今天不行,老头

Q1 Arts and Humanities
Lianda Burrows
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引用次数: 0

摘要

《不是今天,老人》的主题是“热带哥特式”。受这些思想和从奥斯汀到阿特伍德的长期女性写作传统的影响,《不是今天,老人》探讨了女性与暴力之间的关系。在整个二十世纪的大部分时间里,在家庭环境中持续虐待妇女并没有被视为对施暴者采取暴力行动的一个减轻因素,或者实际上是“自卫”,除非在袭击发生时采取。妇女无法在身体上保护自己免受施虐者的伤害,如果她们试图在暴力袭击的时间边界之外保护自己,也没有法律辩护,从某种意义上说,她们被监禁在这些关系中。在女性是家庭暴力施暴者的相对罕见的情况下,“受虐妇女综合症”直到20世纪末才可在澳大利亚挑衅法的背景下进行辩护(见R v Kontinnen 1991;R v Runjanjic 1992)。值得一提的是,在同一个时代,一名男子对另一名男子进行不受欢迎的性挑逗被认为是“自卫”的合理理由(R v Green 1997)。《不是今天,老人》中的场景主要发生在热带地区,但故事也暗示了澳大利亚乡村和气候的多样性,无论是在文本本身还是通过对Gerald Murnane等作家的暗示。作品的黑暗基调嵌入了对这些风景及其唤起的图像的描绘中。澳大利亚热带地区闷热、潮湿,人口相对较少,适合进行哥特式探索。这种黑暗的基调是以大卫·马鲁夫等作家为原型的,他的小说和诗歌在赋予澳大利亚与北方环境相关的神话感方面发挥了重要作用。正如马鲁夫所解释的,重新神话化后殖民时代的澳大利亚景观,为其多样化的居民提供了一个新的“象征性的地方”来“生存”(引用于Mulligan&Hill,2001,第110页)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Not Today, Old Man
 ‘Not Today, Old Man’ was written to the journal’s call-out theme ‘Tropical Gothic’. Informed by these ideas and a long tradition of women’s writing from Austen to Atwood, ‘Not Today, Old Man’ interrogates the relationship between women and violence.Throughout most of the twentieth century, ongoing abuse of women in a domestic environment was not considered a mitigating factor in violent action performed against the perpetrator, or indeed ‘self-defence’, unless taken at the time of attack. Unable to physically shield themselves from their abusers, and without a legal defence should they seek to protect themselves outside the temporal boundary of a violent attack, women were in a sense imprisoned within these relationships. In the comparatively rare instance that a woman was the perpetrator of domestic violence, ‘Battered Woman Syndrome’ was not available for defence in the context of Australian provocation law until the end of the twentieth century (see R v Kontinnen 1991; R v Runjanjic 1992). It is worth considering that in this same era, a man making unwelcome sexual advances to another man was considered reasonable grounds for ‘self-defence’ (R v Green 1997).The landscape in ‘Not Today, Old Man’ is predominantly set in the tropics, but the story also alludes to the diversity of countryside and climate within Australia, both in the text itself and through allusions to authors like Gerald Murnane. The dark undertones of the piece are embedded in the depiction of these landscapes and the images they evoke. The oppressive heat, humidity, and comparatively low population of Australia’s tropical regions lends itself to gothic exploration. This dark undertone was modelled on writers like David Malouf, whose fiction and poetry have been significant in endowing Australia with a sense of mythology associated with its Northern environments. As Malouf has explained, re-mythologizing the postcolonial Australian landscape gives its diverse inhabitants a renewed, ‘symbolised place’ to ‘exist in’ (cited in Mulligan & Hill, 2001, p.110).
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来源期刊
eTropic
eTropic Arts and Humanities-Literature and Literary Theory
CiteScore
2.00
自引率
0.00%
发文量
27
审稿时长
12 weeks
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