"This special issue on “Environmental Artistic Practices and Indigeneity: In(ter)ventions, Recycling, Sovereignty\" constitutes a body of creative contributions and academic articles addressing numerous forms of artistic practices of the Pacific Islands, Australia, French Guiana, the Caribbean, and Southeast Asia. Inspired by Indigenous artists and writers whose practices and creativity help reimagine sustainable ways to inhabit the world, this introduction and our special issue interrogate contemporary environmental issues and the legacy of colonisation. They examine how Indigenous artists and writers, and artists working with Indigenous artists and communities, have for decades raised awareness about environmental issues, and encouraged people to regain their agency to struggle against environmental degradation and further destruction of Indigenous people’s societies and health. This introduction contextualises the concepts and Indigenous terms used by artists to express their vision of what a respectful relationship with the environment would be. It also offers readings of the beautiful literary and artistic creative contributions included in this issue. Environmental themes such as waste recycling, health issues, pollutants (mercury, POPs), and agricultural technics are discussed here in light of human and non-human life and agency. This issue also features a significant range of calls for action to better protect and restore ecosystems.","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46807800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

spinifex scriptures 刺经文一样

eTropic Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3727

Yvette Holt

引用次数: 0

Environmental Challenges and Traditional Food Practices: The Indigenous Lundayeh of Long Pasia, Sabah, Borneo 环境挑战与传统饮食习俗：婆罗洲沙巴州龙帕西亚的土著Lundayeh

eTropic Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3734

K. Ganesan, A. Govindasamy, Jane Kon Ling Wong, Shaffarullah Abdul Rahman, K. A. Aguol, Jamsari Hashim, Bilcher Bala

引用次数: 1

Moth 蛾

eTropic Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3725

Sam Watson

引用次数: 2

The Sui Utik, Creative Works and Tembawang: Retaining Biodiversity in Kalimantan, Indonesia 隋、创意作品和特姆巴旺：在印度尼西亚加里曼丹保留生物多样性

eTropic Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3696

O. S. C. Rombe

{"title":"The Sui Utik, Creative Works and Tembawang: Retaining Biodiversity in Kalimantan, Indonesia","authors":"O. S. C. Rombe","doi":"10.25120/etropic.19.1.2020.3696","DOIUrl":"https://doi.org/10.25120/etropic.19.1.2020.3696","url":null,"abstract":"This paper discusses how the Dayak Iban community of Sui Utik, Kalimantan, with the help of Sekar Kawung, a social enterprise foundation, uses the indigenous system of Tembawang to challenge deforestation and concomitant problems of air pollution through creative works based on the materials of the local rainforest. The research for this paper includes interviews with the founder of Sekar Kawung foundation, literature reviews, photographs, social media reports and community summaries. Sui Utik, in collaboration with Sekar Kawung, has developed creative works including weavings, an innovative application of tattoos, food and beverage products, and eco treks. The research found that the Sui Utik community, which started producing creative works in 2015, have continued their practice as social entrepreneurs. It is suggested that they should now expand their practice by working together with other indigenous entrepreneurs to challenge Indonesian craftsmen and designers to take their creativity, skills and knowledge to an international market. As part of this move, the development of innovative marketing tools using new technologies should be explored, while maintaining local wisdom as the core value for making creative works.","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46449958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 5

Indigenous Becoming: Genesis and Resonance of Selve, a Play co-written with Sylvana Opoya from Taluhwen, Guiana, Amazonia 土著成为:起源和自我的共鸣，与Sylvana Opoya从塔鲁温，圭亚那，亚马逊合作编写的剧本

eTropic Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3732

Christophe Rulhes

引用次数: 0

Tahiri 塔希里

eTropic Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3729

Tevaite Rey

引用次数: 0

Worlding with Oysters 牡蛎世界

eTropic Pub Date : 2020-08-30 DOI: 10.25120/etropic.19.1.2020.3731

S. J. Moore

引用次数: 1

Not Today, Old Man 今天不行，老头

eTropic Pub Date : 2019-10-18 DOI: 10.25120/etropic.18.2.2019.3711

Lianda Burrows

{"title":"Not Today, Old Man","authors":"Lianda Burrows","doi":"10.25120/etropic.18.2.2019.3711","DOIUrl":"https://doi.org/10.25120/etropic.18.2.2019.3711","url":null,"abstract":" ‘Not Today, Old Man’ was written to the journal’s call-out theme ‘Tropical Gothic’. Informed by these ideas and a long tradition of women’s writing from Austen to Atwood, ‘Not Today, Old Man’ interrogates the relationship between women and violence.Throughout most of the twentieth century, ongoing abuse of women in a domestic environment was not considered a mitigating factor in violent action performed against the perpetrator, or indeed ‘self-defence’, unless taken at the time of attack. Unable to physically shield themselves from their abusers, and without a legal defence should they seek to protect themselves outside the temporal boundary of a violent attack, women were in a sense imprisoned within these relationships. In the comparatively rare instance that a woman was the perpetrator of domestic violence, ‘Battered Woman Syndrome’ was not available for defence in the context of Australian provocation law until the end of the twentieth century (see R v Kontinnen 1991; R v Runjanjic 1992). It is worth considering that in this same era, a man making unwelcome sexual advances to another man was considered reasonable grounds for ‘self-defence’ (R v Green 1997).The landscape in ‘Not Today, Old Man’ is predominantly set in the tropics, but the story also alludes to the diversity of countryside and climate within Australia, both in the text itself and through allusions to authors like Gerald Murnane. The dark undertones of the piece are embedded in the depiction of these landscapes and the images they evoke. The oppressive heat, humidity, and comparatively low population of Australia’s tropical regions lends itself to gothic exploration. This dark undertone was modelled on writers like David Malouf, whose fiction and poetry have been significant in endowing Australia with a sense of mythology associated with its Northern environments. As Malouf has explained, re-mythologizing the postcolonial Australian landscape gives its diverse inhabitants a renewed, ‘symbolised place’ to ‘exist in’ (cited in Mulligan & Hill, 2001, p.110).","PeriodicalId":37374,"journal":{"name":"eTropic","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43512031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0